A full and busy internship life is over, and we have made more progress in continuous learning. You can't just work hard. Write an internship summary. Have you figured out how to write the internship summary? The following is a summary essay on the practice of architectural color sketching compiled by me for your reference, hoping to help friends in need.
Summary of architectural color sketch practice 1 Architectural color sketch practice is a very important practical link in the process of architectural teaching. One of the purposes is to consolidate the color knowledge learned in class, expand students' understanding of the theme of color sketch, and the other is to cultivate students' ability of observation, analysis and comprehensive expression of ancient buildings in China. Through the architectural sketch week, students' aesthetic ability and enthusiasm for ancient buildings in China are stimulated, and their knowledge and understanding of natural and human landscapes are expanded.
Architectural color sketch requires students to examine their expressive ability of architectural landscape with pen and color or watercolor, and the picture requires students to master the laws and expressive techniques of modeling factors such as framing, composition, perspective, color and space in architectural landscape sketch. At the same time, teachers require students to consciously cultivate their observation ability, perception ability and aesthetic ability in practice, draw ideas and wisdom from the ancient buildings in China, and accumulate experience for future creative practice.
Architectural sketches are mainly based on ancient buildings and pastoral scenery. Select typical micro-architecture as the object, understand the basic laws of light and shadow changes, show the skills of external light and shadow and natural space expression, support the aesthetic feeling of natural things, improve the ability of framing and composition, and understand the importance of color and the professional learning of China ancient architecture team.
Sketching architectural landscape is not only to support our painting ability, learning ability and construction ability, but more importantly, through this internship, we can find the learning feeling of art, feel the charm of art, open our own mindset, better support design ideas, and lay a solid artistic foundation for future architectural design and creation.
The first time I came to xx, known as the most beautiful village in China, I felt a little good in my heart. Before I came, many people said that xx was beautiful. I thought this time I would have a chance to have a good look at the famous micro-architecture in China.
Generally speaking, the site selection of micro-style buildings is based on the theory of yin-yang and five elements, and the nature is carefully observed and utilized to achieve the purpose of "harmony between man and nature". Villages are generally surrounded by mountains and rivers, and houses are mostly oriented to streets and lanes, with white walls and tiles scattered in the foothills or jungles. Thick green and black and white set each other off, forming a distinctive style. At the same time, there are a large number of cultural buildings such as academies, pavilions, ancestral halls, archways, ancient pagodas and gardens. In the external modeling of residential buildings, the falling horse head wall is higher than the roof, some of which are high in the middle and low at both ends, and the top of the roof is slightly visible, semi-hidden and semi-reflected, and Shimada Hanzo is semi-exposed, with clear black and white; Some of them are herringbone at the top, with several grades at both ends, and the eaves are padded with blue tiles. In the blue sky, the outline of the residential wall and the sky is drawn, which increases the sense of hierarchy and rhythm of the space. This is my first day to observe the micro-architecture.
The next day, we went to an ancient architectural complex under the guidance of the practice teacher. The teacher arranged for us to find our own places to paint buildings or landscapes. I sat down quietly and chose a better angle to show it. The most important thing in sketch is to choose the apparent horizon and draw a perspective. This is the most important standard of painting. We must have a good grasp of priorities, close-ups and prospects. It is to draw a cube on the screen. When the four faces of the cube are inclined at a certain angle relative to the screen, the straight line parallel to the depth produces two vanishing points. In this case, the parallel lines perpendicular to the upper and lower horizontal planes are reduced, but there is no vanishing point. This is a theoretical diagram with a little perspective.
For the next few days, every morning and afternoon is our painting time. Suddenly I feel that my artistic cells have grown a lot and my painting level has improved a lot. Most of the evening, the teacher has time to arrange, and we have to hand in the painting report. Teachers always comment on those specific performances, such as: close-up requires clear structure, proper details, large lines and strong sense of volume. The vision requires light lines and uniform colors, and the performance of watercolor is also a major feature. Generally, clear water always has a cool tone, and the horizontal parallel technique is mainly adopted. The performance of the sky, the sky is the farthest color in the picture, and it should have a far-reaching spatial effect. The performance of the tree, first draw the trunk, then determine the main branch, and then add branchlets.
