A probe into the ending of Miaoyu (1) Jade can be broken, but it must not be white.
Readers of A Dream of Red Mansions are generally uncomfortable that the wonderful jade was robbed by robbers in the last forty chapters, but they have been helpless. Because of the existence of the judgment in Chapter V, and because this "outsider" didn't play riddles in Chapter 22 and draw lots in Chapter 63, it was very difficult to reverse his conviction. Hu Shi also affirmed the chapter "Miaoyu Robbery" in Textual Research of A Dream of Red Mansions, and thought it was an important stroke to keep the tragic ending of the book.
There is a saying in Zhen Yinshi's "Notes on Good Songs", "Fat is thick and powder is fragrant, how can the temples be frosted?" Yesterday, white bones were buried in the loess, and today, they lie naked at the bottom of the tent. "On each side there is a clip of' Baochai and Xiangyun are a bunch of people' and' Qingwen and Daiyu are a bunch of people'. Cai Zhu even talked about JOE's version of Qingwen and Lin Daiyu's comment on writing being copied in the wrong position 5, but he didn't further elaborate on "a bunch of people". I think the relationship between these two sentences is both inheritance and transformation. " "Thick fat and fragrant powder" should mean that the daughters of Grand View Garden painted the powder thin at a young age and brushed off the moth eyebrows. Lin Daiyu thinks that the years in the poem are too hasty, and the beauty is easy to get old. "How long will it be bright and bright? ""Let's look at the gradual decline of spring flowers, that is, the beauty dies of old age "and" Shao Hua is bald "; Miao Yu's verdict includes "Alas, the people in Deng Qing's ancient palace will be old and weak, and the pink building is Man Chun. "Baochai, Xiangyun, Qingwen and Daiyu are all in the official, deputy and deputy books of twelve women in Jinling, so these two' dry people' should belong to unlucky departments. Baochai and Xiangyun are widows, and Li Wan can be added to the previous "group of people". Qingwen, Daiyu and Baoyu are all lovers, so who else belongs to the post-gang? Although Jinchuan, Miaoyu and Jinchuan are not explicitly mentioned in the fifth chapter, according to the comment on writing in Chapter 17 of Chen Geng Book, the general researchers think it should be in the supplementary book. If someone insists on counting Qin Keqing, I can hardly object. I guess it's because they don't appear many times in the book, and the fat review only wrote these two people as representatives. Jinchuan and Qingwen died in the first eighty times, and Qingwen was cremated, leaving no "bones", which can be interpreted as "death" here. Baoyu praised Qingwen in The Daughter of the Lotus, saying that "its quality is not enough to describe its preciousness", and this "gold quality" died indomitable. You Sanjie said to himself, "My sister is confused. People like us, happy ever after, defiled with two worldly treasures in vain. It's really incompetent ..." (Back to the sixty-fifth), You Sanjie also died by the sword; Miaoyu is also a "golden jade". Xiangling, Daiyu and Miaoyu all had the experience of monks trying to become monks when they were young. The first two unfortunately died in the world of mortals, but Miaoyu's heart was in the world of mortals. What will happen to her? Probably the same thing. This is consistent with the abnormal comment in the forty-first chapter of Lost Beijing-Tibet Edition, that is, Miaoyu eventually became a "dead bone" rather than "succumbing to a dead bone".
