Appreciating classic calligraphy works in print is also called? Real books? 、? Real books? 、? Regular script? . Font name. The transition from official script began at the end of the Eastern Han Dynasty, matured in the Wei, Jin, Southern and Northern Dynasties, and reached its peak in the Tang Dynasty, which has been popular all over the country so far. The figure is square and the strokes are straight, so it can be used as a model, so it is called. Regular script prevailed in the Six Dynasties and reached its peak in the Tang Dynasty. This font is still the key for beginners to learn calligraphy.
Beautiful block letters calligraphy pictures, beautiful and generous, bit by bit, from beginning to end, square. And to do this, we must persevere and persevere. It not only cultivates perseverance, but also exercises toughness. The whole document is written down one by one, which is both pleasing to the eye and elegant. The same is true of being a man. We should pay attention to the whole, insist on encouraging ourselves to be a man for a long time like writing, write word by word seriously, and walk step by step. After a long walk, when you look back, you will find that it is just like writing words, one stroke at a time, teaching by example over time, and finally you get the overall pleasing generosity and classics.
The origin and changes of block letters in ancient times are not called real books, official books and regular script. Before the Tang dynasty, the official book was called? Official script? 、? Eight points? 、? Today? 、? Jin Li? . According to the examination, regular script was created by Wang Cizhong. Cai Xi Zhong said? Shanggu Wang Cizhong changed the official script to regular script, and changed it from regular script to eight points. ? But when the king was born, the ancient legend is different. Zhang Huaiguan in the Tang Dynasty said that he was from the time of Qin Shihuang, Wang Kui thought he was from Zhangdi in the Han Dynasty, and Xiaoliangzi thought he was a Lingdi in the late Han Dynasty. Due to ominous ancient records, it is difficult to determine. It is inferred that Wang was born in the Han Dynasty, but there is nothing in Wang Shu's block letters to test. It is still doubtful whether his printed letters are exactly the same as today's. The earliest existing inscription in ancient times is Zhong You [y? U was written by the homonym Chang Yuan, so the current regular script actually started in Zhong You. After Wang Xizhi (Shao Yi) founded seal script in Jin Dynasty, he studied seal script from Mrs. Wei, and also learned calligraphy from Zhong You and Zhang Zhi, making it a seal script with clear strokes and correct structure. At the same time, Wang also created a natural and fresh running script, and its brushwork was smooth and changeable. The wonderful traces of ancient times and the essence of ancient law are unparalleled. ? Wang Xizhi inherited Zhong You's calligraphy and improved it, laying the foundation for China's regular script and running script, thus becoming a model of Chinese characters' regular script, running script and cursive script. Since then, under the guidance of his father Xi, Wang Xianzhi (Amethyst) has continuously studied and improved, created another normal style, and created the so-called "non-line non-grass". Breaking the body? , Tang Dynasty [Gu? N is homophonic with the crown] The book discusses:? What's more, knowledge is far less than respecting talents?
Seal script developed greatly in the Tang Dynasty. In the early days, Ou Yangxun created another font with strong brushwork, clear and diligent brushwork, dense and neat structure. At the same time, Yu Shinan created another font with rigorous brushwork, bold brushwork, rounded strokes and neat structure, and another font with fine brushwork and neat structure, which was owned by Fiona Fang. The three of them are equally famous at the same time, which played an important role in the prosperity of regular script in the early Tang Dynasty.
In the middle Tang Dynasty, there were Li Yong and Yan Zhenqing. Yan first studied Chu Suiliang's calligraphy, and then imitated Mu Yurong's calligraphy in the Six Dynasties, thus changing it into a font with thick strokes and neat structure, creating a unique style and becoming another one.
At the end of the Tang Dynasty, there were Sun and Liu Gongquan. Liu learned from the advantages of the two-body style, and used a new pen, which is also a clear and sparse font.
There were also many calligraphers in the Song Dynasty, such as Su Shi [sh? Homophonic Similarity] (Su Dongpo), Huang Tingjian, Mi Fei [f? Homonyms include Fu], Cai Xiang, Fan Zhongyan, () and Yue Fei. Among them, Su Shi's calligraphy is the best, and his fonts are thick, dense and unique.
There were not many famous calligraphers in Yuan Dynasty, only Zhao Mengfu was famous. Zhao likes Wang Xizhi's calligraphy very much. He copied many essays, such as Le Yi Lun, Huang Ting Jing and Lanting Preface, and made great achievements. The book he wrote has exquisite strokes and correct structure, but it has the meaning of Zhong and Wang Bi.
There are many calligraphers in the Ming Dynasty, including Dong Qichang, Wen Zhiming and Zhu Yunming, but there is no unique creation. Among them, Dong is more prominent, with block letters, handsome and elegant, and cheerful personality.
There are not many famous calligraphers in Qing Dynasty. At that time, everyone imitated the styles of Europe, Zhao and Dong, and there was no new creation. Only Long Di, Liu Yong, Yong Xun (a prince) and Weng Tonghe have made achievements. At that time, because the inscriptions in the Tang Dynasty were damaged, they could not meet the needs of learning. Therefore, Deng, Bao, Kang Youwei and others strongly advocated learning from Weibei, and made no new contribution to seal script in Qing Dynasty.