Bazi calligraphy

China's calligraphy, as an artistic category of traditional literati to show their inner spirit, is widely popular in various historical stages and social classes. Calligraphy creation and appreciation show the complexity of existence from three dimensions: existence expansion, self-transcendence and return to authenticity. The following is the eight-character calligraphy, I hope you like it.

Appreciation of eight-character calligraphy:

Chinese calligraphy 1

Eight-character calligraphy II

Eight-character calligraphy 3

Artistic conception beauty of calligraphy art;

Artistic conception refers to people's thinking realm. It is formed through the understanding of objective things. People's artistic conception is very different. With the same basic skills and different artistic levels, calligraphy will have different levels. Artistic conception beauty is a high description of calligrapher's momentum, strength, spirit and charm. Emperor Taizong said:? Is the word husband based on God? Huang Song listened to Jian and said:? Can people who read books rhyme? Qing Yao said in the competition:? Give priority to with gas? . What did calligraphers of all ages say? God? 、? Rhyme? 、? Gas? . Inherited the idea of artistic conception beauty, summarized as? Essence, qi and spirit? . Words are the heart. Everything in nature, including dynamic and static, such as mountains and rivers, clouds, the sun, the moon and stars, fish, insects, birds and animals, storms, fire and water, lightning, singing and dancing, fighting and so on. , all give calligraphers some inspiration. The author uses a special tool to express some interest in his mind through a series of factors such as stippling lines. This interest in the artistic conception of the mind can often make calligraphy works achieve some magical effects. The embodiment of the beauty of spiritual artistic conception determines the author's cultural accomplishment and artistic personality. Is this what people often say? Extra work, author? The deeper the work outside the word, the higher the thought. The more realistic, exquisite, elegant, meaningful and intriguing the works he pursues. The feeling of the beauty of the artistic conception of the mind varies from person to person, only by constantly strengthening it? Only by studying hard and constantly improving the comprehensive quality can we create excellent calligraphy works.

It can be seen that the beauty of artistic conception is the expression of calligrapher's thoughts, feelings and cultivation. Thoughts and feelings are the attributes of all arts, such as? The best running script in the world? Wang Xizhi's Preface to the Lanting Pavilion, the author is completely intoxicated with nature. The content, lines, structure, composition and posture of calligraphy all reflect the author's pure and simple thoughts and feelings, and express the author's feelings about the short and endless joy of life. Another example is the Qing dynasty? Eight eccentrics in Yangzhou? Zheng Banqiao is one of them. Under the atmosphere of advocating pavilion style at that time, he made bold innovations in calligraphy and created? Banqiao body? . What is his composition? Luanshipu Street? But? Chaos? Out of bounds? Chaos? From the verve, we can see his lofty and upright spirit. The writings of Master Hongyi, a modern calligrapher, fully embody the Buddhist spirit, and these calligraphers have created different artistic beauty of calligraphy. Therefore, every successful calligrapher always has his own personal style, and each work presents a unique artistic beauty.

Calligraphy aesthetics;

Attach importance to the summary and guidance of aesthetic fashion. Generally speaking, there must be a social fashion in a society, and this social fashion will inevitably affect all aspects of social culture. The welcome or resistance of all social and cultural parties to this fashion will inevitably directly affect the prosperity and demise of this social fashion. Similarly, the aesthetic fashion of calligraphy art in different times is also different. How to guide this aesthetic trend and make it the dominant aesthetic trend in this era has become the concern and discussion of book theorists in various eras. For example, in the book Theory of Han and Wei Dynasties? Shang Xiang? In the book On Jin Dynasty? Shang Yun? , in the Tang dynasty book theory? Shangfa? In the book On Song Dynasty? Shangyi? And so on, all summarize the aesthetic fashion in the practice of calligraphy art in each era, and in turn guide the practice of calligraphy creation through summary, and promote the development and prosperity of calligraphy art.

Secondly, the study of calligraphy art is comprehensive and systematic. As long as you skim China's ancient calligraphy theory's works, you will see that China's ancient research and summary of calligraphy art is all-round, involving all aspects of calligraphy art and forming its own system. If we compare it with China's ancient painting theory, we can better show this feature. For example, the study of the development history of calligraphy began with Yang Xin's "Ancient Books" in the Southern Song Dynasty, and almost all subsequent dynasties had such works. They listed the development history of calligraphy from ancient times to the end of Qing Dynasty, and preserved the complete face of the development history of calligraphy in China. Another example is the study of the evolution history of calligraphy, which involves the emergence, development, changes, concepts, characteristics and other aspects of calligraphy, such as Da Zhuan, Xiao Zhuan, Ba Fen, regular script, running script, Cao Zhang, Cao Jin, etc. It is systematic and comprehensive. Another example is the study of calligraphy techniques, which is extremely profound and comprehensive. Generally speaking, there are meticulous and accurate studies on pen, front, writing, knot, ink and white painting.