A Dream of Red Mansions has a detailed comment on the sentence "If you want to be clean, the clouds may not be empty", so I won't say much. There are two kinds of annotations in the book Dust and Pollution Against Your Desire. How do we know which one Cao Xueqin used? I will provide some "internal evidence" to prove what he means. First, Qingwen's judgment set is full of dark clouds and fog, and "be a humble ... sentimental child." The word "lowly" only means that she was born in poverty and was a slave of the Jia family. She is not a lowly role, nor is she engaged in the recognized lowly industry of pornography, and she does not mean any harm. Secondly, there is a sentence in Notes on Good Songs, "Whoever chooses a good song will live in a smoky alley", and there is no comment on it. Cai Zhu thinks that this page's comment that "there is no evidence for children after death, but they were not infatuated before death" shows that Jia's comment on writing is missing, so I can infer that Miaoyu's ending is not "falling into the dust". How can there be two positive comments on women missing? Unlikely, if they are two people who have fallen into the dust, they should name names, which is just in line with the writing habits of two people here (except Wang Xifeng and Liu Xianglian), or there is no comment on writing here. Miaoyu's parents died and she became a monk. It is impossible for her parents to "choose a good bride in the usual sense" for her, which is not in line with the eyebrows. Thirdly, vines were planted in Wu Heng yard, which shows that Xue Baochai is good at climbing now; Thousands of bamboo poles are born in Xiaoxiang Pavilion, which shows that Lin Daiyu is aloof and unconventional (Su Dongpo said, "I would rather eat without meat, not without bamboo"); The plum blossoms of "Leng Xiang" are in full bloom at the Cui Temple and the temple side where the tomb is announced. Yu Miaoyu is proud of the snow, and the bitter cold is still fragrant. That pile of "mud" reminds me of "mud never touches" from time to time. Isn't the sign painted by Daiyu in Sixty-Three Chapters the Lotus (Qingwen didn't write it clearly, but it may be the Lotus in Daughter of the Lotus)? If Daiyu and Miaoyu are regarded as symmetrical bodies (see below for details), can you still agree that Miaoyu lingers in the mud, waiting to become a "fisheye"? "Innocent white jade" is not "fisheye"! "Innocent white jade" usually refers to a person of noble character. If Miaoyu is muddled in adversity, how can Miaoyu live up to the word "flawless and beautiful jade" without Cao Xueqin's view of chastity? Isn't it obvious what Cao Xueqin meant by "dusty and filthy"? The destination of Falling into the Dust is a brothel. Isn't there a brothel in the world A woman whose talent is "unbearable" ends up in a brothel? I'm afraid I became "unbearable" after I became a prostitute. "Talking about prostitutes" reverses the causal relationship between "unbearable" and "returning to dust". The flat and parallel style of six poems. The word "dust against the heart" can only be plain, not plain. It can be inferred from the above six points that the word "dirty dust" is not dangerous, and the solution of "dirty and unclean life of prostitutes" is ruled out.
There must be a clear explanation of "disturbing you" in order to make Miaoyu's "convincing" more thorough. There is a saying in Lin Daiyu's poem "Flower Burial" that "quality is clean and clean, better than being trapped in a ditch". What are the similarities and differences between this poem and Miaoyu's judgment of "it's a pity that the gold is stuck in the mud" and "it seems good, and the flawless white jade is stuck in the mud"? "Dark clouds and turbid fog", "muddy mud" and "turbid water" express the same symbolic meaning, generally referring to the dark and dirty social reality. The song of burying flowers has the nature of prophecy. When Cao Xueqin showed Lin Daiyu's future, he did not use "turbid water" to refer to "prostitute" and "robber's wife". What about "No.2 Lin Daiyu"? Will you use "mud" to express those unbearable words? Xiangling's verdict album is "Water dries up mud, lotus withers and lotus roots decay". The sludge in the pond is naturally sludge. Xiangling is Xue Pan's concubine. At first glance, it seems that "silt" means "concubine". Careful observation shows that this is not the case. Being a concubine leads a carefree life, like attacking people. If Jia Fu is unbeaten, she should live a contented life. "Water withered, mud withered, lotus root withered" means a causal relationship, which means that Xiangling died in a bad living environment. In this way, the meaning of "mud" in Miaoyu Atlas is the same as that in Xiangling Atlas, and Miaoyu died because of the hard living environment. Zhuangzi took the turtle as a metaphor, preferring to drag his tail in muddy water rather than live in a temple for the sake of "bones". Mud water is a suitable living environment for turtles, but it is a adversity for Jinyu. Some people may ask, since the ending of Miao Yu's book is death, why doesn't she draw "jade pieces" in her album? I don't think so. The beautiful women in the Spring Festival photo album were not bitten by wolves, and their deaths were not simply seen through the pictures in Yuan Chun and Xifeng's photo album.