In short, through this architectural art internship, I learned the charm of micro-architecture, the influence of art on architectural creation, and many shortcomings of this major. At the same time, during this period, I also improved my painting level and understood how mysterious the artistic doorway is. I believe that I will make unremitting efforts in finding the right direction. Finally, I will realize my goal and my ideal in life, and become a new generation of architects with responsibility, thought and responsibility.
Summary of the practice of architectural color sketching The second chapter left many beautiful memories, not only in my heart, but also in the hearts of these hopeful young people. The days of sketching are beautiful and unforgettable. My class, together with other two classes, and under the leadership of four teachers, conducted a ten-day sketch and color sketch practice in Pingshan, Hongcun, Xidi, Huangshan, yi county and Wuyuan, Jiangxi.
On the evening of October 7th, 65438/KLOC-0, we set out armed to the teeth and sat on the bus to Pingshan, with many unspeakable excitement and many longings in our hearts. Maybe it's because it's the first time to ride a bike with so many classmates, maybe it's because it's the first time that so many people go to a far place together, maybe it's the first time to practice, maybe it's ... in the car, our whole class eats and laughs together. When we arrived in Yixian, it was already evening, and we were deeply attracted by the endless mountains, green and natural scenery. We talked and laughed all the way, and time passed quickly. It was already 8 o'clock when we arrived at our destination, and the teacher arranged a rest. Many students can't stand the attraction here and communicate with local residents and students from other schools. There are many college students gathered there: from Jiangxi, Anhui and other colleges, majoring in architecture, design and photography.
The next day, we followed the tour guide around Pingshan, which made us really understand Pingshan.
Harmony between man and nature, land of geomantic omen, Peach Blossom Garden, the hometown of farming and reading for thousands of years, is located in Pingshan between Xidi and Hongcun, a world cultural heritage. In the Tang and Song Dynasties, it was called Changning Li, a place of long-term security, and "capital" was the natural establishment of ancient towns and villages. At the end of the Tang Dynasty, Jiudu took a fancy to this rapidly developing land of geomantic omen, and his ancestors moved from Lujiang to Jiudu. It is surrounded by mountains and waters, with an open area and a screen-like peak in the north, hence the name Pingshan Village. There are Shishan Mountain in the south, Jiyang Mountain in the east, Sangu Mountain in the west and Shuangfeng Mountain in the west. Jiyang Mountain is in the northern section, which is the birthplace of Jiyang River in the village. Three peaks in Gu Feng stand side by side, with little difference in shape and size. According to an ancient legend, three daughters of a wealthy family in the village went to the mountains to eat peaches. ...
After a day's familiarity with the environment, I should get on the right track and start sketching! Because we are used to the comfortable life in school, we can hardly sketch, so it's really shameful to draw there on the first day. Let's just practice our hands, but we still have some gains and know the purpose of our visit to Pingshan. At first, I was afraid to paint in many places, so I hid in relatively remote places. After painting for a few days, I finally got something and made progress. I also improved my mastery of techniques and so on, and sometimes I feel that I paint well. However, some students from other schools and curious tourists often watch it, and of course I can't help but comment. What I heard was mixed.
Through sketching practice, my sketches and colors have been greatly improved. Composition determines the first feeling of a picture, which is very important, so first of all, there must be a beautiful composition. Secondly, the collocation and expression of colors, that is, to have a pair of "bright" eyes to express colors, because there are too many colors in nature.
In order to improve our understanding of artistic aesthetics, colors and Huizhou architecture, we went to Xidi and Hongcun again, which gave us a deeper understanding of the culture of this ancient city of Anhui and made us proud of owning this city.
