1, pen and ink, dry and wet test.
Choose a pen first, then adjust the ink, and then use what paper. (1) pen: it can be divided into long and short pen, sheep and wolf, double brush, etc. According to your own habits, generally speaking, it is better to use a long knife and wolf pen, which is easy to make the ink sink and solidify, forming a calm effect (solving soft and slippery). (2) There are five colors of ink, which is closely related to the speed of writing and the amount of ink in the pen tip. "Dry" means that the pen contains less ink and is thirsty for stippling. "Run" means that the pen is full of ink, and writing will give people a vivid Mo Yun effect. (3) Paper is divided into cotton, clean leather and ultra-clean leather. There are also dyed yellow stripes, or gold and silver pieces or gold and silver powder. Different papers have different ink absorption degrees. Therefore, it is necessary to make textual research before creation, so as to master the characteristics of pen, ink and paper and be aware of it.
2, the first word is vertical, and the painting is different.
(1) The first word of the first vertical line (explanation of the difference between rows and columns) should be thick and heavy, and it should be in the same central axis position as the last word. (2) Start words between lines should be written differently. For example, (3) The first letter of each vertical line cannot be a wet pen, otherwise it is top-heavy.
3, more Tibetan front, less sharp play.
"Conceal the spirit before, and stretch the spirit before." Hidden front and hard work, its ink is thick, neither sharp nor light. Give a person a kind of intoxicated implicit beauty. You should understand everything in cursive script. However, be careful not to point it out at the junction of words and pens.
4, virtual and real pen, lift and sprinkle.
The reality of using a pen is not equal to carrying the weight of the pen. Truth and seriousness are inseparable, but there are also differences. For example: virtual pen, real pen ... boosting pressure is a kind of ups and downs. If it is too light, it will float; If it is too heavy, it will sink. Lift up, press down. There is truth and falsehood in the collection.
5, there are setbacks, turn quickly.
The beauty of (1) lines lies in their rhythm and cadence. Time out. Down to the opposite side, the nib changes direction and leaves its original position after a pause. On the surface, it is a pause, but in fact it is moving. Grass takes stippling as its emotion and turns into shape. (2) Usually turning like a runaway wild horse, the flood is surging, giving people a feeling and impression of stormy weather, lightning and thunder. If it's slow and fast, it's suspected of drifting. For example, the continuous turn to Fang Bi will be slower. The elder said, "Don't be busy, there is no momentum when you are busy.".
6, slow ink pig, anti-floating.
Fast and slow, the result is stagnation and coagulation, forming an "ink pig", said Ou Yangxun. "What is urgent is to slow down and slow down your bones." It is not enough to see the bones, and at the same time, in order not to fall into oily impetuousness, we should try to reduce the speed of "hard writing". Fast is a big concept, which contains many fast methods. Su Dongpo said that real books are hard to fly, and cursive scripts are hard to be flat.
7, wimp, Fang Bi plus sign.
Weakness means walking around in circles and being listless, so you should have a deep understanding of strokes. At the right time, change Fang Bi's forward position. Usually, the center becomes a winger, making it have bones and flesh. Then keep sliding.
8, prevent horizontal length, waist stubble.
As long as the waist is cut, the momentum is completely broken. Mrs. Wei in Jin Dynasty: The horizontal painting is like a thousand miles of clouds.
9, vertical also changes, straight and stupid.
Vertical painting should not be too straight and thick, but it will be "dull". Whether there is a vertical front depends on the words up, down, left and right. For example, there are three vertical characters in the Sino-Japanese War, which will change. Sometimes adding "pen shaking" will make you feel lively. Mrs. Wei: Long live a vertical painting like a dead vine.
10, evil embroidery is right, the less the better.
Words can't all be positive. Occasionally, carp yue longmen and waterfalls are evil, despicable and wonderful. There are too many bad words. Silent voice, invisible phase.
1 1, central axis, move.
"Words are like symbols, not cursive", and lines cannot be aligned. You can't swing irregularly from side to side along the central axis, as long as the whole line feels like a vertical line visually. Words can't be scattered. Breathe between lines, echo from beginning to end. "Expensive" is in the middle.
12, word length, and suppression.
Words as big as father and son. Big characters are even two or three times as big as small characters. The patchwork back becomes natural. Moderate weight. Don't be the same size, or it will be flat as water.
13, kerning, inequality method.
You can't (regular script) line horizontally, nor can you (obviously) line vertically. Otherwise, there is a lack of cursive script. If two words are crowded together, or two words are far apart, they echo from a distance. Form an irregular charm and the beauty of waves.
14, connected by circles, blind.
Cursive script is dull without hyphens (banner words can be broken). Two hyphens and three hyphens are common. There will even be too many circles, soft words and slippery words. Such as: Shouzi. Every word or the whole word must be blind to be blind in the circle. For example, the cold words written by famous writers in past dynasties. Listen to the words in Sun's book spectrum ... The ancients said: cursive script is the key to storing words, which damages the rules of officials (real books).
15, hairspring, messy.
The connection between the previous stroke and the next stroke, or the connection between the previous stroke of the previous word and the first stroke of the next word, requires a hairspring lead. Proper use can enhance a certain sense of beauty, but it should not be too much and "similar." It's broken as soon as it appears, (such as a far word). When staccato continues (such as the last stroke of a distant word), it will have a wonderful effect. Otherwise, it will be like spring insects and autumn snakes. Liu Xizai said: The connection is far and near.
16, broken pen, breath pressing people.
There is a feeling of scattered words, scattered words without chapters, and the breath is completely broken. Although the words are extremely changeable, they are not masters. There can be no word structure such as casting.
17, high tide, close call.
Clever handling of strokes, especially glyphs, requires a strong sense of change, and cursive works cannot be written. Let the whole work form a smooth time, like flowing clouds and waterfalls. Tang people said; People who are common with others are vulgar, and those who are different are strange (pay attention to forming their own characteristics on the basis of conforming to ancient laws).
18, tight and loose, there is still room.
Tightness leads to restraint, while looseness leads to dispersion. Up, down, left and right, tight and loose, forming a perfect space. It's like being stiff in Jorge Lema and being a shy girl. When you are with each other, you must put all the papers on your chest, without a whole sentence. This is a master.
19, flying white is less, and god sublimates.
Zhang Huaiguan said: Where there is no word, there is a word, and where there is no ink, there is a realm. Flying in vain is like sailing against the current. Push out the nib and collect the pen without stopping. Feibai can only play an embellishment role in the whole work, and too many Feibai appears, and the brush strokes are empty and unreal. The power of cursive god; In addition to the implicit beauty, there is also the ferocious beauty revealed by the murder in da ji (the list of gods) (using the image metaphor of Tian). The form and spirit of cursive works are very important. There is no god in the tangible, there is god in the tangible, and god is "invisible". Seeing two snakes fighting on the road, I got a wonderful result ..... so I thought that "cursive script should be combined with all things in nature, and it is not enough to insist".
20, Duan Yin, Yin and Yang flowers.
The paragraph is smaller than the subject word, so that people can understand what the word is and what the name is. It is in line with the tradition and natural laws of China people that the seal is smaller than the inscription.