After determining Miaoyu's "innocence" and "bones", two inferences can be drawn. First, especially in the feudal society of China after the Southern Song Dynasty, it is difficult for a disgraced woman, especially a prostitute, to be called "flawless white jade". The most sympathetic title is "white jade is slightly flawed" or "imperfect". With Cao Xueqin's meticulous writing, it is hard to believe that he would be negligent here. Secondly, Miao Yu's song is called "It's hard to tolerate the world". Cai Zhu made an in-depth study of the contents and titles of Xue Baochai's A Big Mistake in Life and Jia Baoyu's yearning for Lin Daiyu, but said nothing about Miao Yu's title "It's hard to tolerate the world". Since the world is unbearable, the more likely outcome is to leave this world. This is "the world does not allow", but the name "the world does not allow" is obviously too straightforward and inappropriate. What is the "apathy of the world" in China's literary tradition? Zhou Yafu's Underground Rebellion, Yue Wumu's Imaginary, Lin Chong's Snowy Night in Liangshan ... This is the "unbearable world" for soldiers; Because "the world is turbid, I am alone", Qu Yuan drowned in the Miluo River; "Since ancient times, sages have been poor, not to mention our generation is lonely and straight", Bao Zhao's "Difficult to Walk"; Don't bend over to fight rice, sing "Come home to Xi", and Tao Yuanming pours wine on his chest; "Before me, where was the past era? Behind me, are the future generations? " Chen Ziang had no choice but to plead and died at the hands of corrupt officials; Heaven and earth are ups and downs, old, weak and sick, and Du Fu's poems of poverty and sorrow are passed down from generation to generation. Cynicism, Li Zhi talked about "childlike innocence", but he committed suicide in prison in anger ... This is a scholar's "unbearable world". "Lonely and angry, the fake ghost fox sent it; Shi Naian's loneliness and anger were sent by a fake thief; Cao Xueqin's loneliness and anger were sent by his fake daughter "(A Dream of Red Mansions recorded by two known people in Qing Dynasty). Can't you see the shadow of Cao Xueqin from "The World Is Hard to Bear"? Life is untimely, there is no talent to make up for the sky, and the pioneer is lonely and angry. "It's strange to be proud of a gentleman, and it's rugged and fragmented. I was drunk, swept away like a pen and wrote a piece on my chest. " The above two inferences cannot be directly used as independent evidence, but can only further support this view.
In addition, judging from the 76 sets of scene couplets in the Grand View Garden on Mid-Autumn Festival night, Miaoyu's original intention of continuing her poems is to dig out the sad artistic conception of Shi Xiangyun and Lin Daiyu and express her wish that darkness will eventually pass away and dawn will come soon. There are no poems with obvious prophetic nature like Shi and Lin, so I dare not guess whether there are 7. I don't understand. What is she doing in the concave crystal hall in the middle of the night? "Appreciating the Qingming Moon in the Pool" or "Whispering to Leng Yue"? Not sure.
At this point, counting the notes in popular books about "those who want to be clean, the clouds can't be empty", there are four evidences, and it can be concluded that the original intention of the comment on writing in Beijing library is "beauty is dead" rather than "beauty succumbs to death". I reread the comment on writing as "Miaoyu Pianpi". This so-called "clean world is the same as suspicion." Wouldn't it be sad to persuade Guazhou Ferry to punish it one day? Can a solid (through "reason") submissive beauty not be a skeleton? " . Please correct me if there are any mistakes.
According to Pang's evaluation, we can know that Xiren got married before Baoyu became a monk, because the disaster in Jiafu is coming. The sixty-third lottery of Xiren was "Peach Blossom is another spring", and Appreciation of Poems and Odes in A Dream of Red Mansions indicated that the last sentence of this sentence was "Seeking Immortals to Avoid Qin", indicating that Xiren left Jia's house to avoid chaos. This is the embodiment of Baoyu's love for his daughter. It can be inferred that Miaoyu, who has unspeakable feelings with him, should be advised to return to Suzhou. On the way back to Suzhou, Miaoyu learned that the person who has made bad friends with his family is still in power in Suzhou, which is what Xing Xiuyan said: "It's inappropriate to smell it, and the right cannot be ceded" (back to sixty-third). A nun who stays in Guazhou, such as Shantou Temple and Narcissus Temple, is not a quiet place for Buddhism. "Too high a person is jealous, too clean a world with suspicion" is not in line with the custom. It may be that when the epidemic spread, she was sent to the street to dissuade her from punishment because she was unfortunately ill (in the book, she was sick since she was a child and recovered after entering an empty door). This "disease" should be regarded as a congenital disease with love as the inducement, and it has entered the grand view. After Daiyu's death, she fell in love with Jia Baoyu for a while, but she became "sick" again. Poor and sick (smart children call Shuiyue Temple a prison, Fangguan is abducted to work, and Xichun is begging for food for the Queen of Nepal. So, how can we guess that she has gone to heaven? ), food and clothing, regret in my heart, no road ahead, love in the distance, a clean and white daughter died here, swallowed up by the dark society, and went innocent without giving in to the bones. It's a pity that his teacher said, "It's not appropriate to go back to your hometown to eat, wear and live. Stay here quietly, and then you will have your own results "(17 ~ 18 times).