The most unforgettable thing is climbing Huangshan Mountain. We got up at four o'clock in the morning, had breakfast and were ready to leave for Huangshan, although it was already seven o'clock there. The whole class is very active in climbing mountains, especially Tiandufeng (Tiandufeng is the steepest and most dangerous mountain in Huangshan). It was a fine day, and the whole class kept climbing forward. No one left behind and finally climbed to the top of the mountain. The most beautiful scenery of a mountain is often not seen until the top of the mountain. The most comfortable feeling is the feeling that everyone finally reaches the heights after going through some difficulties together! Is it collective charm? Is the scenery beautiful? Everyone knows best! Then we crossed the Yuping Mountain, crossed the first sight (the first sight was completely "climbed"), and arrived at Guangmingding. We are the happiest in our hearts, because we have climbed the mountain in one day and will go down soon. Think about how we walked for so long, stopped and stopped, greeted each other and snuggled up to each other, especially in dangerous areas. The mood is beyond words. 0000000000105 Once we arrived at our destination, we were fascinated by the scenery in the mountains. Lush trees and gentle streams make me relaxed and happy, and the artistic conception of "small bridge flowing water" makes me intoxicated. In a small town, the bus stopped and we finally arrived. This is Sixi Village. There are many sketches here, from all directions and schools. We arranged accommodation, had dinner, and prepared to rest and wait for tomorrow.
In the morning, the guide took us sightseeing. When we arrived at the entrance of the ancient village, there was a river, which people used to wash clothes and vegetables. There are two stone bridges on the river. The bridge deck is paved with big boards and looks heavy. It is said that it was left three or four hundred years ago and was built by an official there to thank the emperor. Most of the houses there have a history of 300 to 400 years, and the characteristics of the houses are: the appearance is built with "docks". The houses are all made of wood, and the doors and windows are beautifully carved. Everyone can't help admiring the superb carving skills of their predecessors. There is a clearing in the hall, where there is a big water tank. Whenever it rains, water drips from the tiles into the water tank. This is the folk saying that "fat water does not flow outside the field." There is a high table and two benches in the hall, some are plush chairs and a small short table for drinking tea and chatting. We came to a house with a splayed door. The four characters "Heavenly Official, Shangqing" were written on the door cover, which was built by a big official at that time with the reward of the emperor. Some houses have been damaged or collapsed, but it is still an indispensable scenic spot in our eyes. After all, I have experienced ups and downs and experienced the vicissitudes of the world. This is the witness of history.
After the guide showed us around, let us watch it freely.
Back to my residence, the rain and fog evaporated in the mountains, hovering at the top of the mountain, and the air was fresh.
The next day, we started the purpose of coming here, each with a sketch book and a pen, and went out to sketch. There are many scenic spots here, so I won't write them. Finally, we observed several places before we started writing in the alley. The exterior walls of the houses here are all white, and the tiles are all black and white, but this is the style here. The characteristics here are not publicity, no, I have seen enough of the eyes of the bustling city. I have been baptized and enjoyed this simple visual experience.
In the following days, in our task, every time I went out to paint, I wore a cowboy hat and carried painting tools, and went to the river to choose the scenery alone. Every time I paint, I draw water, trees and cabins. This artistic conception is so perfect that I devote myself to it every time I paint. I also feel that my painting level has been greatly improved. There are many bridges on the river, and one of my paintings is indispensable.
At dinner, we have a table for ten people. There are 7 boys at our table, 1 girl. Before meals, almost all of us boys have to prepare meals and divide chopsticks and spoons. When everyone was here, we began to move chopsticks. The girl with the food is also a girl. If it is inconvenient or inconvenient, we boys will help her. Sometimes someone helps me get food. When we share another whole chicken, we give the drumsticks or good chickens to the girls, so we boys are free. We never grab a piece, and some help the girls make soup after eating it. The collective life during this period has greatly promoted the friendship between our classmates. .
At 7: 30 there, sometimes the teacher will come to check the works and give guidance, and the students will give their works to the teacher for comment. Everybody listen carefully. We will get a lot of painting knowledge there, which is very helpful for painting skills. When painting the next day, we will pay attention to the advice given by the teacher. So every time I draw, I will improve a lot. Therefore, I prefer to let the teacher comment on my work that day. We can also learn about the structure of some buildings in painting.
