(The spring breeze is ten miles, quoted from Du Mu's poem, referring to Yangzhou City)
"After ten miles in the spring breeze, the wheat is green", which is vivid from the imaginary place. The desolate scene of barren cities, sparsely populated and collapsed houses is self-evident, similar to Du Fu's "Spring is green with vegetation" ("Spring Hope"). "Ten Miles of Spring Breeze" does not really mean that the spring breeze blows all the way, but uses Du Mu's poems, which reminds the author of the grand occasion of the staggered pavilions and beads in those years and reflects the decline scene today.
From the Song Dynasty poet Jiang Kui's Yangzhou Man Huai Zuo Du Ming.
Yangzhou slow epigraph name. Jiang Kui's Ci in Southern Song Dynasty. Disyllabic, 98-character, rhyme.
Zhou yang man Jiang kui
Xi Chunbing applied to go to Japan and gave it to Wei Yang. At the beginning of the night snow, the wheat is looking forward to it. Entering the city, the city walls are depressed, the cold water is blue, the dusk is getting up, and the corner is sad. I feel sad from it and feel sorry for past lives, because I am watching this song. Yan Qian old man (1) think there is sadness in "millet separation".
Huai Zuo is famous, Zhu is famous, and the saddle is less than the beginning. Ten miles after the spring breeze, the wheat is green. Since Huma went to see the river (5), he abandoned the trees by the pool and still hated talking about soldiers. Twilight, clear corners and cold winds are all empty cities.
Durang ⑥ generous reward, now it is full of surprises. Vertically speaking, although the dream of a brothel is good, it is difficult to be affectionate. The 24th Bridge is still there, and Leng Yue is silent. After reading the red medicine by the bridge, you will know who you should live for every year.
To annotate ...
① Old man in Yan Qian: Xiao Dezao, a poet in the Song Dynasty, was an old man named Yan Qian, and Jiang Kui studied under him to write poems.
② Huaizuo: In the Song Dynasty, Huainan East Road and Huainan West Road were set up in northern Jiangsu and Jianghuai, and Huainan East Road was also called Huaizuo.
③ Zhuxi: The name of a pavilion in the east of Yangzhou, with beautiful scenery. In this beautiful place, Zhuxi, there is a Zhuxi Pavilion next to the Zen Wisdom Temple in the east of Yangzhou, which used to be a famous scenic spot. Du Mu's "Yangzhou Zen Temple Title": "Who knows Zhuxi Road, the song is Yangzhou."
Four miles of spring breeze: refers to the most prosperous place in Yangzhou in the past.
⑤ Tiger and Horse Peek at the River: 1 129, 1 1 year, the nomads went south twice, and Yangzhou was seriously damaged. This word is written in 1 176.
⑥ Du Lang: Du Mu, a poet in the Tang Dynasty, is famous for his drunken poems in Yangzhou.
⑦ brothel dream: Du Mu's "Farewell" "Ten years of Yangzhou dream, won the reputation of brothel."
⑧ Twenty-four Bridges: It is said that there are twenty-four beauties playing flutes in the western suburbs of Yangzhou.
Pet-name ruby bridge: Twenty-four Bridge, also known as Hongyu Bridge, has red peony beside it.
[Introduction to the author]
Jiang Kui (Kuí) (1155-1221) was born in Poyang, Raozhou (now Jiangxi). I have never been an official in my life, and I have been traveling between Hunan, Hubei, Anhui, Jiangsu and Zhejiang, and I have sung with Fan Chengda and Yang Wanli. Proficient in temperament, often writing, directing and acting. There are poems by Taoist Baishi and poems by Baishi.
Brief analysis
Although Jiang Kui died as a wanderer all his life, Baishi's ci is not only a portrayal of a wanderer's life, but also an emotional world reflecting various colors. It is true that due to the limitation of life path and aesthetic taste, the subject matter of Jiang Ci is narrower than that of Xin Ci, and the reflection of reality is slightly indifferent. But he is not an outsider who does not ask current events. Jiang Kui experienced four dynasties: Gao, Xiao, Guang and Ning. When Song and Jin made peace, young and middle-aged people were playing around in the imperial court, which made the restoration plan impossible. Jiang Kui is deeply saddened and sorry for this. In the second year of Xichun, I visited Yangzhou and felt the depression and desolation of this historic city, so I wrote this song to express my sadness. This is the earliest poem in Jiang Kui's poems, which can be tested for years.
The last film started with Du Ming and Good Place, but ended with Empty City, which showed its ups and downs in the past and present.
"After ten miles in the spring breeze, the wheat is green", which is vivid from the imaginary place. The desolate scene of barren cities, sparsely populated and collapsed houses is self-evident, similar to Du Fu's "Spring is green with vegetation" ("Spring Hope"). "Ten Miles of Spring Breeze" does not really mean that the spring breeze blows all the way, but uses Du Mu's poems, which reminds the author of the grand occasion of the jagged pavilions and beaded curtains in those years and reflects the decline scene today.
Although the looting of "Huma Peeping at the River" is a thing of the past, the "abandoning the pond tree" still tirelessly talked about the war, which shows how cruel the war disaster brought to the soldiers in that year was! Chen Tingzhuo's "Bai Ci Hua" thinks: "The word' I'm still tired of talking about soldiers' contains words that hurt people infinitely. Others are tired of talking about it for a thousand times, and they don't have this charm." The charm of Jiang Ci lies in its light language, but its charm is beyond the reach of some sophistry.
The phrase "green pepper" not only adds sadness, but also contains many twists and turns: the bottom has a common enemy, but has no intention of resisting the Northern Expedition. In this way, the horn of Qingling can only reverberate in the war-torn empty city. In the second part of the poem, the author further develops the association from nostalgia: the Yangzhou poems of Du Mu, a poet in the late Tang Dynasty, have always been well-known, but if he comes here again, he will never be able to sing affectionate poems, because at present, there is only one bend of Leng Yue and a pot of cold water to accompany him across the twenty-four bridges; Although the peony flowers by the bridge are still attractive, they are open and lonely.
The sentence "Twenty-four Bridges" is shocking as it gets harder and bleaker. Xiao Dezao thinks the word "sadness of parting" is really helpful.
Yangzhou Slow was written by Jiang Kui himself. "Baishi made a new tune because of his visit to Yangzhou, that is, he was named after the meaning of the word, and what he said was a matter of Yangzhou." (Wan Shu's Lexical) This word was written in (1 176) from the winter solstice in Shen Bing, and it has been sixteen years since Jin people arrived in Yangzhou. The once prosperous metropolis is now full of depression, which causes the poet to look back on the past. After reading it, the old man Yan Qian "thought that" Millet Parting "was sad." This word is divided into two parts. The first part describes the depression in Yangzhou: comparing the prosperity of "Huaizuo Du Ming" in the past with the desolation of "making wheat green" today, and describing the feeling of chaos by "wasting trees in the pond, but still talking about the fatigue of soldiers". The last three sentences describe the desolation in front of us with the words "Twilight City, Army Corner Empty City". The next film focuses on the virtuality of Yangzhou history. The poet imagined the romantic and handsome Du Lang revisiting Yangzhou today, and repeatedly praised the past scenery of Yangzhou with Du Mu's poems, forming a contrast between romantic prosperity and depression and decadence.