Showa Beauty's sense of atmosphere can not be achieved by imitating makeup.

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When it comes to dramas suitable for revisiting in winter, "Please answer 1988" must be listed.

The first time I saw it, I was deeply impressed by the flashing places in Hong Kong films, and many scribbled memories came back to life. I can't help rummaging through the closet to find out the old cards and discs.

It seems that the whole East Asian region always sympathizes with the beauty of the past. The past era also sealed a part of the sound and light at that time. At that time, the whole of Asia was thriving and developing upward, but the blurred image quality made the heroines more romantic and unattainable.

The charming beauties in Hong Kong films are recognized by mainland audiences as Bai Yueguang at the end of the century, and the two major factions, led by Joey Wong and Brigitte Lin, can still set off blood shed today.

Two days ago, Brigitte Lin praised Zuxian in Weibo's comments, which was also very cute.

Cultural barriers should also shake hands in the face of this beauty. Korean students in the 1980s often collected notebooks and paper cards from Japanese and Hong Kong stars. When our fathers talked about Yamaguchi Momoe and Miho Nakayama, they worshipped idols like you and me.

That year, Korean beverage advertisements in Joey Wong and Chow Yun Fat sold well.

In the era of underdeveloped information, these beautiful figures, with their implicit exoticism and unfamiliar accents, generously broke the shackles and brought a lot of fresh tension to neighboring countries.

In addition to Hong Kong-style, which is often mentioned today, there is another showa beauty who symbolizes Japanese customs. Yamaguchi Momoe and Noriko Sakai, whom you and I are familiar with, were representatives at that time.

Showa refers to Japan from 1926 to 1989 in terms of time, with unprecedented social and economic prosperity, a large number of celebrities in the literary and art circles, relaxed art programs and glamorous commercial advertisements being broadcast on the screen, and endless crowds on the central street. The future is like a golden dream hanging over everyone's head.

Red gas educates people, not to mention the whole era is pushing people up. The beauty of this era, every move shows fresh and vigorous vitality.

Sayuri Yoshinaga is an example. He has been steadily creating works in recent years. When filming Dancer of Izu, he even shocked Yasunari Kawabata himself and wanted to go to the studio to have a look.

Her smile is quiet and powerful, with the growth of age, there is an inward convergence.

There are wild beauties like Mieko Harada, who have a stronger sense of power, and there is an almost fatal vitality between them.

She made up her mind early to base herself on her acting skills, and she was also extremely bold and brave in choosing scripts. Her naked and hysterical mother tried many extreme roles, and her beauty seemed to be an extra bonus.

In the early stage of bubble economy, the appearance of teenage idols brought a new pattern.

The army of idols, represented by Seiko Matsuda and Akina Nakamori, will almost become the first footnote of Showa Beauty, attracting all beings with charming lights and slowly rotating stage.

As the two giants in the idol world, fans argue for them every once in a while. In order to create gimmicks, TV stations have never arranged for them to be on the same stage in large-scale performances.

In China, it seems that Akina Nakamori's "A Glimpse at a Glance" is preferred to the ethereal fairy tale, but in Japan, my son and aunt are still the stable guests of the Red and White Song Festival, and this year is the 24th appearance (equivalent to 24 Spring Festival Galas).

The blowout period of idols is coming soon. Miho Nakayama, Yui Asaka, Xiao Ye, Kyoko, Shizuka Kudo ... Even if we didn't see the scene of a hundred flowers blooming at that time, it's not hard to imagine the grand occasion in childhood collective memories like crayon Shinchan, detective Conan and cherry maruko. Someone has done a detailed inventory on the internet, and you can find a lot when you search.

Megumi Oishi, Xiao Xin's favorite weather announcer, is so beautiful that Wang Bingbing is hard to shake.

Okino Yoko, who is obsessed with Richard Moore, corresponds to Yohko Minamino, with her half-tied hair and big bow, which is the wave she started.