On the 22nd, I got up early to make breakfast for my classmates. This is the last breakfast. The students seem to have lost their laughter. Everyone is eating their own food and everyone is silent. Everyone was reluctant to go, but they got on the bus with their luggage. Everyone stared desperately out of the window all the way, hoping to have a look. My neck ached and I began to fall into memories. I remember those old houses, so ". There are pictures of talking and laughing with the villagers, the feeling of being praised by the teacher for painting well, and playing with classmates, painting together and eating together, which makes me unforgettable. There is a DVD sketch in the car, which is very funny, but most of the students' attention is outside the window. Some of them simply closed their eyes and kept silent, and some laughed, but it was a very unreal smile. The car was speeding on the road, but I was thinking back. After about 1 1 hour, I finally returned to my familiar campus, as if from a dream to reality.
During these eleven days' sketching practice, I learned a lot, improved my painting skills, and gained some knowledge about ancient buildings, which helped me understand how to unite my classmates and enhance our friendship. Happy days are always so short, maybe we cherish those days too much, so we should enjoy playing and study hard. Wuyuan, you are so charming and affectionate that you fascinate my eyes and keep my heart!
For art students, the purpose of sketching is to understand the characteristics of architecture, and Huizhou architecture is a major architectural school. The features of Huizhou architecture are mainly reflected in village houses, ancestral halls, archways, gardens and other architectural entities. The most distinctive style is a large number of traditional residential villages. Site selection, design, modeling, structure, layout and decoration and beautification all reflect Huizhou's mountain features, geomantic will and regional beauty tendency. As a traditional architectural school, Huizhou architecture has always maintained its unique artistic style of elegance, simplicity and richness.
The most impressive thing about Huizhou architecture through sketching is the "convex"-shaped "Horsehead Wall". Horsehead wall is an important feature of Huizhou architecture. In densely populated villages, residential buildings are dense, which is not conducive to fire prevention. The high horse head wall can cut off the fire source in the case of fire in adjacent residential buildings, so the horse head wall is also called the accumulation wall. Horsehead walls are patchwork, generally for households with two or three stacks and larger. Because of the front and rear halls, the number of folds of the horse head wall can reach up to five, commonly known as "the five mountains are in the sky."
I have been back from sketching practice for several days, and there are still many "horse heads" in my mind. Maybe this is the harvest! Deep-rooted characteristics in the mind. The purpose of our sketch is:
First, improve artistic accomplishment and aesthetic ability;
Second, cultivate the observation and sensibility of natural scenery and environment;
Third, exercise your own performance skills and strengthen your ability to master sketch colors;
Fourth, increase the class collective sense of honor.
These goals have been achieved through our collective efforts, but we still have many shortcomings, and our adaptability and adaptability need to be improved. The school gave us this opportunity to go out and sketch, and we learned a lot, including professional and non-professional things.
Sketch has given me a deeper understanding of this course, and I no longer simply think that it is just an irrelevant course offered by the school to fill the class hours. To improve artistic accomplishment and aesthetic ability, some ordinary things, though ordinary, are beautiful. We should discover beauty with our eyes, study beauty with our observation, express beauty with our expressive force, and refine the beauty of natural scenery and environment. We should stop doing one thing aimlessly. As the teacher said, even if we don't draw, we can't scribble in a hurry to complete the task, because it's not a work at all, just for homework. So art is also a kind of philosophy, from which we can realize the philosophy of life.
After the sketch exercise, we went back to school, but the difference is that we have a clearer goal for future study, a better feeling of beauty and a new understanding of everything.
In a word, this social practice teaching in our school has great practical and historical significance for cultivating creative talents, which is also the only way for art to succeed. Because art and life are inseparable, rich social life has created artists with both ability and political integrity. Let us create excellent works that can reflect the times and the main theme in art, and create excellent works with good social effects and wonderful excitement.
Extension and continuation
Sketching skills of colored architectural landscape;
Copying architectural landscape painting is an introductory painting of architectural landscape. It is necessary to copy some excellent original watercolor paintings and gouache paintings, which is a very effective method and is recognized by students in practical teaching. Before copying, you should carefully "read" the theme and conception of the painting, ponder the composition and color of the original painting, especially with pen, water and color, and carefully scrutinize the connection between the colors of the strokes.
