Appreciation of Pen Regular Script Calligraphy Works
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Pen regular script calligraphy picture 4 Pen regular script calligraphy picture 5 Regular script structure change Regular script is the most standardized, mature and stable script in the history of calligraphy. It turns the circle of seal script into a straight square fold, which is summarized by eight basic strokes, and requires the writer to write many Chinese characters in a lively and not rigid way. This is really not an easy thing. Therefore, screenwriters are required to have high artistic accomplishment and high artistic skills. In addition to basic writing skills such as stippling, structure is also very important. Therefore, there have been a lot of discussions on the structure of Chinese characters. Today, let's talk about the changes in the structure of regular script in order to have a proper way.
1, ready to go. Yan Zhenqing said in his "Twelve Meanings of Zhang Changshi Style"? If you have a long interest and a short pen, your spirit will be more than enough. What if the painting is insufficient? . In other words, the strokes and structure of writing should be implicit, the strokes should be short and interesting, the painting is insufficient but full of emotion, and the power in movement is hidden in the implicit strokes. There is a momentum that is ready to go. Yan Zhenqing, a master of regular script in Tang Dynasty, used it best. His book can be represented by the story of Magu Xiantan in large print. Word examples? Sound? Return? Cloth? What time? The ending is not long, but it is implicit and powerful. This is the result that he is good at using the structure and momentum of official script into regular script.
2. Fill in the blanks. Regular script should be full and harmonious, and the structure of some Chinese characters should be adjusted appropriately when necessary. Is the "Ouyang rate more than 36 methods" compiled by later generations false? Find a way? Qing people say? Fill in the blanks, fill in the blanks and make them match each other? Adjust the octagon completely evenly? . The purpose of filling in the blanks is not to fill in the blanks of words, but to dissolve the structure of the original Chinese characters, extend, migrate, supplement and improve them in a blank, and then make the whole word structure have the wonderful effect of virtual and real. It should be noted that we should assess the situation, be familiar with the principle of six books, and don't rummage through books. For example, can you see Chu Suiliang's Yin Fu Jing? Saint? Yan Zhenqing's "Praise of Dong Fangshuo Painting"? Mock? Equivalent words.
3. Expansion and contraction. With the monk Zhiguo in Ode to Sincerity? Go back to the tile and leave it? Transformation drooping? What he means is, in a word, the same kind of strokes should not be combined repeatedly, but should be placed left and right, stretching and contracting. For example, two repeated accents must be contracted and extended to have the beauty of change. Radicals and structural units also have flexible changes in order to make the structure of words full of changing beauty. For example, Liu Gongquan's "Shence Army Monument" is two? Xinxin? Right division, one positive and one negative, one exhibition and one contraction. Chu Suiliang's Yin Fu Jing is two? Hey? Words, left and right, display and contraction, etc.
4. translocation. What are the common examples of translocation in calligraphy creation? Jesus Christ. Autumn? There is left-right translocation; ? Goose? These words are written in upper and lower structures. Some people think that the original characters are difficult to become, in fact, in order to break the common visual habits of regular script, make it have different postures, increase interest and pursue the beauty of its changes.
5. Increase or decrease. With the wisdom of monks, "Ode to Sincerity"? If it is complicated, it will be reduced, and if it is sparse, it will be supplemented. , others think? Sparse potential does not make up, dense potential makes up? . The creation of calligraphy is to save or increase the complexity of calligraphers' requirements for setting characters according to the situation. On the one hand, it breaks the flatness and neatness and increases the sense of density; On the other hand, it is the aesthetic transformation of characters, which produces visual contrast. Of course, increase or decrease the itinerary should be measured. For example, watch Zhao Mengfu's Danba Monument? God? Finally, add a sum; Liu Ti's "Shence Army Monument"? But? One more stroke; ? Wandering? Double reduction to single.
It should be pointed out that the increase and decrease of strokes in regular script have their origins, and most of them come from seal script, so the writer must be familiar with them? Ancient law? Don't make this up. Have you ever seen a calligrapher write? Still watching now? , will it? Do you see it? (knowing words)? Hands on your eyes? Writing? Put your hands in the sun? Although deduction follows certain writing rules, it is very boring. From this perspective, calligraphy is not only a writing skill, but also the cultivation of philology.
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