Appreciation of calligraphy works of the seventh couplet
Picture of No.7 Couplet Calligraphy Works 1
The seventh couplet calligraphy works Figure 2
The seventh couplet calligraphy works Figure 3
The seventh couplet calligraphy works Figure 4
Calligraphy creation has principles.
One, three creative principles
1. The lines are firm and muddy, and the passion comes from the familiarity with the lines. Line is the combination of force and potential, so the pen should be calm and pleasant, steady and light, emphasizing the pen potential (that is, potential), and the typesetting should be based on the size of the font size, the lines are inclined, and the overall vertical potential.
2. The structure is peculiar and steady, so pay attention to the center of gravity. Side, escapement, density and height.
3. The composition changes, and there is a gap in the number of bamboo knots (a few words); Penetrating bead type (centerline); Serpentine (swinging from side to side); Thin shadow type (sparse and bright).
Second, the seven layout points
1. Can't use a word.
2. There is an echo between words, connecting the preceding with the following, and the left reflects the right belt, and the line spacing and word spacing cannot be equal. Put the book eye in the middle, but it can be bigger. The words are connected with the surrounding air.
Generally speaking, exhibit's works use strong pen and ink. Hanging at home is suitable for thinning.
4. There should be no typos in the works, and the variant characters should not be too uncommon.
The overall layout of the work is more important at the top than at the bottom.
6. The evaluation of the work mainly depends on the overall visual effect: rhythm, ink color and pen use.
7. In twos and threes, it seems to be scattered and continuous, and the pulse condition is consistent. This layout is also wonderful.
Three or ten writing keys
1. Eight fronts. With the help of the eight peaks, the ink color naturally changes in light and dark, dry and wet, dry and wet, shades and shades, making the work full of rhythm.
2. combine rigidity with softness. Rigid force-iron silver hook (thick): soft force-running water (thin).
3. Cherish ink like gold. Regular script requires dipping in ink once to write a word or even a number; Write 3-5 words with cursive strokes. At the end of each stroke, the bristles should be restored and the paper should be lifted.
4. suddenly enlightened. Blank space is wide and narrow, and the wide space gives people a feeling of being suddenly enlightened. Art is a process from creating contradictions to solving them.
5. Use both sides. The center has a solid foundation and the winger has changed. Center is the requirement of rationality and the core of calligraphy aesthetics; The side is the embodiment of emotion and the means of communication between calligraphy and spirit.
6. Think about it. Think twice before you create, okay? Have an answer? .
7. One go. Calligraphy is an expression of feelings, not skills. Write in a good physical and emotional state. Write casually, in one go.
8. patchwork. In general, the line spacing of works should be wide and the word spacing should be important. Avoid juxtaposition and interlacing of words. There is a gap between the number of sections, the arrangement and combination should be rhythmic, the size and characters should be staggered, and the middle book eye should be highlighted.
9. This pen is full of emotion and ink. Calligraphy is silent music and invisible dance. Respond to changes, make the whole harmonious, and have a strong sense of rhythm and visual impact. Make good use of my poor pen, use it slowly, move, and write ink.
10. Pay attention to gas permeation. The spirit of calligraphy refers to the echo between strokes and different words, and the trend between words.
Four, twelve details
1. cursive script has no horizontal painting. Cursive scripts with horizontal lines should be as short as possible and have a sense of verticality. You can use dotted lines and thin lines instead.
2, to avoid the phenomenon of flat drag, dry pen, thickness unchanged caused by fast, everywhere.
3. The ink is pale and there is no god. Start from thick ink again, and the strokes of thick ink characters should be clearly stated.
4. avoid words? Eyes? , prevention? Eyes? Too many.
5. The center line is the focus of the work. In a work, there should be several outstanding, wonderful and individual words. This is also called? Book eye? .
6. Long lines are very important, so be careful when collecting pens. Generally, dry pen is used at the end of strokes.
7. Words with heavy pen and ink should not be equal in area, and there should be a transition between light and heavy words to avoid unevenness.
8. Fine pens should be tough and thick pens should be strong. There should be a thick pen with iron and silver grooves and a fine pen with running water.
9. Ink is slightly slower when dry, slightly faster when wet, slightly slower when coarse, and slightly faster when fine. Cursive script means regular script, so you should write regular script.
10. When handing in pens, the beginning and the end should be clear, and each pen should be explained clearly.
1 1. Pay attention to the pressure increase: even but uneven, straight but not straight, straight in the curve, straight in the curve. Want it? Press it with a pen? .
12. Center and winger are combined into one, with eight fronts, detailed center and thick winger.
Five or four signature points
Inscription is an integral part of writing and cannot be underestimated. Key points:
1. The signature is less than half the size of the body. These two lines should be right high and left low. Don't change pens.
2. Don't leave too many spaces in the signature, and pay attention to the proportion of light and heavy.
3. Impressed works are filled with glass and books.
4. It is best not to have more than three seals.