The tradition of freehand brushwork is a process that needs to be deepened and mastered gradually, but modern freehand brushwork not only inherits this tr
The tradition of freehand brushwork is a process that needs to be deepened and mastered gradually, but modern freehand brushwork not only inherits this tradition, but also needs innovative performance. I sorted out the flower pictures of colored ink Chinese painting, I hope you like them!
Color ink traditional Chinese painting flower painting display color ink traditional Chinese painting flower painting 1
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Color ink Chinese painting flower picture 5
Introduction knowledge of Chinese painting
What is the writing method of Chinese painting?
Beginners, first of all, should know how to hold a pen, so that they can pose correctly and use ink freely. They should pay attention to the following points: 1 penholder is correct: penholder is neat and straight. The bone writing pen is centered. 2 refers to reality: fingers should be firm and powerful, but also flexible and immortal. 3 insufficient palm: hold the pen with your fingers, don't hold it too tightly, keep your fingers in your palm, and your palm is empty, so you can write freely. 4 hanging the wrist and elbow: it means that a large area of pen should be hung on the wrist or elbow, so that the pen can be used freely and powerfully.
What are pens used by centers and wingers?
The center should hold the pen correctly, the nib should be in the middle of the ink line, the strength of the pen should be uniform, and the nib should be perpendicular to the paper, so that the effect is round and steady. Hold the pen side, and the nib is at the edge of the ink line. The pen tip forms a certain angle with the paper surface, and the force is uneven, fast and slow, light and heavy, and the effect is rough and astringent.
What is a pen before and after?
SF: Generally speaking, the execution of brush strokes is consistent with the inclined direction of the pen holder, and its effect is straight. Reverse stroke: the stroke of the pen is retrograde, that is to say, the habitual stroke is in the opposite direction, and its effect is dry and childish.
What is the pen that gathers the front and scatters the front?
Gathering wind means that the strokes are close together to present a single stroke. The scattered front refers to the scattered front of the pen, also known as the "flowering pen", and its effect is dry and changeable.
Pen speed affects the picture effect.
The application of various brushwork mainly depends on the effect, but of course, it does not rule out the special habits of individuals. The speed of using a pen depends on the water absorption of the paper and the water content in the pen. Drawing paper absorbs water quickly, and the speed of using the pen is relatively faster, but if there is little or no water in the pen, the speed of using the pen will be slowed down to varying degrees. If the paper absorbs water slowly, but there is more water in the pen, the speed of using the pen should be faster accordingly. With the decrease of water in the pen, the speed of using the pen will gradually slow down.
What are the common expressions of pen?
Hook: shape with lines. It is one of the main techniques of meticulous freehand brushwork. Compared with meticulous painting, it is used more. At the same time, the combination of "hook" and "dyeing" shows some specific contents, such as the face, hands and flowers of characters, and sometimes it is combined with the use of hooks, such as the painting method of landscape stones, which is mostly combined with hooks. The hook method of meticulous brushwork takes the center as the center and requires neatness and rigor, similar to regular script in calligraphy. Unarmed hooks are more casual and lively. The center and side are combined forward, sometimes with scattered front, which is similar to calligraphy: it is an auxiliary method closely combined with hooks, and is often used for meticulous brushwork and freehand brushwork. Generally, it can be divided into points, planes and lines. No matter what kind of strokes, you need to look at the pen and change the pen. You can use center, flank, gathering front and scattering front, but the effect should not be too bright. Erase: the brush strokes are not clear. Rubbing is a continuation of tassel process and a supplement to tassel, aiming at making the picture more vigorous. The difference between rubbings and rubbings is that one wants to see brush strokes and the other doesn't. Wipe can not be used alone when smearing, but can be used alternately with brush. But in practice, it is often difficult to separate these two programs. Point: It is the expression of surface modeling, which is widely used in freehand brushwork, and there is also the method of boneless stippling in meticulous painting. Fine brushwork is inseparable from dyeing, so it is called stippling. The point in freehand brushwork is called point stamp or point stamp, and the point method emphasizes brushwork and reading strokes. The point method of freehand brushwork should proceed from reality, which can be hidden and obvious; You can flank or disperse the front. Either way, you must see the brush strokes clearly and not confuse them. Dyeing: It is another method to enhance the picture effect. Both meticulous painting and freehand painting are used, but meticulous painting is used more. Dyeing in meticulous painting can be divided into hook dyeing and baking dyeing. Baking dyeing is a supplement to the effect made outside the outline of the object, as well as sub-dyeing, cover dyeing and contact dyeing. The dyeing of freehand brushwork is generally combined with spot dyeing, such as spot dyeing and spot dyeing, which is a dyeing method with brush strokes. Its function is the same as meticulous painting. There are two methods: wet dyeing and dry dyeing.
What is the "line" standard view of Chinese painting?
