Take the skin series "Flying a kite to explore spring-Li Yuanfang" launched in 20021Tomb-Sweeping Day as an example. The theme of this leather is "Flying kites to rejuvenate the spring", aiming at reviving people's memory of the traditional folk custom of "Flying kites when the east wind is busy". In order to echo this theme, the king made many designs on his lines.
For example, the line "Half-thin swallows resist hurricanes, and teenagers get up early ~" uses the allusion in Cao Xueqin's "Kite-taking in the North-South Test". The "semi-thin swallow" in the book is a metaphor for "a teenager with a weak crown". Perhaps the king wanted to use this sentence to show a young man's childlike innocence and courage like a new swallow, hoping that the young spirit between the lines would call back people's yearning for tradition and spring.
Of course, there are many modern words between the lines. "look for the spring day forgotten by the city ... face the wind and you will find it!" These more modern lines convey a positive attitude full of vitality and hope in a more straightforward meaning.
Compared with the modern word "flying a kite to explore the spring", the lines of "thinking about the moon-Shen" introduced by 2 1 Mid-Autumn Festival are more allusions. Because the skin is centered on the Mid-Autumn Festival reunion, there are also some ingenious ideas on the design of the line.
"The palace in the sky is not as good as the daily necessities on the ground!" Su Shi's "Water Melody" is used, and "A Thousand Miles of Love" is a poem in "Autumn Wind enters the window at midnight at four o'clock", "The bright moon is in the sky, the bright moon is in the sky!" Then I looked at the moon and remembered a man who was far away from Zhang Jiuling. ...
These lines are all from homesick poems, and they are all about missing relatives far away. The king is using these lines to convey the blessing of reunion, hoping that players who hear these lines can stay with their families for a long time under the bright moon.
When it comes to the allusions in the lines, The Six-Year King's Limited Skin "Mountain Flowing Water-Zhuang Zhou", which was just released not long ago, is actually the most. Skin creativity comes from the allusions of Boyazi period in Mountain Flowing Water, which tells the story of guqin and confidant. Therefore, in line design, everyone can feel strong cultural implications.
For example, the line "I'm as high as a mountain, I'm as high as the sea ~" in Liezi Tang Wen is a dialogue between the neutron period and Boya, which is about the magnificent sound of guqin. "A clap of mountains, a clap of running water, the wind of mountains and rivers gives birth to pine branches." Lutong's "Piano in the Wind", in which "a spring of water plays a spring moon, hiding the wind and pine branches", mainly describes the artistic conception of guqin, indifferent and distant.
Besides guqin, there are many lines about bosom friends. For example, "I was born to know everything. What about life and fall? " This line, while using the idiom "listening to the Tao and dying in the evening", also expresses the view that it is hard to find a bosom friend.
As a game that has been online for six years, the glory of the king has publicized many traditional cultures in recent years. What is more commendable is that no matter what kind of traditional culture is associated with, the king will put some corresponding cultural allusions in details such as lines, which shows that the king attaches importance to traditional culture. Coupled with the excellent quality of the original painting and modeling, it is no wonder that skin is so popular with players. It is expected that the glory of the king will bring more traditional culture to players in the future and let these traditional cultures be known to more young people.