B: What's the difference?
Nobody dances. Why don't you give us a big dance? You dance. Look at you.
B: Stop clapping. What are you doing?
A: No, you are tired of talking about cross talk. Everyone has been watching it for a long time.
He's not bored. The point is that I can't dance. Then what can you dance?
B: jump off a building
A: Hey, suicide, I said dancing.
I fall when I dance.
A: That won't do.
B: I tell you, crosstalk is the art of language, and dancing is not necessary.
A: Who says your ideas are too backward?
B: What's the matter?
A: I think you crosstalk performers can master some dance movements when they talk about crosstalk, and the performance is accurate, natural and natural, giving the audience a beautiful enjoyment. Is this not good?
B: I don't practice dancing or cross talk.
A: This is different.
B: What's the difference?
A: Look at what I've practiced here. You haven't practiced here. You can see it if you live.
How do you think?
A: Of course you can't stand like this.
B: Lie down.
Why are you lying down? You can see it in two steps.
B: Walk. Everyone is the same.
A: Don't wrangle. Take a walk first.
B: Just walk. . . . Isn't this the aisle
A: I don't know if you can see it. Something's wrong.
B: Is there anything wrong?
This young man is very energetic and handsome.
Not bad.
How can you bend your legs in an aisle? You keep everyone alive. . Look at this. . . Look at this place. Actor, you have to find a good feeling.
B: What's good to see?
A: If you walk, first of all, you should hold your chest high, hold your head up, tuck in your abdomen and lift your hips.
B: lift your hips.
Answer: Buy pork and be a model when you leave.
B: model steps
Well, that's the runway.
B: What do you call it a fashion show?
Answer: Because it is a straight line, it is light and fast.
B: You show us one and show us the other.
A: I will show you how to walk.
B: Attention, everyone. The cat is out.
What do you mean the cat is out? Catwalk.
Ah, catwalk, catwalk, catwalk.
A: First of all, you have to lift your waist. This walk.
B: All right, all right, come back, come back, all right, all right, the external personality is even more chilling.
A: You can't understand the meaning of foreign words at first glance. We practice it.
B: That's it.
A: what do you mean?
What are you practicing?
A: Barry.
B: Ballet
We have to break our feet into one every day. Always like this.
B: Have a look.
A: Ah, there is room for letting go.
Where are your hands?
A: One, ah, two, two.
B: Slow down.
A: It doesn't matter if you don't practice.
B: Interesting. Hey.
A: Of course.
How's this?
A: What's the matter?
B: Why not give us a ballet? When you came here, your feet were so twisted. When you come here, don't be robbed, okay?
Come on, I know you're testing me.
B: What do you mean by testing you? Didn't we stop here?
Without Jin Gangzuan, I wouldn't take this job of porcelain, you know?
Yo, choo choo. . .
A: I don't want to dance because I know too much. I'll dance whatever you order. How was the ballet? Ah, our audience.
B: What? If you were not my sister, I would tell you that you are the best at picking things, Swan Lake. Oh, you know, I know, four cygnets.
A: Masterpiece.
Right? {A: Yes} That skirt was fun, too, and the little skirt froze.
A: That's clothing.
B: Come on, stand on tiptoe like this.
Ballet?
B: Jump. . . .
How beautiful this music is.
Oh, those big white legs. Oh, that's good. . Ha ha. . . Dance for us. Let's go . Ha ha. . Come here, jump, jump.
A: Bah. . .
Hello. . .
A: There is really no other way to express it.
B: What's the matter?
A: What kind of person? Ballet is art, and people appreciate elegant art. What are you looking at there? Just look at those big white legs. Should I jump the big white leg?
B: What do you have?
There are only two carbon rods. Look at that.
I don't eat instant-boiled mutton. Why should I watch it?
A: I couldn't understand this man at first sight. I am a young man. I danced the cygnet, but my skirt remained motionless.
B: Then what are you dancing?
A: I will definitely jump off the prince who came down from the mountain.
Say again, who are you dancing with?
A: Prince.
Well, I don't think you look like a prince.
I like it.
B: Idiot.
You're kidding. What is a fool?
Don't jump that complicated one.
So what should we do?
How's this? I want to sing a song. Can you use dance words to express my meaning? How about we cooperate once?
Sure, let's improvise live.
B: How about that?
Yes, if you can sing, I can dance.
Really?
A: I also tell you that I can accurately express your lyrics with my dance vocabulary.
B: That's right.
A: Of course.
B: Then I can choose a song.
A: You can take whatever you want.
Today, let's recall. Let's sing an old song. Let's sing an episode of the movie "Street Angels", which was a smash hit in the 1930s.
