Is Zhu Zhiwen a singer?

Not exactly.

He can only be regarded as a draft singer. He doesn't have his own works and his professionalism is not satisfactory.

A good singer must have three conditions: the first is the mind-thought and intelligence; The second is heart-emotion; The third is the body (its own conditions)-sound, that is, singing instruments. The three should develop in a coordinated way and be indispensable.

1. Thought, intelligence

The mind is the organ of thinking. We should be good at thinking and analyzing problems, have correct thinking methods, and have the ability to observe, analyze and understand things. Be familiar with the life and content reflected by songs and have a deep understanding. As a student, I can understand the requirements put forward by the teacher; Clarify the problem of singing; Can effectively master the practice methods, and constantly improve the singing ability. Being good at thinking, being aware of one's own singing, "having self-knowledge", and having unique opinions and creativity are the leading forces in developing singing ability. Because the use of singing instruments and the sound produced by singing actions are invisible and intangible, singers need to ponder, feel, experience and try carefully. On the other hand, if the method of singing is wrong, your understanding of the work is inaccurate and profound, you are unclear about many problems in singing, and you have no opinion about singing, so you lack the ability to judge right and wrong. You accept everything others say and think it is right. Without the ability to distinguish and judge, you will be confused if you have too many opinions. For example, it is not good to be unable to keep up with anything.

Therefore, in singing, we should be good at thinking, cultivate keen observation, learn to look at problems dialectically, and improve our ability to analyze and solve problems. This problem is very important to the art of singing and cannot be ignored, otherwise it will hinder the development and improvement of your singing ability and the progress and success of your career.

2. Heart-emotion

Music is a performing art, and a singer needs the ability to analyze and understand the content of the work and experience the feelings of the work, and can express the content, thoughts and feelings of the work with songs. This is the performing ability that a singer should have. The expressive force of singing is the synthesis of all kinds of wisdom and ability;

1. Ability to observe, analyze and understand the life, thoughts, feelings, demeanor and connotation of things reflected in musical works;

2. Have the ability to feel, experience and identify the feelings expressed by music language and music expression means;

3. Be good at using singing skills and techniques to express what you understand and feel with songs. If a singer has no ability to analyze, understand, feel and express songs, even if he has a good voice, the songs he sings are calm and plain. Although he knows them by heart, they are not touching, so he can't reach the purpose and requirements of singing art. Therefore, a singer should be good at feeling and experiencing the emotion of a song, understand its connotation and express it with singing skills and techniques, which is a very important aspect to make singing full of artistic expression.

3. Body musical instruments

The singing instrument is your own voice. Therefore, to have a good singing instrument, we must first have a healthy body and a good mental state. Singing instruments are different from other instruments. For example, if you want a good piano, you can buy it instead of making it yourself. You can choose brands such as Xinghai, Nie 'er and Zhujiang, and you can also choose brands such as Steinway, Beckstein and Yamaha. As long as your economic conditions permit, you can buy any brand you like. Singing instruments grow on themselves, and a person has only one voice all his life. As a singing instrument, he needs to learn and use the singing methods suitable for his own voice characteristics, and recreate them with correct singing training, so as to make it a singing instrument that can sing freely and prolong the artistic life. If the singing method is incorrect and the voice is used improperly, the singing instrument will be damaged. If this unique vocal instrument is damaged, you can't replace the new vocal cords, you will lose your singing ability and have to give up your favorite singing career. Everyone's singing instruments have their own physiological characteristics, and the voices they sing also have different timbres. If you want to sing with a singing instrument, you must learn to recreate it, adjust it, use it and love it. You must be able to give full play to the best function of your singing instrument, keep it lasting and sing beautifully and moving. This requires learning the correct singing methods, mastering the singing skills suitable for one's voice conditions and the singing training process suitable for one's actual situation. This process of singing training is the process of making, adjusting and reorganizing your singing instruments. Only through correct and good singing training can we use singing instruments flexibly, make them more suitable for the needs of singing artistic expression and give full play to the artistic expression of singing. As far as the use of singing instruments is concerned, singing skills are the ultimate in singing art. No matter what style, foreign or our national folk, good singing is never divorced from the content. The relationship between technology and content should be put right, and technology will always serve the content. Whenever we break away from the content and specialize in form (for us, it is vocal skills), problems will arise. This is true of Chinese and foreign history, and so is our personal experience and lessons. Once I went to class,