Who wrote the word "Shaolin Temple" at the entrance of Shaolin Temple? Is there any origin or story?

The gate of Shaolin Temple was built in the 13th year of Qing Yongzheng (A.D. 1735) and rebuilt in 1974. On both sides of the door stood a pair of giant bluestone lions, carved in the Qing Dynasty. Male and female are opposite, male looks at the south sky and guards the ancient temple. The lion's front hoof bears a hydrangea, and the lioness's front hoof protects a little lion, which is lifelike and adds a solemn atmosphere to the temple. There are two symmetrical stone squares on the east and west sides of the splayed wall outside the mountain gate. The outer horizontal line of Dongshifang is "Zuyuan Diben" and the inner horizontal line is "Batuochuang"; On the west side of Stone Square, the inner banner reads "Mahayana Holiday Village" and the outer banner reads "Song Shaochan Forest". A rectangular gold plaque inscribed by Emperor Kangxi's imperial pen on a black background hangs horizontally above the painted bucket arch, the Zhumen carved building and the majestic mountain gate. In the middle of the plaque, there are three golden characters of "Shaolin Temple", and the six-character seal of "Treasure of Emperor Kangxi's Imperial Pen" is engraved in the middle of the plaque. In the 43rd year of Kangxi (A.D. 1704), the emperor was canonized, with a history of more than 300 years. The rebuilt Shaolin Mountain Gate is magnificent, and the towering ancient cypresses set each other off in an interesting way, setting off the mountain gate brilliantly. To this end, Emperor Kangxi wrote a book in Shaolin Temple, which also contained a mysterious story. It is said that after the gate of Shaolin Temple was completed in Kangxi period of Qing Dynasty, only the plaque on the gate remained empty. For this plaque, Jing Zhai, the abbot of Shaolin Temple, tried to get the court to write it, but the effect was not good. One day in the 43rd year of Emperor Kangxi in Qing Dynasty (AD 1687), an imperial edict came from Kyoto, saying that Emperor Kangxi was going to Zhongyue, and I heard that the emperor was going to Shaolin. The abbot Jing Zhai thought it was a double happiness. First, add luster to Shaolin Temple; Second, take the opportunity to ask the emperor to write a plaque for Shaolin Temple. But how can we get the emperor to write this plaque? To this end, he meditated for nine days, determined to become wise and worked hard. When Emperor Kangxi arrived at the gate of Shaolin Temple under the escort of officials from civil and military departments and Royal Guards, Monk Jingzhai led all the monks in the temple to meet him at the gate. Emperor Kangxi nodded in praise when he saw the majestic Shaolin Temple gate shaking and arching, and the villa was completely new. However, I saw the plaque hanging high on the mountain gate, which was just a blank. I couldn't stop shaking my head and asked curiously, "Great monk, the newly-built mountain gate is magnificent. Why are there empty plaques hanging? " Jing Zhai, a big monk, was beaming when he saw the emperor's question. He crossed his hands forward and said to Kangxi: "In order to welcome the arrival of the long live grandfather, the whole monk tore off a plaque on his original title. Now there are two monks writing in the temple, please instruct them to live forever-"He waved the monks to disperse quickly, and the crowd showed two monks, one old and one young, on the ground in front of the mountain gate, spreading paper and writing" Shaolin Temple ". Emperor Kangxi stepped forward and couldn't help laughing and saying, "This is not writing!" Seeing that the time was ripe, the big monk Jingzhai led the monks to shout in unison: "Long live the royal ceremony!" Emperor Kangxi could not refuse when he heard all the monks' requests in unison. He calmly picked up a pen and wrote the three characters "Shaolin Temple" in front of the mountain gate. At this point, these three words have been hanging high in the mountain gate until today. There is a smiling statue of Maitreya Buddha in the mountain gate, also called the Buddha of the future, with eyebrows raised, bare chest and abdomen exposed and smiling at people. Standing behind the statue of Wei Tuo, wearing armor and holding a pestle, is a valuable legacy in China's sculpture works.