Miao Yu's death and Lin Daiyu's death form a symmetry, which can be called "E Huang and Nv Ying", which can provide the second independent evidence that Miao Yu's death is related to "Xianglinsao". If Lin Daiyu and Miaoyu are regarded as symmetrical bodies, it can explain why there are so few descriptions of Miaoyu in the first eighty chapters, and also help to understand why Cao Xueqin added a jade hall in the Grand View Garden. A secular world that does not allow snobbery, a Buddhism that does not allow "quietness". The secular world and Buddhism are actually one, dirty and hypocritical. If Daiyu brought her family to practice, she would be another wonderful jade.
"Prostitute" and "obedient" remind me of Liu, one of the eight beauties in Qinhuai in the late Ming and early Qing Dynasties. Mr. Chen Yinque once called her a "strange girl" and a "wife" instead of "flawless white jade".
Of course, some people deny the existence of Cang Jing Ben, and I have seen the reasons. My above analysis can exist independently of the comment on writing in Jing Cang Ben, but I can't draw the conclusion that Miaoyu died in Guazhou, only knowing that she died innocently. When I was watching the TV documentary "The Chronicle Project of Xia, Shang and Zhou Dynasties", the curator of the Shanghai Museum spoke a passage about the authenticity of a number of bells engraved with words in the tomb of Jin Hou in the Spring and Autumn Period in the Hong Kong cultural relics market, to the effect that there were fake bells engraved with several words. Who dares to divide a long article into several paragraphs and engrave it on a set of bells? At the same time, we have to take it to the market to sell! The fact is that the curator is right. Judging from the history of Redology, some people can fake one or two poems by Cao Xueqin, but who dares to fake a collection of poems by Cao Xueqin? One hundred and fifty comment on writing is not a small number. In that famine era, it was not easy for Mr. Mao to sit at home and come up with so many comments.
After comparing the "no chance" in the judgments of xiren and Miaoyu, it can be found that Jia Baoyu had a relationship with xiren and was still called "who knows that his son has no chance"; "Curled Eyebrows" has "If there is no strange fate, I will meet him in this life; If you say you have a strange fate, how can you be worried? " Baodi's kindness is self-evident. During that time, I was reading Stone Searching and Appreciation of Poetry, Song and Fu in A Dream of Red Mansions, because Zhen's Annotation of a Good Song, Judgment of Wonderful Jade and Lin Daiyu's Appreciation of Poetry, Fu and Burying Flowers in A Dream of Red Mansions were close, and I still had an impression when I read them. After reading such humorous words, I was inspired and guessed the time of their farewell. So to what extent will he and Miaoyu feel that "the prince and grandson are sighing" 9? "Three points make a circle", I "resolutely" stuffed Miaoyu into the "Qingwen Daiyu Gang", and then with the help of Cai and Liu, I completed the exploration of Miaoyu.
(3) Liu's mistake
As for who the "great grandson" refers to, the red circle generally thinks that it still refers to Baoyu. In Qingwen's judgment, "sentimental childe is empty", and in Xiren's judgment, "Who knows that childe has no chance". The "son" here refers to Jia Baoyu, but will Miao Yu's "prince and grandson" be an exception?
Liu thinks that "great-grandson" refers to Chen. After reading his book, I feel that his argument really smells like "listening to the wind is rain" and I have to point out the flaws. His research on Miaoyu can be summarized into three main points:
First, Miaoyu Yu Dabao is about six years old;
Second, the son of Prince Chen appeared in front of Wei, who is Shi Xiangyun's husband. Wei appeared only once in the first eighty times and played such a huge role. Obviously, the number one Chen has a greater "status";
Miaoyu's green jade bucket was used to make tea. "Before" means "a few months or even a year". Miaoyu not long ago, some researchers suggested that the twelve women in Jinling were selected according to their close relationship and blood relationship with Baoyu. What really surprised me was that Zhou Lao didn't notice it. I was really surprised. In the book "Two Worlds in a Dream of Red Mansions" written by Mr. Yu Yingshi in 1970s, people have realized that the rule of choosing twelve women according to the blood relationship of four big families is not feasible. Then this rule must be abandoned, and it is still being reported today, and it also contains many doubts. Falsificationism holds that if a theory really cannot explain a known fact, then it must be abandoned or improved. Xue Baoqin and Jia Baoyu are not related by blood and are not very close. Of course, they cannot be chosen. Xue Baochai is Jia Baoyu's wife in real life, and Lin Daiyu is his wife in mind, so they tied for first place. Yuan Chun is his sister, Tan Chun is his cousin, and Shi Xiangyun is also his cousin, farther than Lin Xue. Miaoyu is a person who has a love relationship with him, but she has too few contacts, so she ranks behind Shi Xiangyun. I have to mention that Qin Keqing, who has an "ambiguous" relationship with Baoyu, is in the last place because he is from Dongfu, so I won't elaborate on the other "chaitoufeng" one by one.
