He works in poetry, and his poems are gorgeous, profound and touching. Being good at calligraphy and painting, especially in his later years, is very important to the world; On closer inspection, all Zhongding Yi wares, Qin bricks and Han tiles are true and false. What is particularly commendable is that he loves teapots and calls himself Gong Hu.
Ye Zi Shi Piao was originally named after being engraved with Ye Zi, and its shape is slightly different from that of Man Sheng Shi Piao.
The triangle of the pot body and handle is relatively regular, so it is called a thin pot, which exudes a strong and tough spirit, and it is awe-inspiring. Now, we usually make the shape of the pot into a typical triangular thin stone ladle, which is called the assists stone ladle.
However, a hundred years ago, the real Ye Zi stone ladle was not only because of its straight and clear shape, but also because of Ye Zi's poems and paintings.
Extended data:
The body of the Yezishi gourd ladle is derived from the broken rice stone raft with a big mouth and a big belly; But unlike the semi-buried stone shovel, the stone ladle basin is standing on three feet; In the old days, in order to avoid dust and filth, farmers borrowed a pot cover to shelter from the wind and rain, so the pot cover evolved into a unique stone gourd ladle. Its body shape, three feet at the bottom and its bridge cover buckle constitute the genetic DNA gene of the stone ladle. As a personal hypothesis, although it is a bit whimsical, the process of verification is still quite cautious, whether it is production or life experience.
The pot body is trapezoidal, with soft and smooth curve and simple shape. Feet are supported by triangles, giving people a light and stable feeling. The eight-character shape of the pot body creates a special-shaped surface within the main perspective, which is also curved and straight, showing a simple and generous tolerance. Direct current, simple and dynamic, mostly concealed, dissolved in the whole pot body. The handle is an inverted triangle, which complements the shape of the pot body and forms a harmonious aesthetic effect. Flat gland, bridge buckle, clean and tidy, appropriate proportion, fully embodies the characteristics of exquisite craftsmanship.
In modern times, Zhu Shimei and Gu Jingzhou have also copied many such models. Jingzhou produced five pieces at the same time on 1948 and presented them to famous artists in Shanghai, such as Wu Hufan and Jiang Hanting. And people from Gao Zhenyu made an oval stone ladle, which is a wonderful flower of stone ladle. I like this one, too. I think it fully embodies the wisdom of integrity, going its own way, combining rigidity with softness, and allowing the use of the essence of Tibet. It can be called a wise man in the pot.
The key point of stone ladle modeling is strength. To achieve this goal, it is necessary to coordinate the proportion of the triangle formed by each line of the stone ladle, and the bucket, stream, handle and even buckle should cooperate with each other to form the best proportion, so as to finally highlight its unique strength and charm.
Baidu Encyclopedia-Ye Zi Shi Piao
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