First, the inner temperament of Bay
The temperament of Yan Ti is as follows:
1, solemn and upright, this is the temperament mentioned above.
2, the stalwart is full, and the face is contrary to the characteristics of calligraphy in the early Tang Dynasty. The glyph has the feeling of left and right expansion.
3, full of vitality, manifested in:
(1) Pen: The brush strokes of Yan style are full and vigorous, and should not be lightly written, regardless of thickness, they must have internal strength. Not only in the middle of the pen, but also the tip of the pen can't be swept out gently with your wrist or fingers. You need to send the pen power to the nib.
(2) Structure: Not only strokes, but also blank spaces and symmetry, imagine that there is a feeling of atmosphere filling inside, and write the feeling of space field. Don't write a place narrow and tight, which is the essence of the ancients to write both black (with a pen) and white (with a space).
Second, Bei's brushwork
The copying brush can choose wolf hair, and the brush hair and wool are doubled, and the pen should be big but not small. At first, you can use handmade paper, such as meta-book paper and edge paper, because the surface is rough and permeable. The grid can be folded 8- 12 cm. You can gradually mix rice paper in the future to train your ability to adapt to rice paper.
1, level
Right tip is horizontal: after beveling the pen, slowly taper to the right slightly to the nib, not too fast, and require the force to be sent to the nib. Such as "straight" first horizontal, "horizontal in the sky.