The pen starts from the right, lifts vertically, crosses, and then presses left and right.
The essentials of writing basic running script in stroke order;
The first lecture on punctuality writing method: punctuality should not be long, it should be round and full, firm and willing to cut, and dry pen should not be used.
The second lecture on the writing essentials of left point: the left point is generally slightly longer than the pen, which is smooth and elegant with other strokes.
Short cross writing method lecture 3: short cross is light and small, not sharp, and the length and thickness depend on the situation.
The writing essentials of the middle horizontal part IV: The middle horizontal part is slightly thicker and stronger, depending on the situation when you start writing, but not weaker.
The fifth lecture on the writing method of long horizontal curve: the whole word of long horizontal curve is the king pen, not too short or too clumsy. Depending on the situation, the stroke direction should be accurate. ?
The sixth lecture on hanging vertical writing: hanging vertical pen to narrow the front, not hanging the edge, although sometimes hanging vertically, but the following words, do not use hanging needles.
The seventh lecture on vertical exposure writing: all vertical pens should be exposed vertically when they are in the building, and the middle or right depends on the words. The following example should never be used as a needle. ?
The eighth lecture on the vertical writing of hanging needles: even the vertical needles are bent to draw sand. Ask the center to write ten thousand strokes, and never tilt away from the front.
Essentials of Short Stroke Writing Lecture 9: The position and form of short strokes are often the yardstick of the whole word and even the whole article. This pen should be written quickly and forcefully, and it is not allowed to reach the end carelessly.
The tenth lecture on the essentials of middle-left writing: the middle-left writing should be heavier, and whether the pen is closed or not depends on the situation. There is often a pen in the middle of the running script.
Lecture 11: Long skimming should not be rude, weak and bent, the pen should not be too long, and it should not be thrown out at once, but should be measured and stretched freely.
The twelfth lecture on the writing method of vertical hook skimming: adding a hook after the light is vertical is called vertical hook scattering, which is vertical. Take the horizontal potential from the pen, which is the key to use the pen vertically.
The thirteenth lecture on direct pressure brushwork: direct pressure brushwork hides the front, but the blade cannot be exposed. In running script, straight strokes are mostly replaced by reverse strokes and strokes, and writing and changes are quite complicated.
The fourteenth lecture on the writing essentials of flat pen: the strokes of flat pen are often connected with the previous one, which should not be heavy. The strokes in the middle are full of twists and turns, just like water waves.
The fifteenth lecture on vertical hook writing: Anything long should not be too heavy, the hook should be slightly stronger, and pay attention to the direction of the hook. There is a difference between picking and writing and collecting pens.
The sixteenth lecture on the writing method of hooks: hooks should be slender and handsome, strong inside, complete on all sides, round and full, and hooks should be flat and avoid picking.
The seventeenth lecture on the writing method of cross hook: use a solid pen, and don't have to use a heavy-edged pen to get momentum. Where this pen is used, the hook body should not be short and the edge is not inside.
The eighteenth lecture on the writing method of horizontal folding hook: avoid thick vertical pen and small hook front, which is intended to connect the preceding with the following. Require the Tao to be firm, energetic, rich and fluid.
Lecture 19 on vertical hook writing: Don't start with a heavy pen, the hook will die if it is urgent, the hook will be inside and outside, and the nib will be straight up.
The twentieth lecture on the writing method of cross-folded oblique hook: it is required to be round, fresh, beautiful and elegant, and the strokes are not thick and not late. Seek its beauty in flight, but not lose its firmness in thinness.
Lecture 21 on vertical bending brushwork: hide the front of the pen, the hook on the back of the pen should not be large, the strokes should not be thick, and strive to be small and chic.
Lecture 22 on oblique hook writing: stretch smoothly, be exquisite and handsome, and write carefully. Don't bend over when writing, and make sure the pen is in place. According to the font selection and release.