The expression method of Chinese painting is pen and ink based on "line", and its materials are brush, ink and rice paper. This special tool material is closely related to the specific expression. So that "pen and ink" has become an important feature of Chinese painting. Whether there is pen and ink has become an important symbol for people to evaluate the quality of Chinese painting. Comparing Chinese and western painting techniques with lines, although western painters also use lines to shape images and convey feelings, they pay more attention to the texture, quantity and space of images. The function of line in Chinese painting goes beyond the function of simply shaping the body, and has the function of expressing the author's thoughts and feelings and independent aesthetics. The beauty of rhythm and rhythm of Chinese painting lines includes two aspects: First, the rhythm and rhythm of each line itself is produced by the controlled changes of lines in the process of painting, such as starting, stopping, turning, lightness and heaviness. The other is that the length, thickness, complexity, density, light and shade, virtual and real changes of various lines form the rhythmic beauty of the whole painting. The change of ink is developed from the change of pen. When using, pen and ink are combined and complement each other. Just like the relationship between bones and flesh and blood, it can't be completely separated. Ink comes from pen, and pen comes from ink. Good brushwork of Chinese painting is natural for Mo Yun.
What are the colors of Chinese paintings?
Chinese painting has its own unique rules and methods in color, which excludes the constraints of nature and light sources and generally emphasizes the inherent color of objects. In the whole color relationship, it is mainly white paper and ink, supplemented by color. China's early paintings are mostly represented by heavy colors. For example, a large number of figure paintings and landscape paintings in the Tang and Song Dynasties were mostly expressed in strong colors. Since the Yuan and Ming Dynasties, the emergence of paper has brought about the evolution of ink painting technology. At the same time, with the appearance of literati painting, painting has gradually developed into a face dominated by ink and wash, supplemented by color. Ink and wash in Chinese painting is not only a "black" color, but also exists as a "color" to adjust the relationship between pictures. In China's traditional painting theory, there is a theory that ink is divided into five colors, which is a typical concept of taking ink as color. Forms of color setting: there are ink paintings with pure ink color, light-colored paintings with colored ink, and heavy-colored paintings with bright colors and colors. The usage of total color is different from that of ink, showing different styles and characteristics. 9. What are the meanings of "likeness" and "spirit likeness" mentioned in Chinese painting? Similarity and spirit likeness correspond. It refers to the similar relationship between painting and the external characteristics of natural objects. That is to say, as the saying goes, draw whatever you like. During the Warring States Period, Xun Kuang said "born in form". Fan Ju in the Southern Dynasties also said that "the existence of form means the existence of God, and the gratitude of form means the extinction of God". Form and God are unified. In the Northern and Southern Dynasties, although Zong Bing said that "all tastes are in harmony with his spirit", he insisted on "writing with form" and "seeing with color". Gu Kaizhi in the Eastern Jin Dynasty put it more clearly, that is, the so-called "shape writing god". Zou Yigui in Qing Dynasty said: "Invisible people are not like those who take away their gods." All the above viewpoints advocate that "likeness" is the basis of painting. "Similarity in spirit" and "similarity in form" also correspond. Refers to the unity of subject and object, from the aesthetic representation of things to the deepening of images. In other words, in addition to drawing what it looks like, we should also pay attention to the internal performance of the spirit. That is, "the use of divine form, the quality of divine form." Yuan Wen said: "Painting is easy in form, but difficult in spirit. Form is form, and God is God. People who learn painting can often draw human figures. As for ghosts and gods, some have never been in the chest, and some will not. " A knife, Yang Shen, Li Zhi, etc. They all expounded that "painting is not just about writing form, but about form." Therefore, "having both form and spirit" is the final conclusion of China's painting art.
The relationship between "likeness" and "spirit likeness" in Chinese painting
When a painter paints an object, he should portray the shape of the object to achieve the realm of vividness. This is not limited to the simple and true description of objects, but includes the process from perceptual knowledge to rational knowledge, and then from rational knowledge to complete artistic expression. It is not a simple image reproduction, but a higher generalization than the image in the original life, paying more attention to the expression of spiritual essence, so as to achieve vivid performance. This painting attitude is the basis of realistic creation method of Chinese painting.
What is the "artistic conception" of Chinese painting?
Mr. Li Keran said: "Artistic conception is the soul of art and the essence of objective things. With his thoughts and feelings, Tao Zhu has reached the artistic realm and poetic realm through high artistic processing." Artistic conception contains a lot of contents in Chinese painting. The theme of a painting, its framing and composition, modeling and vividness, plot arrangement and description, and painting management should all work hard on the word "meaning". Yi can be said to be the soul of a painting. Chinese painting has always been said that "painting is a silent poem" and "painting has artistic conception" A painting often harmoniously expresses the characteristics of the object and the feelings of the painter, thus producing poetry. The image of scene blending is the image of poetry, and the so-called "image with intention and interest is an intriguing artistic image". A painting with deep feelings and strong expressive force can maintain a wide and lasting appeal to people who look at it, which is the "artistic conception" of Chinese painting.
What does "artist" mean in Chinese painting?
The processing method of expressing artistic conception is called "craftsman", which means the artist's expression method and creativity. In art, the word "craftsman" is a word with high reputation, such as "ingenuity" and "craftsman master". For artists, the level of processing means is related to the level of artistic attainments. Excellent artists of all ages have worked hard on "craftsmanship". The expression of artistic conception in Chinese painting is the result of a series of internal efforts, such as the author's life feelings, thinking in images, and artistic creation expression methods. At the same time, it must be refined to a high degree repeatedly, which requires the author's painstaking efforts and careful production to achieve the artistic effect of ingenuity. This is called high artistry. As Du Fu, a great poet in the Tang Dynasty, said, "You concentrate all your life on a piece of silk" and "You will never die without saying something amazing".
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