A: Hey, this song is good.
B: Is this song good? I will sing.
A: OK. . All right. . okay
B: Let me introduce the lyrics to you. You can arrange the action.
A: Yes.
B: It's very simple. The ends of the earth seek a bosom friend, and my little sister is like a thread, such as a needle. Lang and A are inseparable when they are worn together. Just a few words. It's very simple, mainly depends on your dance.
A: OK. . No problem. You introduce the lyrics here, and my dance has been choreographed.
B: It worked, didn't it?
A: Now let's start cooperation.
B: Good class, good class. I said, I said, you come back first, you come back first, what do you have there?
What do you mean, enough? I am dancing.
B: Here we go.
A: To put it bluntly, it is a preparatory action.
Oh, get ready.
Yeah, I'm ready. As soon as you sing my wow, I'll start dancing, okay?
B: warm up. This is, I don't know this. It's really hard to hold this position. The ends of the earth seek a bosom friend. oh . Make a miscellaneous building, oh. . What the hell is this? You dance ballet. You still have a foot, a hand and a hand. Oh, do you lack calcium? You. . It's time to supplement calcium. At first glance, take two giant pieces of calcium.
A: It hurts you to let everyone see that your face is gone. Why hate it? When I fell, it hurt enough. What do you hate?
B: It was fun.
What do you mean? Do you know why I fell?
My legs are weak.
What do you mean by leg weakness? Do you know where we usually jump?
B: Where?
A: The Great Hall of the People.
B: Oh, then fall.
Well, what do you mean, that place is Ma Pingchuan.
B: Yo.
What do you want to do with the red carpet? . . You have a flying fork, you have a spinner, you show everyone this glass plate, how slippery this thing is.
B: always look for objective reasons.
A: I tell you, I have this kind. . I'm telling you, this is no different from live working.
All right, listen carefully. Let's do it again. Stand firm. Here we go again. The ends of the earth seek a bosom friend, and the little sister is like a thread.
A: Oh, wait. . .
B: What's the matter?
I have cable TV here.
B: Cable TV.
A: Aren't you a little sister?
B: That's the word.
A: I have it here.
You really have that ability.
Is this long enough?
B: A little is enough.
A: Eat more.
What are you doing?
A: That's all right. This is public.
B: Ah, wow, this is not a line, this whole line, OK. I'm coming. My little sister is like a thread and a needle.
Oh, no, no. Wait a minute, wait a minute.
B: What's the matter?
A: There are needles.
B: This whole tailor, this is. Lang, wear it together.
A: Don't worry.
B: What's the matter?
A: I didn't go in.
Ah, for nothing.
A: Please come again.
B: Lang, let's wear it together.
Why do you sing so fast?
B: Lang, let's wear it together.
A: It's over there on the left and over there on the right.
Why are you so stupid? You can't even do that. What's so hard about it? Have you ever done needlework? Have you ever sealed socks?
How's your temper?
What's wrong with me?
What did you just say?
What did I say?
Do you want me to express your lyrics accurately?
That's what I said.
You put it there, but I didn't. Can it be more accurate?
He always said.
What do you mean, say something? Besides, a big boy can't be slow when he is sewing.
B: Let's do it again.
A: What am I doing here?
B: What's the matter? It fell to the ground. You must catch it.
You are talking nonsense. You were so energetic just now. Can I hold it?
B: It's really delayed.
A: look for it with me.
B: Ah-ah. . So what? Needle. . that . It's underground, right there. . What are you doing?
A: If you want to point, just point. . One lap. I know where it is.
Well, isn't that right there?
Answer: Point straight and don't move.
Do you see it?
A: This direction, right?
Yes, that's it.
Let's get started.
B: Right. Oh, you're still measuring. Look down. What do you mean? Oh, oh, you worried me to death. Oh, well, go back and match the mirror. What eyes? Oh, here we go again.
A: Oh, wait a minute.
B: What's the matter?
A: OK.
B: And this line.
A: Don't move.
Ah, it's my treat. Pay attention.
A: Let's go.
B: Lang, let's wear it together.
I'm not ready yet
Ok, ok, lang, come again next time. You can't leave them alone.
A: Almost.
B: Lang.
Do it again.
B: You bring it here, you sing and I wear it. What's so difficult about this ballet? I can do it too. I'm hanging with one eye. Let's go
All right, you do it. You do it. Lang, wear it together.
B: I didn't go in afterwards. Come back.
A: Lang wears it together. .
B: Wait a minute. . Come again. .
A: Lang. . B: Well, stop singing. I can't wear it either.
A: What's the matter?
Check a pin. Here it is. .