Color of Ancient Architecture in China
The ancient buildings in China, whether it is the color application of single buildings or the color matching of group buildings, are very successful, forming a unique color system. One of its characteristics is that it uses a lot of colored paintings to make the building bright and gorgeous. According to Volume 34 of Jian Fa Style in Song Dynasty, the types of colored paintings are divided into three categories: multicolored, turquoise and vermilion. Bai Zhu color system with gray tiles is probably the main color of architecture in Tang Dynasty; After the mass production of green glazed tiles in the Northern Song Dynasty, the practice of decorating red and white with gray in the Tang Dynasty seemed monotonous and disproportionate, so the architectural appearance began to become gorgeous, and the beam arch became a popular green system in the Song Dynasty, making the eaves colder and the whole architectural appearance more clear and vivid. The styles of yellow-green tiles, green beams, vermilion columns and white railings of palaces in the Ming Dynasty became the typical color features of ancient wooden structures in China. This method of using primary colors such as Zhu, cyan, yellow, white and gold in a large area has a strong and distinct effect, which is the success of seeking harmony and unity in the color application of official buildings in Ming and Qing Dynasties.
Architectural color of ancient western countries
In the west, color was first used as a symbol of divine right and imperial power in the architectural environment. For example, in Greece and Rome, the lofty beauty of heroism is people's aesthetic ideal, the architectural modeling is simple and perfect, the architectural color is strong and gorgeous, and bright contrast colors are often used to express happy feelings. In Eric's temple, snails who love the stigma of Onek are painted red and gold, in contrast to the blue drums. In the Roman era, Vitruwe recorded in the Ten Books of Architecture that ancient materials such as bricks, lime, concrete, metal materials and marble had been used as building materials, so the colors of buildings were more abundant.
Byzantine, Romanesque and Gothic architecture in medieval Europe paid more attention to form. Compared with the classical period, the color is darker and heavier.
During the European Renaissance after15th century, the color of buildings changed from gloomy to bright. However, the excessive emphasis on rationality makes the architectural style of the late Renaissance tend to be rigid. Baroque style, known as "deformed pearl", is a breakthrough in this rigid form. In the use of color, it is characterized by bold colors and strong contrast.
Cultural significance
Color not only has its own characteristics, but also is the transmission medium of cultural information, which contains the connotation attached by people and represents the culture of cities and countries to a certain extent. Colors express the concepts of religion, rank and orientation. For example, the color of Greek temples is actually a reflection of Greek religious concepts. They use red to symbolize fire, cyan to symbolize the earth, green to symbolize water, and purple to symbolize air. During the Wei and Jin Dynasties in China, gold was an essential color in Buddhist architecture, and their religious beliefs were all expressed by color. With the emergence of class, environmental color has also become a symbol of class and rank, and has been institutionalized. For example, in the Western Zhou Dynasty, slave owners used colors to "distinguish the noble from the humble", and stipulated that "positive colors" were five colors: blue, red, yellow, white and black, while "non-positive colors" included light red, purple, green, black and sulfur, and their grades were lower than positive colors. Since the Tang Dynasty, yellow has become the exclusive color of the royal family, with yellow and red as the main colors in palaces and monasteries, green, cyan and blue as the official colors of palaces, and only black, gray and white can be used in private houses to safeguard the interests of the ruling class. In the theory of Yin-Yang and Five Elements in the Zhou Dynasty, five colors represent orientation: turquoise symbolizes Qinglong and represents the East; Use vermilion to symbolize Suzaku, referring to the south; White symbolizes the white tiger and represents the west; Black symbolizes Xuanwu, indicating the north; Yellow symbolizes the dragon and refers to the central government. This orientation thought continued until the late Qing Dynasty. In addition, color also reflects the mainstream culture of the society at that time. For example, the Song Dynasty likes to use stable, simple, light and elegant tones, which is influenced by the social thought based on Confucian rationalism and Zen philosophy in the Song Dynasty. In modern society, silver represents a high-tech culture. At the same time, color is also the embodiment of national culture, from which we can see the differences of national culture.
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