How to divide the rhythm of the poem "Qinyuanchun·Changsha"?

The specific words and sentences of "Qinyuanchun·Changsha" are divided as follows:

Ask the ∕ vast ∕ earth, who controls ∕ the ups and downs, bring ∕ a hundred lovers ∕ once traveled, recall the ∕ past ∕ The prosperous years ∕ are thick, pointing out ∕ the country, inspiring ∕ words, the dung soil ∕ that year ∕ ten thousand households, seeing ∕ thousands of mountains ∕ red, and every layer of forest ∕ dyed.

From the grammatical structure, "asking the boundless earth" is a verb-object phrase. From the meaning of the word, "asking the boundless earth" modifies "the earth". Therefore, the rhythm division of "asking / boundless / earth" has vocabulary. meaning and grammatical structure. Although the specific lexical meanings and grammatical structures of the other sentences are different, the division of sentence rhythms is closely linked to their respective lexical meanings and grammatical structures, without exception.

The rhythmic division of "Remembering the past/the past/the prosperous years/thickness", in addition to the grammatical structure, fully takes into account the lexical meaning of "the prosperous years", but this respect for the meaning of the vocabulary is broken. The stable structure of rhythm in Chinese classical poetry.

"Recalling the Glorious Past, the Glorious Years" is a rather special case, because judging from the number of words, it has eight characters, and the rhythm is in a white tone, but its main body, "The Glorious Past, the Glorious Years," is The seven characters also belong to the tone of chanting.

Based on the tonality of the poem, the rhythm is divided into "remembering/past/distinctive/sui/yuechu", and the sound of "sui" is appropriately prolonged. If the chanting tonality is adopted, the rhythm is divided into "Memories/Past/Stories/Times and Times", breaking the "times and times" and making "Times and Times" into a rhythm unit.

Extended information:

"Qinyuan Chun·Changsha" is examined from the entire poem, mainly talking about the tonal nature, and there is a typical sentence chanting the tonal nature in the upper and lower sections respectively. "Ten thousand types of frost compete for freedom in the sky" and "Thousands of households were marquised in the year of dung". For this, there are three-character sentence transitions corresponding to "sad and lonely" and "Zeng Jifu" respectively.

However, "Recalling the Glorious Past" does not follow the transition of a three-character sentence. It can only be used as an eight-character sentence to divide the rhythm, and cannot be intercepted and used as a seven-character sentence. In addition, this misjudgment also makes us understand the importance of lining words in poetry. Lining words are not dispensable, especially when it comes to the rhythm division of sentences.

"Qinyuanchun·Changsha" was written by Mao Zedong in the late autumn of 1925, when he left his hometown of Shaoshan and went to Guangzhou to host a peasant movement workshop. He passed through Changsha and revisited Juzizhou. At that time, facing the beautiful and moving natural autumn scenery on the Xiangjiang River, the author recalled the revolutionary situation at that time and wrote this poem.

Baidu Encyclopedia-Qinyuanchun·Changsha