Compared with today's colorful, these beautiful people in the past are far more than beautiful. When they look up sideways, they all shake off some vivid and powerful tension, which is not easy to hide and will soon break through the ground.

It's called "ju" in Japanese. If it is changed to the current popular words, it is probably the feeling of the atmosphere. If you take apart most of the facial features of Showa beauty, it will be less interesting.

Compared with the well-known Hong Kong-style beauty in the same period, the latter has more distinct and strong elements, and you can remember seven or eight points at a glance, while Showa Beauty is an understatement, with some shadows and shadows in your brow.

There is enough blank space in the makeup to make room for this beauty to breathe. With a little action, the heroines will have the illusion that they are surrounded by the sound of the screen.

The shipwreck in Akina Nakamori is a very appropriate example. You can know nothing about her fate, but you can't help being enlightened by this kind of injury. It is really rare for a domestic idol to try to copy her charm in these few seconds.

This year, I saw too many hot searches of new generation actresses, all kinds of gorgeous press releases and styling entries, and a party must be neat. The spectator is very tired. The next time I see the flowers in different clothes, I may not recognize them, and I am really confused.

Showa beauty still has her own shadow in changing more clothes, and her temperament and posture have long been rubbed into her gestures. You think she is the only center in the picture.

In fact, under the guidance of this company, Akina Nakamori tried a more mainstream airline route in the early days. However, since the publication of 1984 "North Wing", the vocal skills that previously focused on sweetness and girlhood were completely abandoned, and the iconic bass and air sounds dominated.

At that time, when it comes to Wang Dao, the idol, there is almost only a pure and lovely flat image. She was the first person to break the situation in the opposite direction.

Now many people talk about her, only thinking that she is a sad beauty dragged down by love rat for half her life, which is biased. She is not an easy-to-manipulate vase, otherwise there would not be a modern girl stepping on the avant-garde eight-character step in the Ten Commandments (1984).

I designed the dance moves and singing costumes every time I went on stage, and they are not out of date now.

The lyrics of 1984 are quite avant-garde, and I hope a small number of sensible modern men can understand them.

Another name that has to be mentioned is Yuki Saitoh.

Nowadays, when it comes to her, it is inevitable to talk about her rich personal love history and the "Queen of Brunswick" hat put on her by the outside world, and her achievements in performing arts are almost covered up by the abuse of personal morality. However, it is also a fact that people have strong business ability. The average audience rating of the morning drama that once starred reached 4 1.7%, and the singer's career also developed very steadily. Since her debut, domestic acting awards have been almost grand slam.

The Japanese media will definitely be scolded here. Several people who participated in it have long been washed away and moved on (I mean Ken Watanabe and Yutai of Ozaki, of course, they are not the only ones who did this). Why do women have to hold their tails all their lives?

1993' s Classmate, although the play is bloody, her Ando in July is beautiful. During the filming, her private affairs were rampant, and her lines were figured out with a lot of meaning.

The outstanding sense of atmosphere in these former beautiful women is mostly related to self-exposure.

Even if it causes great discussion, the most popular idols are not bound by some grotesque norms. They are alive themselves, and those true and uninhibited temperament make the already rich beauty have more subtle expressions.

Just as we miss the beauties in Hong Kong and those girls who grow up savagely and dare to say and do, there are always people who want to see more vivid, diverse and real beauties in neighboring countries.

Some time ago, many programs in Japan made special topics related to Showa actress. "Human Watch" said that the footage of the former advertising actress was revived in those years. Tonight's game and the unknown world of pine nuts also gathered girls who longed for idols in the 1980 s to talk about the prosperous times of the past.

It's really gratifying that so many people still miss them.

Nostalgia is a bit evasive, but some good things did happen in the past, making people more and more intolerant of good discipline and poverty.

When we miss Showa beauty, we are not only longing for the beauty we experienced in the golden light of the past, but also missing all kinds of three-dimensional and vivid female faces in the past and that chaotic but vigorous era.

The original text was first published in the official WeChat account "MissF" of New Weekly.

[Miss F]

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