fulfil
The performer took a white rope and cut it into two, four and eight with scissors until it was smashed. These small broken heads were put in a square wooden box by the assistant, and the audience saw that the tape in the tray was fragmentary. The performer took the wooden tray from the assistant, held it in both hands, shook it and handed it to the assistant. The performer lifted the rope from the tray, and these broken ropes were connected into a complete rope.
Stage attribute
Wooden pallet was made in advance, and its structure is shown in the figure. Divided into three carriages, the left and right carriages are fixed. A compartment consists of a smaller and thinner wooden pallet with two drawers that can slide left and right. This wooden pallet has a complete rope in a compartment, and then slides the small tray to hide the rope on the right. When performing, put the broken rope in one of the squares (actually in the space of the small dish inside). When the performer shakes it, the small dish slides to the right, the broken rope is hidden, and the square with complete rope on the left slides into it. Because the board is swaying in parallel, there are some stripes on the board, and the audience can't see the flaw.
Wooden ball routing
fulfil
The performer takes a wooden ball with a hole in the middle, and then passes an ordinary rope through the hole, thus putting the ball on the rope. Hands in turn, the ball slides up and down. Suddenly the performer shouted "Stop" and the ball immediately stopped in the middle of the rope. The performer shouted "come down" and the ball continued to go down, so stop when you should, go when you should, and stand on your hands.
Stage attribute
There is not a real line between the two holes of the ball, but a curved arcuate tube. When the rope is put in, if the upper and lower hands tighten the rope, the ball will be eaten, so it will stop. When it is slightly relaxed, the ball will slide down due to gravity, so stop when it stops, and leave when it calls.
Take the ring off the rope.
fulfil
The performer took out seven wooden rings slightly larger than the bracelet. Hit them one by one with a magic wand, then give them to the audience for inspection and put them on the table. Take another long rope and explain it clearly to the audience. Then take out any one of the seven wooden rings and put it on the rope. Then combine the two ends of the rope and pass through the other six rings. The two ends of the rope are pulled by two male assistants respectively. At this point, the six rings that passed through the rope were blocked by the first ring that passed through the rope first and could not be taken out. The performer covered the ring with a cloth handkerchief, put one hand into the handkerchief, paused, took out two rings in succession, and then uncovered the handkerchief. Keep reaching into your hand and take out the other four rings one by one. Finally, move Gaipa to the end of the right rope, indicating that there are no gaps and joints between this ring and all the ropes. The performer moves Bupala to the center of the rope again and takes out the wooden ring from the end of the rope.
Stage attribute
The wood is a little bigger than the bracelet, but not too big. There are eight in all, and then a special rubber ring with the same size and color as the wooden ring is preset on the table. Another wooden ring was put on his hand by the male assistant on the right and temporarily hidden in the cuff. After the performer confessed the Seven Rings and put them back on the table, he secretly changed the rubber "colored ring" and put it on the rope as the first ring, so it was easy to take out the remaining Six Rings. The performer slid Buba to the end of the rope on the right, but actually temporarily covered the assistant's hand holding the rope, and deliberately checked the colored ring in the rope and the whole stretched rope to attract the audience's attention. The right assistant took this opportunity to slide the wooden ring on his wrist under Bao Pa (this is the key move). After checking, the performer moves Buba and the wooden ring inside to the middle of the rope, covers the colored ring, and then takes out the real ring from the end of the rope.
Gold thread bottle
fulfil
A small ceramic bottle with a narrow neck, which is empty and has nothing. Take another soft rope, half a foot long. The performer put one end into the bottle and lifted the rope. Of course, the porcelain bottle does not move. The performer put the rope into the bottle again, then turned the bottle upside down, blew a breath at the bottom of the bottle and lifted the rope again. The bottle is hung on the rope and can be moved at will, which is very safe.
