The writing methods of Oracle Bone Inscriptions, Jinwen, seal script, official script, regular script and running script are as follows:
Oracle Bone Inscriptions, bronze inscriptions, seal script, official script, regular script and running script are written as follows:
Oracle Bone Inscriptions, bronze inscription, seal script, official script, regular script and running script are written as follows:
The writing methods of Oracle Bone Inscriptions, Jinwen, seal script, official script, regular script and running script are as follows:
Oracle Bone Inscriptions, bronze inscription, seal script, official script, regular script and running script are written as follows:
Seven kinds of Oracle Bone Inscriptions, bronze inscriptions, seal script, official script, regular script and running script are written as follows:
Eight kinds of Oracle Bone Inscriptions, bronze inscriptions, seal script, official script, regular script and running script are written as follows:
Nine kinds of Oracle Bone Inscriptions, bronze inscriptions, seal script, official script, regular script and running script are written as follows:
Oracle Bone Inscriptions, bronze inscriptions, seal script, official script, regular script and running script are written as follows:
Extended data
The explanation of a word:
The classical Chinese version of Shuowen Jiezi: First, it is too early to start, and the Tao stands in one, creating a world and turning it into everything. All belong to one. Mi, Yi.
The vernacular version of Shuo Wen Jie Zi: First, at the beginning of creation, when everything was formed, Tao stood in the chaos of integration, and then naturally divided heaven and earth into everything. All words related to one are bounded by "one". Mi, this is the "one" in China's ancient writing.
Interpretation of Shuo Wen Jie Zi;
Classical Chinese version of Shuo Wen Jie Zi: Second, the number of digits is also. Even one. Both belong to two. Mi, ancient prose.
Vernacular version of Shuo Wen Jie Zi: Second, the number of places. Consists of paired ones. All words related to two are bounded by two. "Mi" is the "two" in China's ancient writing. ?
Interpretation of three characters:?
Classical Chinese version of Shuo Wen Jie Zi: Third, the way of heaven and earth. Count from three. All three belong to three. Mi, ancient prose comes from Yi.
The vernacular version of Shuo Wen Jie Zi: Third, it represents the way of heaven, earth and people. It consists of three paintings. All words related to three are bounded by "three". "Mi", that is, the "three" in ancient China characters, is bordered by "Yi".
Interpretation of four words:?
Classical Chinese version of Shuo Wen Jie Zi: Fourth, the number of yin is also. Like a quarter. All four belong to four.
Vernacular version of Shuo Wen Jie Zi: Fourth, Yin number. Like a quarter. All words related to four are bounded by "four"
Interpretation of five characters:?
Classical Chinese version of "Shuo Wen Jie Zi": five, five elements also. Secondly, Yin and Yang are idle in heaven and earth. All five belong to five.
Vernacular version of Shuo Wen Jie Zi: Five Elements: Jin Mu Fire, Water and Earth. According to "two" as the root, "two" represents the poles of heaven and earth, "one" represents the intersection of yin and yang, and "five" represents the intersection of yin and yang of heaven and earth. All words related to five are bounded by five. ?
Interpretation of six characters:?
The classical Chinese version of Shuo Wen Jie Zi: Six, the number of Yi and Yin was changed to six, just changed to eight. From the entrance, from eight. All six are six. ?
Vernacular version of Shuo Wen Jie Zi: VI. The number commonly used in Zhouyi is called six, that is, the yin becomes six and the yang becomes eight. The glyph means "Ru" and "Ba". All words related to six are bounded by six. ?
Interpretation of seven characters:?
Classical Chinese version of Shuo Wen Jie Zi: VII. Yang Dui. From the first day, slightly cloudy to middle. All seven belong to seven.
Vernacular version of Shuo Wen Jie Zi: Seven, the positive number of Yang. The glyph is based on "one", which means yang, and the folding of the pen means weak yin slanting out. All words related to seven are bounded by seven.
Eight-character storytelling:?
Classical Chinese version of Shuo Wen Jie Zi: Eight, don't also. These images are opposite to each other. Eight all belong to eight.
Vernacular version of Shuo Wen Jie Zi: Eight. Division and difference. Like a shape that splits in two and faces each other. All words related to eight are bounded by eight.
Nine-character interpretation:?
Classical Chinese version of Shuo Wen Jie Zi: Nine, the change of Yang. Just like its curved shape. All nine belong to nine.
Vernacular version of Shuo Wen Jie Zi: the biggest variable of Jiuyang. Bytes are like twists and turns of things until they are exhausted. All words related to nine are bounded by nine.
Interpretation of the cross:?
Classical Chinese version of Shuo Wen Jie Zi: Ten, numbers are also useful. One is east, the other is west, the other is north and the other is south, so the center of the square is ready. All ten belong to ten.
Vernacular version of Shuo Wen Jie Zi: Ten, which means all the decimal numbers are needed. "One" represents things in the world, "two" represents the north and south of the world, and the intersection of "one" and "|" becomes "ten", which means that everything in the east, west, north and south is complete. All the words related to ten are bounded by ten. ?