The young mermaid Yu Ting.
Song Dynasty: Jie Jiang
Teenagers listen to the rain and sing upstairs. The red c
The young mermaid Yu Ting.
Song Dynasty: Jie Jiang
Teenagers listen to the rain and sing upstairs. The red candle is weak. Listening to the rain on the boat in the prime of life. The river is wide and the clouds are low, and the broken geese are called the west wind.
Now listen to the rain monk Lu. The temple is full of stars. Sorrow and joy are always ruthless. Before the next step, drop by drop until dawn.
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When I was young, I listened to the rain on the rostrum, lit red candles, and in the dim light, there were lights in my account. Middle-aged people, on a boat in a foreign country, are watching the drizzle, the vast river, the water and the sky, the west wind, and a lonely goose that has lost its flock moans.
Now, people are old, with white hair on their temples, and they are alone at the monk's house, listening to the drizzle. The experience of life's joys and sorrows is ruthless, so let the rain drop by drop on the steps until dawn.
To annotate ...
Yu Meiren: One of the epigrams. Tangjiao square song. We take two squares, one is 56 words, and the upper and lower blocks have two rhymes and two flat rhymes. One is fifty-eight, with two rhymes on it, two rhymes on it and three rhymes on it.
Faint: hazy, Luo Zhang: gauze curtain on ancient bed.
Broken goose: a lonely goose that has lost its flock
Monk house: monk temple, monk house.
Star: White hair is like a star, which describes a lot of white hair. Ruthless: indifference.
Next semester: Whatever.
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In the works of poets of past dynasties, the drizzle is always inextricably linked with "melancholy", such as: "The phoenix tree is raining, dusk, dribs and drabs, how can it be a sad word this time?" "In the evening, the rain hits pear blossoms and closes the door." However, in Jie Jiang's ci, both of them are "listening to the rain", but they have completely different feelings due to different time, region and environment. From the unique perspective of "listening to the rain", the poet introduced three pictures of "listening to the rain" in turn through the leap of time and space, which infiltrated and integrated the joys and sorrows of his life.
The first picture: "Young people listen to the rain song upstairs, and the red candle is faint." Although it only shows a fragment of a time and a place, it has great artistic capacity. Colorful images such as "Song Lou", "Red Candle" and "Luo Zhang" are intertwined, conveying the happy feelings of the spring breeze. When I was a teenager, I was drunk and dreamy, spending money like water, singing and dancing lightly in the noise and sinking into my own life. The word "faint" tells the extravagant life of "bagpipes blowing off water, Yun Jian, and the song of dresses comes back". At this time, listening to the rain was on the balcony, and the sound of the rain he heard added meaning to the balcony, red candles and Luo Zhang. Although this belongs to the life of laughing and laughing, it has nothing to do with bitterness after all. The author focuses on the youth and elegance of "I don't know the taste of bitterness". The impression of this stage in the poet's mind is eternal and short-lived. Such a cheerful picture of youth contrasts with the bleak situation behind it.
The second picture: "The wind is in full bloom, the boat is listening to the rain, the river is wide and the clouds are low, and the broken geese are called the west wind." A picture of a passenger ship listening to the rain, a picture of a wide river with low winds and light clouds, and a wild goose flying alone. The "passenger ship" here is not a passenger ship in a night berth near Fengqiao, nor a cruise ship in Startup a Seagull, but a lonely journey to the end of the world, lonely, sad and nostalgic for in my heart forever. At this time, the sound of rain was accompanied by the sound of broken geese. The word "broken" is associated with many artistic conceptions, heartbroken, the breakdown of family ties, and an unspeakable loneliness and regret in life. The images of "guest boat" and its surrounding "wide river", "low cloud", "broken goose" and "west wind" reflect the rough experience and sad mood of being displaced in stormy weather. After the prime of life, when the war is raging, poets often wander alone on the vast land of life, often wandering around and wandering around. The hatred of a wanderer and all kinds of parting sorrows are contained in this painting of Jiang.
The picture of "listening to the rain now" is a self-portrait showing his present situation. A white-haired old man listened to the rain at night alone under a monk's house. The bleak situation and gloomy mood can be seen in more than a dozen words. The mountains and rivers change hands, the sadness and resentment when they are in their prime, and the joy when they are young, have been like storms. Here and now, I hear the rain, but I am indifferent. "Sadness is greater than death in the heart" is a conclusion drawn from the pursuit of life experience, which contains infinite sadness and endless sadness. It seems that "the morning before the next step" has been very quiet and there is no wave. However, after listening to the rain all night, it shows that he has not really entered the realm of detachment and silence, but has experienced hardships and has the ability to control his emotions.
The three pictures are interlocking and reflect each other, which artistically summarizes the author's life track from childhood to adulthood and his emotional journey from spring to winter. Among them, there are both the brand of personality and the refraction of the times: from the author's youthful romance, the fall in the prime of life and the loneliness in his later years, we can clearly see the evolution track of a historical era from prosperity to decline and from decline to death, which is a profound and unique feature of this word.