Stage attribute
A rubber ball was stuffed in the bottle in advance. When the bottom of the bottle is inverted (pressed in with a certain force), the ball will not fall out, and there is no noise when the porcelain bottle shakes. Put the thread in the bottle and blow on the bottom of the bottle with your right hand to pull it out. At this time, the ball landed on the bottleneck and was caught by the rope, so the bottle was turned upside down, the rope was lifted and the vial was suspended in the air. Needless to say, as long as you shake it gently, the ball will fall back to the bottom of the bottle and the bottle thread will separate.
Intraoral bead
fulfil
The performer is holding a string of glass beads for toys, and dozens of them have been put on the line. After the confession, the performer held the bead in his right hand and asked the assistant to cut off the last bead with scissors. As a result, the whole bead fell into the palm of the actor's left hand, and several beads fell to the ground. Then the performer put all the beads in his mouth, took a thin thread with a ruler, swallowed it in his mouth and waited for a while. Only when the performer eats with his right hand and middle finger, and pulls the thread out of his mouth, all the beads are really strung into a string by this thin thread.
Stage attribute
Except for the bottom bead and the top five beads, all the beads are connected with thin lines in advance. Because this thread is separated from each bead, the audience can't see it. What is shown to everyone is another thread, and the last one was cut off. The whole bead falls with five beads scattered on it, holding a light rope in his right hand. The audience thought that all the beads were scattered, but in fact they were still a string of beads.
Untie the rope
fulfil
The performer takes two ropes with a length of one foot and two feet respectively, then ties a magic wand for performance between the two ropes, and then penetrates two colored wooden balls with holes (the balls are slightly larger than table tennis) from both ends, and two assistants pull one end of each rope. It is obviously impossible to get the ball from them at this time. A funny assistant came on stage, took off his coat and told him to wear it backwards, that is, the back of the coat was in front and the surface of the coat was in the back. The performer then puts both ends of the rope through his coat and cuffs, so that the assistant is put on the rope. Finally, the performer tied the two ends of a rope into a cross knot and handed it to the assistants on both sides to pull it. The funny assistant held four wooden balls tightly through his clothes, and the performer reached out and pulled out his wand from his coat. As soon as the password is pulled, the funny assistant and clothes are off the rope. It is strange that the assistants on both sides still hold the two ends of the rope tightly and don't let go at all. The performer helped the funny assistant open his coat. There is no shadow of the wooden ball, but he obviously has four eggs.
Stage attribute
There is no mechanism of rope and wand. The key is the way to tie the magic wand. First, the performer holds one end of the wand in his left hand, and arranges two ropes side by side on the wand, so that the wand is located at the midpoint of the two ropes. But when the performer ties the wand with a rope. But separate the two strands of the rope with your fingers and tie the two strands of one rope with the two strands of the other rope. Only once, the audience thought that the A end and the B end of the two ropes were tied together.
After putting on the wooden ball and the funny assistant's coat, separate a rope from each end and tie it once. Actually, it's just a U-turn exchange. At this time, as long as the magic wand is removed, the person and the ball will be separated from the rope.
The back of the funny assistant's coat is lined with two adjacent dark pockets, with four empty eggshells in the upper pocket and wooden balls in the lower pocket. As long as the performance is proper, the effect is satisfactory.
Burning ribbon
fulfil
The performer held two treaties and a ten-foot red ribbon in his hand and cut it into four ribbons from the middle. Tie another knot and give both ends to two assistants to hold. The performer stood in the middle, sintered with fire, and rubbed his hands on the ribbon. The ribbon-cutting has been restored to its original state.
Stage attribute
Two red ribbons, one foot long and one inch wide, are folded in half, ironed at both ends of the fold with an iron, and ironed with the same one-foot ribbon. One end of the belt is bonded and glued to the folded ends of the two belts. From the appearance, there is no secret between the two ribbons, but there is a ribbon in the middle.
When the performer shows two ribbons, he puts them in the middle, so he can't see the secrets in the ribbons. After cutting it with scissors, hold it at the joint of the fold and tie it up. In fact, this knot is another fake belt. After burning this knot, rub it with both hands, secretly hide the embers, and at the same time separate the two ribbons for the two assistants to open for public display. Mainly when handing the ribbon to the assistant, the leader should distinguish clearly. According to the original folded ribbon, one end must be changed into two complete ribbons.
