The full name of "Yi Ying Stele" is "Lu Xiang Yi Ying Please Place a Hundred Stone Stele of the History of Confucius' Confucius Temple". No amount. Official script, 18 lines, 40 characters per line. It was erected in the first year of Yongxing (153) by Emperor Huan, and the monument is in the Confucius Temple in Qufu, Shandong. This rubbing is from the Palace Museum's collection of Ming Dynasty rubbings. The ink is thick and thin, and the characters are rich and clear. It is the surviving copy of the character "PI". Each page is 28.2cm long and 14.6cm wide. There is a section of Wang Daxie's inscription, "Inscriptions and Stones from Zhao's Book Village", "Rare Books from Zhu's Collection in Xiaoshan" and many other seals. This stele records the words of the former Lu Prime Minister Yi Ying of Situ Wu Xiong and Sikong Zhao Jie. Yi Ying wrote a letter requesting that a person with a hundred stones be placed in the Confucius Temple to take charge of the rituals and rituals in the temple. This stele has a square structure, even bones and flesh, strict rules, and a square and round pen. It is flat and elegant. The Yiying stele is a typical work of the mature period of the Han Dynasty. It belongs to the square, straight and straight way. Calligraphers in the past dynasties have praised this stele a lot. Fang Shuoyun of the Qing Dynasty said: "The characters are square and thick, which can be said to be the beauty of the ancestral temple." He Shaoji said of this stele: "Hengxiang emerged quickly and opened up a great branch later, but the solemn atmosphere is at ease." Song Zhao Mingcheng's "Jinshilu" It was recorded in books such as "History of Epigraphy" by Guo Zongchang of the Ming Dynasty and "History of Epigraphy and Stone" by Weng Fanggang of the Qing Dynasty.
He Shaoji (1799-1873) was a native of Daozhou (now Dao County), Hunan. Poet and calligrapher of Qing Dynasty. The courtesy name is Zizhen, the nickname is Dongzhou, and the late nickname is Jiosou. Daoguang Jinshi, official editor and editor, well-read, wrote on classics, history, and Confucianism, especially Jingxiao. Calligraphy is especially famous in the world. From the seal scripts of the Qin and Han Dynasties to the North and South steles, calligraphy has been imitated by heart and hand, and it has become a family of its own. "Xike Zaozhu" said that the book "specially learned from Yan Qingchen, accumulated decades of skills, explored the origins of seal script, and the world of gods and gods. In his later years, he was especially diligent in self-teaching. He copied many books of "Hengxingzu" and "Zhang Gongfang". The calligraphy of hundreds of years has been revitalized here. "He wrote many couplets in his life, not just for general entertainment. He is dedicated in calligraphy and has high calligraphy skills. He is known as the "Master of Calligraphy Couplets". He is the author of "Dongzhou Caotang Epigraph and Stone Postscript", "Dongzhou Caotang Poems·Wen Chao", "Xidao Weizhai Jing Shuo", "Shuowen Duan Notes and Corrections", etc. He advocated starting with seal script and official script as the best way to naturally solve the problem of "middle timidity". Therefore, technically, he chose to hold the pen with his wrist back.
He Shaoji (1799-1873) presented "Yiying Stele"
Size: 27.5×43.5 cm. About 1.1 square feet (each piece)
Year: Written by Ji Wei (1859)
Framing: Album (twenty-four pages)
Seal: Jisou
Appraisal seal: Xiaorong Anshi, Zhongshan Li Pan's Immortal Root Seal
Inscription: This is a stele in which the strokes and strokes of the stele suddenly and abruptly come forward, and there has never been such a bold and open display in the Dongyuan Li Dynasty. From this point on, you can naturally lift it up from your wrist and see through the paper. Then go to the stele and see the ancients. On the twenty-third day of the first lunar month, after the eleventh ceremony, the second ceremony came again. Jisou Ji.
Later paper:
1. Xie Zhiliu (1910-1993) titled: This is the Yiying monument where He Zizhen came to when he was sixty years old. Observing its simple and natural interest, leaping from the tip of the pen, it is admirable to admire the gracefulness of its predecessors. In the early spring of Renxu (1982) in Nanhu, Guangzhou, the owner of Guishan Study House presented the question. Zhuang Duo Weng Zhiliu. Seal: Zhiliu, Xie
2. Inscription by Li Kuchan (1899-1983): He Zizhen first came to Zhang Qian, and then to Yiying steles, so the silver painting of Gaowei is like Yan Lugong. Among the most exquisite calligraphers of the Qing Dynasty were Zizhengong and Liu Wenqing Shi'an. Renxu (1982) visited Yangcheng in early spring. Eighty-five old man's bitter Zen questions. Seal: Kuchan
3. Lu Yanshao (1909-1993) wrote: Since the middle of the Qing Dynasty, the practice of studying has been in decline and has reached the end of its power. So those who loved the ancient times turned to studying stele, and it was said that calligraphy was revived. This is why Jiaosou came to the Yiying stele. It is clean, elegant and healthy, but still retains the dignity of the Han Dynasty. This is commendable.
Ideological and political comrades have treasures for many years. Every time they have spare time, they copy and write for themselves. As time goes by, the volumes increase day by day, and they are eager to spend their time in front of Hualiu. I admire my books and my ambitions. In the second month of Renxu (1982), Lu Yan was less than Yangcheng. Seals: Yanshao, Wanruo, Jiading
4. Liu Haisu (1896-1994) wrote: In ancient times, there was a Yuan Gong Wan sword, and it was made of gold and stone. Dongzhou Jingba Dharma calls himself Jisou, so he knows his feelings. The rest of the collection contains the copies moved to Linying, and also contains the couplets. Comrade Ideological and Political Comrade Qing Yi showed the authentic copy of He Shu and Yi Ying's stele. Together with the rest of his collection, they were all treasures of Sun Zhenren's astonished Tan Long Palace. Renxu (1982) Three days after the Dragon Boat Festival, Liu Haisu Nanhu led the book. The eighty-seven seals of the year: Haisu's seal, Wujin Liu family, Jingyuantang
5. Shang Chengzuo (1902-1991) title: Well-known calligraphers in the past dynasties. He is also the first to attack all styles. Don't specialize in one thing, but do it in a broad way. Then he wrote his own unique style and got married. He Shaoji is one of them. His basic skills are based on those of Yan Zhenqing, as well as those of the Wei and Jin Dynasties. In addition to regular script and cursive script, he is also capable of seal script and official script. He can be said to be versatile, as he said. Does the owner of Wuguishan House think so? In the year of Renxu, 1982, Shang Chengzuo recorded it in the ancient Xianzhai of Kangyuan. Seal: Shang Chengzuo, born in Panyu in 1902
6. Zhao Puchu (1907-2000) Title: The old man came to the Han and Wei steles very diligently. Looking at his works in the past, every time he sighed that he was so focused that he couldn't do it. And, I regret that I used too much force. This book is written with great mastery and is full of leisure and tranquility. Is this the so-called "old man" with both writing and writing? On November 6, 1987, the ideological and political comrades presented a number of nonsense questions to show their high quality. Zhao Puchu.
Seal: Zhao Puchu's seal
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