For the first one, I have to move out of Miss Fu's first. When Baoyu was thirteen, she was already in her twenties, bigger than Miaoyu, but her brother planned to marry her "Baoyu's younger brother". Some old redologists think that shaping Fu is a satire on the Xue family's mother and daughter, so it has never appeared. Baoyu is much younger than Miaoyu, but should Mr. Liu tell us how old Chen is? Twenty-three, where did you see it? If you can't answer the source, doesn't it mean that pi is not accurate enough to take 3. 14 159? It is suggested that pi be 3. 17. Xing Xiuyan and Miaoyu have been neighbors in Pan Xiang Temple for ten years, so Miaoyu was frustrated by love and was only seven or eight years old when she became a monk. From the writing process of A Dream of Red Mansions, we can see that the ages of Baoyu and Daiyu have been lowered, so in Ji Mao Manuscript and A Dream of Red Mansions, Daiyu Lin entered Jia's family at the age of thirteen, not at the age of six in popular manuscripts. Lin Daiyu won't say that she is fifteen until forty-five times, which is explained in detail in Professor Zhu's A Dream of Red Mansions.
In the first eighty chapters, we didn't see a word about "Chen Miaolian", and it didn't even involve criticism, so we shouldn't be so humble. "Official media" should not be the hobby of Redology researchers.
Secondly, Mr. Liu's guess is too big. In order to get rid of Miaoyu, an outsider and alien who has nothing to do with Jia's family, he went into trouble. If Mr. Liu's method remains the same, I can still interpret the "sludge" in Miaoyu's judgment as Jia Baoyu's. Jia Baoyu's famous saying that "men are all made of mud", he is a man; When I met Qin Zhong, I thought he was a "mud pig dog", "rotten wood" and "cesspit mud ditch". In Yuan Chun, four plays were staged during the mother-in-law's period, two of which were Fairy Fate and Away from the Soul. There are criticisms on the edge that the immortal gave jade to Zhen Baoyu, leaving the soul to offer the death of Daiyu. Away from the Soul is adapted from Peony Pavilion. In the play, Du Liniang came back from the dead. Of course, Lin Daiyu cannot be resurrected. Her poems about Bai Haitang include "Steal a pear flower for three minutes and borrow a plum blossom". Isn't there plum blossom beside the jade palace? Li is also hard, let Miaoyu stand on it. Moreover, who can be sure that the jade sent by Zhen Baoyu must be psychic Baoyu, or it can be "flawless white jade"-wonderful jade. Just right, the marriage between Xue Baochai and Jia Baoyu is a "dust fate", and the marriage between Baoyu and Miaoyu after becoming a monk is a "fairy fate", and the "empty account hangs the phoenix and the screen hides the color" has all fallen. Since we can tie the knot in this way, then "why can't the prince and grandson sigh" can be interpreted as "since there is fate, the prince and grandson don't have to sigh." What's more, Miaoyu's homonym is still "adventure"! Is this ok? Of course not. We have to consider the artistic image of Miaoyu in Cao Xueqin's works and take the fifth judgment as a compass. Don't entertain foolish ideas, catch shadows and misinterpret arguments.
In strict accordance with the "sequence" set by Mr. Liu, Shi Xiangyun happened to be the girl in front of her, but she wanted to slap Chen Yi who harassed her. Mr. Liu gave Miaoyu to Chen because he felt that Miaoyu was the only famous flower among the twelve women in Jinling.
The understanding of the prince can't be so rigid. Noble children and noble children are the same meaning. There are thirty-eight times in Jia Baoyu's "Crab Poetry" that "a gluttonous prince needs wine, and a mad son has no intestines". What else can this "prince" have besides being the "son of the prince"? Also refers to Baoyu himself.
Qingwen, the most rebellious in the Grand View Garden, died in an unjust prison. How can you imagine that Miaoyu's death will be as heroic as Dong Cunrui's? Mr. Liu's other questions about the study of Miaoyu will be discussed in the section of "Exploring the Lost".
