How to sing the tempo of the motherland?
Four or three is the right time
How to sing in 2/4 time when a conductor sings about the motherland
If you have never studied conducting, don’t blindly imitate what you see on TV command. The most basic purpose of command is to coordinate all personnel. Therefore, as a choir conductor, there is no need to exert too much effort. In the case of 2/4 beat, make a figure of eight with both hands, that is, wave the left hand to the lower left and wave the right hand to the lower right. This is the first beat, usually a heavy beat. After that, the hands are lifted up and converge towards one point, which is the second beat. Repeat. Change the gesture amplitude according to the intensity of the music. That's the most basic method. When dinging, it is recommended that the right hand is higher than the left hand. Before the first beat starts, each side draws a small circle, shakes, and stops. Never imitate fancy movements just to look good. It is recommended to think of the stiff movements when singing in the army. Although stiff, it is clear and suitable for beginners.
Song introduction: "Singing the Motherland" was written and composed by Wang Xin. It is a patriotic song. On September 12, 1951, Premier Zhou Enlai personally issued an order of the Central People's Government: "Ode to the Motherland" should be widely sung throughout the country. The song has become a ceremonial song, opening song or closing song for various major events in China. In 1989, the song won the China Record Corporation Golden Disc Award.
How to beat the tempo of the song "Singing the Motherland"?
If you have never learned conducting, it is better not to blindly imitate the conducting on TV. The most basic purpose of command is to coordinate all personnel. Therefore, as a choir conductor, there is no need to exert too much effort. For example, in the 4|2 beat, both hands are drawn together to form a figure of eight, that is, the left hand is waved to the lower left and the right hand is waved to the lower right. This is the first beat, usually a heavy beat. After that, the hands are raised and converged towards one point, which is the second beat. Repeat. Change the gesture amplitude according to the intensity of the music. That's the most basic method. At the end, it is recommended that the right hand is higher than the left hand. Before the first beat starts, each side draws a small circle, shakes, and stops. Never imitate fancy movements just to look good. It is recommended to think of the stiff movements when singing in the army. Although stiff, it is clear and suitable for beginners.
When a chorus sings about the motherland, how should a conductor keep time? 30 points
As a chorus conductor, you are very strict in terms of your own requirements and technical essentials. The following is a reference based on my own many years of conducting experience and the requirements of the music "Singing the Motherland". , please advise Fang Jia on any shortcomings:
1. The tasks and requirements of command:
1) You must have full self-confidence, believe that you can do a good job in command and that there is nothing you can do. substitute.
2) You must have a certain ability to read music and be familiar with certain problems that may arise in the chorus and correct them.
3) Have good hearing, memory and strong sense of rhythm.
4) Have certain knowledge of music theory and be able to accurately understand, analyze and process works.
5) Have certain organizational and coordination skills, so as to call on everyone to obey the command at any time and mobilize the emotions of the singers.
2. Basic movements and requirements of conducting
The movements of conducting should be accurate, concise, beautiful, easy to understand, and expressive:
1) Standing When doing this, the upper body should be straight, the feet should be slightly apart naturally, forming a T-shape, and the left foot can be slightly forward. The stand should be stable and beautiful, and the body should not be swayed greatly during the command.
2) Facial expressions should be rich, eyes should be expressive, good at using eyes and facial expressions to inspire the chorus, and express the content of the work in a coordinated manner, and the ears should have a strong ability to distinguish the intonation, and be able to sing in a timely manner Correct the inaccurate pronunciation of singing.
3) When commanding, raise your arms to your chest. They should not be too high or too low. Generally, they should be within the range of movement where the top is at eyebrow level and the bottom is no lower than the waist. When waving your arms, , should be natural, powerful, stretched and generous; do not straighten your fingers, keep your palms naturally arched, avoid parallel upward or downward palms, pay attention to the center of the movement is the wrist. The movements of both hands must be symmetrical, and the shooting point and direction when commanding must be clear and not ambiguous. Generally speaking, the movements of both hands are the same but the swing directions are opposite. The right hand controls the speed and beat, and the left hand controls expression, strength, etc. The movements should be flexible and expressive.
3. Simple techniques
1) Start. "Singing the Motherland" is in two beats, with the starting beat on the second beat, the first beat being the preparatory beat, and the first measure being the weak starting measure. When the chorus starts, the first beat should be an empty beat (cue beat, the chorus is not singing), that is, the hands should go from top to bottom to the lowest point, and the singing time should start from the time when the lowest point rises, which is the second beat. Note that the hands rise clearly and forcefully to give a clear cue to the chorus.
2) During the progress of the song, the movements of the hands and arms should give appropriate prompts according to the strong, weak, fast, slow, legato, staccato, etc. of the beat. These prompts should be reflected in the movements of the hands and arms. Among the light, heavy, slow, rapid, soft, steady, decisive and the amplitude of the movements, if necessary, you can break the rules and use large movements to show the intense emotions of the song. Of course, all this must be based on the accurate rhythm of the movements. Note that throughout the progression of the music, the important principle of continuous movement from top to bottom for strong beats and from bottom to top for weak beats should always be adhered to.
3) End. The end of a piece of music often leaves a deep impression on people. It is necessary to conduct the end of the piece of music well so that the entire work can be fully expressed.
When the conductor ends a phrase, his movements should be decisive and accurate, so that the full emotion can be carried through to the last note. The ending note of "Ode to the Motherland" is extended to three and a half beats. When the conductor sings this note, based on the previous beat, the left hand should not fall down but instead go up, with the palm of the hand facing up and to the right, and the arm raised upward as a "support" "Hold" gesture to conduct the extended tone of the chorus. The right hand directs the chorus to sing the last three beats, pausing before the last half beat (empty beat) and then quickly and violently retracting it (both hands are retracted to the position slightly above the chest at the same time), ending the song powerfully.
4. Some points to note
1) The accuracy of movements should be the first principle of command, but it is opposed to monotonous and mechanical repetition of command movements, which lacks vitality and vitality.
2) Improvisation should be done with caution, must be based on solid movement practice, and avoid too much.
3) The conductor’s facial expression is a powerful tool to mobilize the singer’s emotions and must be highly valued. However, the facial expression must reflect the emotion and power of the song itself. Dead and rigid facial expressions are A commander's worst enemy is a calm and relaxed facial expression, a commander's best friend.
4) The commander’s self-confidence is often the dominant factor in achieving a qualified command, but the results of blind confidence may be counterproductive, so the commander must practice hard in peacetime to gain technical self-confidence. with full support.
5) Knowing and accurately mastering the melody and rhythm of the music is the key to the success or failure of the conductor, and all of this is inseparable from sensitive hearing and insight into the depth of the music's ideas.
...
What is the tempo of the song singing about the motherland?
It’s in 42 beats
What’s the beat of “Singing the Motherland”?
42 beats, one heavy, one light, 44 beats, one heavy, three light.
The beat of singing the motherland
42 beats, one heavy, one light, 44 beats, one heavy, three light.
The time signature of "Singing the Motherland"
2/4 time
What time gesture does the chorus conductor of "Singing the Motherland" use?
3
p>