Appreciation of cursive Tang poetry calligraphy works
Pictures of cursive Tang poetry calligraphy works 1
Picture 2 of cursive Tang poetry calligraphy works
Picture 3 of cursive Tang poetry calligraphy works
Picture 4 of cursive Tang poetry calligraphy works
The beauty of cursive script
The quality of calligraphy works can be seen from two aspects: first, the basic skills of calligraphy. The basic connotation of calligraphy is determined by the following two points: first, look at the basic structure of font frame. When writing brush characters, the bad shelf structure of a word may directly affect the meaning of the word, thus affecting the aesthetic value of calligraphy. When the shelf of a word is set up, the font of the word is determined. ? Truth, grass, official script and seal script? Different fonts have different bookshelf structures. Every calligrapher wants to change the font, first of all, he wants to change the shelf structure of previous calligraphy. Li Si changed the glyph structure of Shi Zhuan Zhuan and created the glyph structure of Zhuan Li. Cheng Miao changed the shelf structure of the previous calligraphy style and became a kind of official script. Wang Xizhi also sought changes in the shelf structure of his predecessors' calligraphy style, and he became a regular script, a running script and a cursive script. The font stand he wrote has a beautiful structure. Most calligraphers of later generations seek changes in his shelf structure and form their own styles. A person who writes with a brush can't even write the basic shelf structure well, then he can't be a calligrapher.
? Truth, grass, official script and seal script? Each font has its own line rules. With the change of stroke rules, fonts have also changed, and perhaps new, better and more beautiful fonts have appeared. When we appreciate a calligraphy, we must watch every stroke from the beginning, stroke, and see whether the stroke is powerful, whether the stroke force is even and smooth, and whether the stroke rules of this font are met when writing a stroke, such as point, horizontal, folding, vertical, hook, left, holding and lifting. These brushstrokes were forged by great calligraphers of past dynasties. Every great calligrapher's brushstrokes are different, but what remains unchanged is that every stroke he writes has skill and aesthetic value. A calligrapher's strokes without skill and aesthetic value are called strokes? Failure? . Therefore, calligraphers should learn the basic skills of each stroke in calligraphy on the basis of previous good stroke rules. Some brush characters, from the front of the paper, have words, but from the back of the paper, there are no words, which means that the writer can't write through the back of the paper. Some strokes are intermittent from the back of the paper, indicating uneven writing strength. Like what? Big? Chinese characters, viewed from the back of the paper, have dots at the beginning, dots at the end and dots at the intersection. The back of the whole word is 6 points, which is caused by uneven stroke force. Wang Duo in the late Ming and early Qing Dynasties was called China Qing Dynasty cursive script by the Japanese? Book saint? His paintings and calligraphy also have high prices in the auction market, but there are many defects in his calligraphy, which makes people feel that his calligraphy is not refined enough. Zhan Jingfeng's handwriting in Ming Dynasty was accurate and rarely failed.
Second, look at the language of connotation. Calligraphy language includes the following five points: point 1, and whether calligraphy has literary connotation. Good calligraphy works should not only reflect the meaning of each word, but also run through the meaning of the article. The full text of Wang Xizhi's calligraphy work "Preface to Lanting" not only embodies the beauty of fonts, but also embodies the beauty of articles. The beauty of words and articles are both reflected in calligraphy works. The same is true of Su Dongpo's calligraphy work Red Cliff Fu. These calligraphy works are called. Literati words? . When we look at a calligraphy work, we often comment:? Is this a literati word? 、? Is this calligraphy? 、? Is this a craftsman word? . This is because writers have different literary levels, which are reflected in words and have different connotations and feelings. Reading good calligraphy works gives people room to gallop, and appreciating calligraphy is like appreciating poetry, because calligraphy itself is a portrayal of thought. Reading Wen Zhiming's calligraphy works is like reading pastoral poems, which will arouse the association with the countryside. Reading and Guo's calligraphy works will also make people have poetic associations. The third point is whether the calligraphy works contain the rhythm of music. A good calligraphy work, the frame structure of each word and the structure between words all have musical rhythm. Have you read Mao Zedong's calligraphy "Qinyuanchun"? Snow seems to feel the most magnificent symphony in the world playing. The fourth point is whether the artistic conception of painting is contained in calligraphy. ? Painting and calligraphy in one? Characters are abstract paintings, and good calligraphy works fully show the artistic conception of paintings. Fifth, the connotation of calligraphy. The connotation of calligraphy includes atmosphere or meanness, chic, elegant or restrained, elegant or vulgar, heavy or frivolous and so on. These are all related to the calligrapher's character, as the saying goes? Like this? That's the truth. Mao Zedong's calligraphy is magnificent, which is determined by the great statesman's boldness of vision. Wang Xizhi's handwriting is chic and elegant, Yan Zhenqing's handwriting is heavy, and Wen Zhiming's handwriting is elegant. In short, the rich language covered by calligraphy works, from a certain point of view, should be a portrayal of the calligrapher's personality.
Running script is a writing style after cursive script and regular script. According to legend, it was written by Liu Desheng, a calligrapher in the period of Emperor Huan and Emperor Ling. Wei Heng's Four-body Calligraphy in the Western Jin Dynasty said: In Wei Chu, there are two schools of thought to learn calligraphy, namely, Zhong (Yao) and Hu (Zhao). ? Unfortunately, Liu Desheng left no ink.
What is a running script? In short, it is a kind of writing that is slightly modified on the basis of regular script. It is very simple to write, so it is welcomed by regular script. Running script is a writing style between cursive script and regular script, which is not as difficult to write and recognize as cursive script, nor as rigorous and dignified as regular script. So what the ancients said? Is it true or not? . It is characterized by adopting a certain cursive method, partially simplifying the strokes of regular script, changing the stroke shape of regular script and cursing the structure of regular script. In short, it is more fluent, straightforward and chic than regular script, and easier to recognize and write than cursive script.