1, a little lost, if the beauty is shocked; A lost painting is like the broken arm of a strong man. -"Book History Conference? calligraphy
2, and its vastness, one in the pen and ink, the so-called high quality, rhyme is better than itself. -"quotations from Shi Tao's paintings"
3. This book is unified in the word "backbone". -"Art Outline"? Book outline
4, the book is still clear and thick, clear and thick must be heart-oriented. Otherwise, this book is not obscure, but it is only a portrayal of others. -"Art Outline"
5, the book is like it, like its learning, like its talent, like its ambition, in short, like its person.
6, different personality, different temperament, pen, evil self-form. -Elegant words in calligraphy
7, outstanding body image, extraordinary today. The pearls are shattered and the tassels are fluttering. Cang Xie's heir. The ancestor of Xiao Zhuan. In the name of books, the remains of stone drums. -"Book break"
8, every screen, clear Huai Su. Although it is covered with dust, there is still thick ink on it. Strange rocks rush to the autumn stream, and Han Teng Gu Hangge. Close to the water tower, you get the moon first, and every word is good. -"cursive screen"
9. If the breeze comes out, I will be pregnant next month.
10, the characters should be bones, the meat should be covered with tendons, the tendons should hide the meat, and the stickers should be beautiful and moist. -"Famous Sentences of Haiyue"
Calligraphy in the Spring and Autumn Period and the Warring States Period: During the Spring and Autumn Period and the Warring States Period, there were great differences in writing among countries, which was a major obstacle to economic and cultural development.
After Qin Shihuang unified the whole country, the Prime Minister presided over the unification of the national characters, which was a great achievement in the cultural history of China. After the unification of Qin Dynasty, this script was called Qin Zhuan, also known as Xiao Zhuan, which was simplified on the basis of Jin Wen and Shi Guwen. The famous calligrapher presided over the compilation of Xiao Zhuan. Yishan stone carving, Taishan stone carving, Langya stone carving and Huiji stone carving are books. All previous dynasties have a very high evaluation. Qin is a period of change of inheritance and innovation. The preface to Shuo Wen Jie Zi says: "Shu Qin has eight styles, namely, big seal, small seal, seal, worm, kai, official script and official script." It basically summarizes the face of the font at this time. From the beginning of Qin Xiao Zhuan, the method of seal script was harsh and writing was inconvenient, so official script appeared. Official script is also a great victory of seal script. Its purpose is to facilitate writing. During the Western Han Dynasty, official script changed from seal script to official script, and its structure changed from vertical to horizontal, with more obvious lines and waves. The appearance of official script is a great progress of China characters and a revolution in the history of calligraphy, which not only makes Chinese characters tend to be square, but also breaks through a single center in brushwork, laying the foundation for various calligraphy schools in the future. In addition to the above calligraphy masterpieces, there are also handwriting such as imperial edict, weight, tile and coin. In the Qin dynasty, the style was very different. Calligraphy in Qin Dynasty left a brilliant page in the history of calligraphy in China, which is a pioneering work.
Western Han Dynasty and Eastern Han Dynasty
Calligraphy in Han Dynasty can be divided into two forms: one is the mainstream system of stone carvings in China; One is tile seal, and the other is bamboo and silk alliance calligraphy and ink. The Monument to Yun Qi in the Later Han Dynasty is a symbol of Han Li's maturity. Among the cliff stone carvings (words carved on cliffs), Ode to Shimen is the most famous, and calligraphers regard it as a "masterpiece". At the same time, Cai Yong's The Book of Songs of Jiaping meets the requirements of restoring ancient ways and adjusting fetal interest. Inscription is the most important art form reflecting the times and phonology, among which Feng Longshan, The Story of the Western Chamber, Kong Zhou, Yi Ying, Chen Shi, Zhang Qian and Cao Quan are especially admired and imitated by later generations. It can be said that each monument is unique and has no similarities. The northern book is magnificent, while the southern book is simple, which embodies the different aesthetic pursuits of the "scholar" and "vulgar" classes. As for the tile seal and the simple silk script, it embodies the combination of artistry and practicality.
The writing rules of Chinese characters in China's calligraphy are holding a pen, using a pen, stippling, structure and style.