Thirdly, I have never used the word "Qian Fan", and there is no such word in the dictionary at hand. I'm not sure how long it is. Pan Jinlian gave Song Wu a glass of residual wine she had drunk, but was flatly rejected. It is really frustrating to compare Sister Miaoyu with Sister Jinlian, but we can also see the essence. Miaoyu also has a sentence that Teacher Liu may have overlooked, that is, "Fortunately, that cup was not for me. If I had tried, I would have smashed it and couldn't give it to her. " Grandma Liu took the cup back to sell, and others would take it to drink tea. Miaoyu takes these into consideration, so as long as it is used, it can't be given to others, no matter when it is used. As for Jia Baoyu, I don't care. I just used it better this morning. This does not mean that she understands the theory of molecular motion, just as Xue Baochai advised Baoyu not to drink cold wine does not mean that she understands the second law of thermodynamics.
Here, Cao Xueqin reveals her feelings that "the clouds may not be empty" with Miaoyu's completely different attitude towards Granny Liu and Baoyu, accusing a young girl of preventing her from pursuing a happy marriage. Of course, Cao Xueqin's attitude towards religion is contradictory, and researchers have reached a consensus. Just as he described the different reactions of xiren, Baochai and Daiyu after Baoyu was beaten, it showed the consistency of Baoyu's and Daiyu's thoughts. This is a very common literary technique. Mr. Liu was born a writer. How could he not see it? If so, there should be a saying that "people's first impressions are often correct."
The loss of this book.
Mr. Liu is dissatisfied with the ending of the sequel to Miaoyu. Like me, most people are not satisfied, but it is not impossible that Miaoyu is lovesick, but it is just described too much. In the past, researchers criticized Miaoyu's robbery from the social significance of typical characters, which was a failure. Today I want to point out from a new angle that it is almost impossible for Miaoyu to be robbed.
Second, the location of the crime was not chosen properly. The robber didn't rob the water in the mountain, but ran to the foot of the son of heaven to grab money and color. Probably because they watched too much water margin, Liangshan hero was able to get away with it after a big fight in Tokyo. Moreover, the first money collection was unsuccessful, and I was unwilling to die of a brother. At the same time, I took a fancy to a stunning girl. If I visit again, I will be afraid of thieves. Besides being a thief, I also want to be a thief! I don't know Cui Jiao's poem "Houmen are as deep as the sea", Granny Liu doesn't know that "a thin camel is bigger than a horse", and probably doesn't know that there are nine prefects in Beijing to inspect the Fifth Battalion. More than a decade ago, Li, chairman of the Central Committee of the Chinese Revolutionary Committee, was killed by guards, which implicated the leaders of the Beijing Armed Police Corps.
Third, the absurdity of criminal purpose. There are two main reasons for the formation of gang crimes. First, the division of labor is clear, professional, efficient and safe; The second is to rely on people and use more violence when necessary. The purpose is to plunder property, which is the most important feature of gang violence in ordinary criminal offences. All kinds of case-solving novels and Outlaws of the Marsh have cases of robbing a good woman to be his wife. I've never seen anyone take her back. "Have fun, everyone." There is a charming person, and everyone takes risks?
Fourth, the absurdity of the criminal process. After the robber "smoked down" Miaoyu, he couldn't wait to "be reckless and frivolous for a while". He doesn't want to have brothers outside the wall, he only cares about his own happiness, and he doesn't want to leave quickly and leave dangerous places. How energetic! Is it possible that tonight is Shangyuan Festival and Jin Wu can't help it at night? Judging from the time when Jia Baoyu took the imperial examination (August 15th of the lunar calendar), the season of committing crimes should be summer. It's already dawn in the fifth watch, so we must resist an official lamp cheating the city gate! A group of people who are in a hurry to "do things" are catching a car instead of riding out of the city!
Maslow, an American psychologist, divides human needs into five categories: physiological needs, security needs, love and belonging needs, respect needs and self-realization needs, among which survival needs and security needs are indispensable. Probably the gangsters included sexual needs in their survival needs at this time. If they can't meet them in other places, they don't care about safety needs.
From the above analysis, it can be seen that it is not the robbers who want to rob Miaoyu, but the sequel is bent on letting Miaoyu be robbed by robbers. The sequel satirizes Miaoyu, just like his attitude towards attack. He borrowed Xue Baochai's words one hundred and four times and said, "... (Xing Xiuyan) secretly told me how Miaoyu knew before and how she meditated and realized Tao. Now that she is in such a big trouble, how could she not know it herself? Is this known before? ……"