Hard-pen calligraphy official script copybook works pictures

Official script is a style of calligraphy fonts in China, which has a certain influence on the development of calligraphy fonts in China. Now it can promote the development of calligraphy and the effect of font style. Below are my hard-pen calligraphy and pictures of the official Copybook for calligraphy.

Appreciating the Exquisite Hard Pen of Official Script Copybook for calligraphy's Works Since the mid-Western Han Dynasty, an independent form of official script without seal script (including structure and stroke writing) has been fully formed. Typical examples are the first year of Xuandi Wufeng in the Western Han Dynasty (the first 57 years), the first year of Emperor Heping (the first 28 years), the first year of Tianfeng, the first year of the founding of the People's Republic of China (14 years), the fourth year of Emperor Pingdi in the Western Han Dynasty (4 years) and the twelfth year of Yongping in the Eastern Han Dynasty unearthed from Lelang Han Tomb (69 years).

At the same time, there are some fonts in the inscriptions of the Western Han Dynasty, which are mostly square in area or long in single word, with only short wave potential. Its representative views are: Lu Xiaowang carved stone in the second year of Xuandi Wufeng in the Western Han Dynasty (the first 56 years), Sangong Mountain Monument in the fourth year of Andi in the Eastern Han Dynasty (1 17), and Peicenji Monument in Dunhuang in the second year of Yonghe in Shun Di (137). Which of the above basically eliminated the seal script with slightly different forms? Regular characters? , has been popular between the Han and Three Kingdoms, almost monopolized the position in stone carvings. The epitaph of Xie Kun of the Eastern Jin Dynasty was unearthed in Nanjing, Jiangsu Province, and this font is still used today. This font should be said to be official, because its form has changed from Qin to Han, but it is not too big. In terms of the area of the glyph, it is rectangular first, then flat, and some places are still crossed. Long wave and short wave also cross each other. Therefore, it must not be said that one font has completely become the old and new body of another font, but the individual quantity change of one font in the middle of the front and back.

The Evolution of Qin Li