The magic secret of the change of beads
Balloon flying pigeon
fulfil
The performer came out with an inflatable balloon in his hand, threw it into the air and held it with both hands until the balloon floated down. When it was thrown up again, the balloon exploded and a pigeon flew out.
Stage attribute
Prepare a pin and put it in your mouth when you come out, with the tail inward and the tip exposed. Performers don't wear coats with too big cuffs. When you come out, put the pigeon in the drawer, and the pigeon head extends to the cuff, which just loosely blocks the pigeon. Because the performer holds the balloon in both hands and the cuffs are up, the audience will not see the pigeons in the sleeves. Throw a balloon gently for the first time. Don't make big moves with your hands. Don't make big moves by hiding pigeons. Pigeons don't come out. After the balloon floats down and is caught (mainly with the hand that doesn't hide the pigeon, and the other hand just helps), hold the balloon with both hands and keep the previous posture. The second time you throw a balloon, throw it up hard and you can throw the pigeons out of the cuffs. At the same time, throw the balloon in front of you, try to make the pin in your mouth collide with the balloon, and ask the pigeon and the ball to break at the same time, which is more realistic.
Balloon needle skewer and acupuncture balloon
fulfil
The performer took a balloon, poured many pins out of the box and put them on the balloon. More than a dozen pins were inserted, and the balloon was safe and sound. The performer takes another balloon, checks it for the audience, blows it up and ties it with a thread. Here, the assistant handed me a two-foot-long steel needle with a long red wool at the end. The performer took the needle and stabbed it with a ball of gas. He actually went in from one side of the balloon, went out from the other side through the center of the balloon and pulled out the needle completely. The balloon is still hanging on the wool at the end of the needle. The performer invited an audience to stab him. As a result, the balloon burst as soon as he poked it.
Stage attribute
Two balloons. In advance, a piece of transparent tape was attached to the needle of the first balloon. The needle passed through the balloon from this place, and of course it won't break.
The two-foot-long steel needle can be made of bicycle steel wire or sweater needle, which can make the surface of the steel needle smooth. File the tip of the needle, flatten the end of the needle and make a hole. Then polish and put on wool. When performers blow inflatable balloons on the spot, don't blow them too big. It turns out that after the balloon is inflated, the thickness of the four walls is not the same. Generally, the top and opening are thicker, while other places are thinner. Therefore, if the steel needle penetrates from a thicker part, the balloon will not be broken, and some rubber glue can be applied to these two parts of the balloon to repair the tire, so it is safer to increase its thickness.
Waist balloon
fulfil
The performer took out a long balloon and stuffed it into a special rectangular wooden cover. The waist is wrapped in a tube with both ends exposed. Then take out a "]"-shaped hay cutter with two blades on one handle, and insert this knife from the inside of the square cylinder. Because it was two knives, the balloon was cut into three pieces, but it didn't break. Then, the performer pushes the middle part of the square tube aside, leaving a part empty; This paragraph is missing.
The performer then pushed the middle part of the square tube back to its original position from the side, pulled out the "]"-shaped knife and pulled out the balloon from the wooden sleeve, and the balloon was still intact. Then I gently touched the balloon with a knife on the blade and it burst.
Stage attribute
Generally speaking, balloons can not touch sharp objects, but can withstand certain extrusion and deformation. The structure of a wooden pipe consists of three parts, shape and size. Part A is a trap that can be pushed aside, part B is a movable wooden cage (middle part), and part C is a "]"-shaped hay cutter.
When performing, don't blow the long balloon too much, put it in a square sleeve, and the exposed lengths at both ends are equal. When inserting the knife, the flap is pushed by the knife and squeezed to the other side. The balloon is squeezed and deformed, and the middle part becomes narrow. Push it aside and the knife won't break. Further push the movable part in the middle of the square tube to one side. Because the balloon has been pressed to one side and there is no obstacle, it is pushed along the handle of the square sleeve, resulting in the phenomenon that the middle part of the balloon is missing. In fact, at this time, the middle part of the movable square tube is still overlapped with the upper and lower ends of the square tube. Although this area is not large, the middle part of the balloon that has been squashed is hidden inside.
