Tao Yang didn't actually quit Deyun Society, and Tao Yang didn't make a move to quit Deyun Society, nor did he say that he would quit Deyun Society. People think that Tao Yang should quit Deyun Society just because he didn't appear on the cross talk stage. However, Tao Yang, a prodigy of Peking Opera, should play Peking Opera at home.
Tao Yang focuses on Peking Opera;
Tao Yang now also talks about cross talk in the small theater of Deyun Society, but much less than when he was a child. He mainly focuses on Beijing opera. After all, this is the art he is good at, and it is also his lifelong ambition.
In the past, apart from Degang Guo's spare time to help, Kirin Drama Club was basically left to Tao Yang. It is already a branch of Deyun Society's Quyi hegemony. "Learning to be expert", using professional people to do professional things, not only know how to make good use of people, but also fulfill Tao Yang's dream of Peking Opera.
Peking Opera is to Yang Tao what crosstalk is to Degang Guo, and raising horses is to modesty, which is a deep-rooted passion and persistence. When singing Peking Opera is not profitable, crosstalk is just a survival skill that Degang Guo taught Tao Yang. It's not a bad thing to show off, or you will turn back to your strengths.