One ball becomes four.
fulfil
The performer bounced a red ball the size of a ping-pong ball between the thumb and forefinger of his right hand, and the red ball became two (that is, one between the thumb and forefinger). Then he grabbed two balls with his left hand and the ball became one again. The left hand is empty, too. Then turn left, lift your right leg and hold it on your knee twice, then turn right, and hold the two balls in your right hand again with your left hand, so that everyone can see the palm of the back of your hand clearly and prove that both balls are round without half. The performer put his right hand into the air again and three were created. When he grabbed his left hand, it became two. When he threw his left hand into his coat pocket, the ball disappeared. Then he took one out of his pocket, sandwiched it between his fingers and shook it with his hand, and it was full of four. You can also send four red balls to the audience, check them one by one, and then put them on the four fingers of the right hand, which will turn into three, two and one in turn. The last one can be changed by the way of flying ball disappearing.
Stage attribute
The secret lies in a semi-hollow sphere. This hemispherical shell. It just fits other balls. Before the performance, the ball shell was put on the ball and looked like a ball. Pinch the ball between the two fingers of the mother food. As long as you bend the middle finger, the spherical shell will be sandwiched between the two fingers. Because the convex surface faces the audience, it looks like two balls. The other two balls, one in the coat pocket and the other in the left skirt, are secretly held in the palm of your hand by your left hand when you perform with your body, and then turn to the right. The ball in your hand is sent into the half shell by helping to clamp the ball. If you change it, on the contrary, it is to steal the trapped real ball from the half shell.
Three ball jacking
fulfil
The performer first explained the wand, which was about a foot and a half long, and took a red ball on the table, the size of which was like a small ball; Putting the ball on the top of the stick actually stopped. The performer picked up the second red ball from the table and put it on top of the first ball. The first time the ball didn't stand firm, it fell to the ground and made a noise, which proved that the ball was very strong and heavy. The performer holds the ball on the stick with one hand and reaches for it on the floor with the other hand, that is, puts it on top of the first ball. This time, the two balls stood upright. Put the third ball on the table on the second ball. The performer changed hands to hold the stick again and turned over without dropping the ball. Then take the second ball down with two fingers. The top ball falls on the bottom ball and stands upright. The performer will first drop the ball on one side of the stick, and then the balls on the other side and bottom will also fall from the top of the stick.
Stage attribute
There is a small hole in the center of the first ball. It is wise that the wire can pass through. The second ball has a groove that can cut half the ball to the center. This slot allows wires to enter and exit. The third ball has a semi-through hole in the center, so that a wire can be inserted in the center of the ball. The above three balls are all painted with vermilion enamel.
The wand made of copper tube has copper sleeves at both ends and nickel plating, and there is an empty slot in the middle of the wand, which is big enough for a short nail to push up and down. There is a small hole at the top of the crossbar, through which a wire can pass. There is a wooden trough about a foot long in the pole tube, and a wire about half a foot long is inserted on it. A short nail is nailed into the lower part of the wooden pole from the groove outside the pole tube. If you push the short nail into the slot, the wire will come out from the small hole at the top of the steel bar. Once the short nail is put down, the nail will automatically fall into the tube. The wand and the wire must be painted black in the middle.
When loading the first ball, one hand pushes some wire in the stick, and the other hand is inserted into the hole of the ball, so that the wire completely penetrates the top of the ball. When loading the second ball, the groove on the ball must be inward, and the wire in the groove must be inward, so that the ball will not fall. After the third ball is loaded, the second ball is held down by the pressure of the ball above. When taking down the second ball, as long as it is pulled out of the slot, only the thumb of one hand holds down the short nail and must be pulled down at the same time. When the other two balls are put down, it is also completely in the action of this short nail.