Source: China Net Binhai High-tech Keywords: Lanting; Leak marks; Calligrapher; Book ears; Author: 2011-05-2411:02
This post (official slave post) is a sequel to Cherish Spring's Secret Pavilion, and Mi Yuanzhang is definitely like Xu Lanting. Du Nan, whom I met in the past year, once wrote down his brushwork in Mi Tie, saying: "The words are wonderful, the situation is strange, and the Tibetan front is wrapped in iron, so it is vigorous and profound, and it is vivid." Now it is hidden by Yongqing of Wu Taixue. I stayed in Wumen for more than 20 years, so I came here to say: I wrote this post when I stayed for more than 20 years, so I suddenly met the original, and it wasn't overnight. At that time, a fake order could be made, and it may not be true without painstaking suspense. Huai Su said, "Open your mind and release stagnation." It's also called today There were three days in October when the application was made, and the Japanese book Lanting and this post were passed. The book Official Slave was particularly popular.
My book is full of imitations. I am most proud of my small regular script, but I am lazy in writing. However, it is not an intentional book to walk the world with grass, and the first rate should be handed in. If they get together, they can't track Jin and Wei, and they can't ride behind the Tang people.
Writing a book, like writing a poem, is generally about passing on and not passing on, saying and not saying. Great people can talk about it by hook or by crook, and the mysterious taste must be strengthened by the power of heaven, not by the power of drilling and practicing.
At the pen turning place and the pen putting place, the spirit and blood are easy to let go. This is a serious matter for calligraphers, and the creation is finished. But a pen that can write, but doesn't know how to turn and put it, won't be too extreme.
This book must mention the word "clutch". Yang Ningshi must be the main body of Europe and Europe, and he left only to gain momentum. Mi Haiyue boasted all his life, and took the drought of Wang Banshan alone, so that he could not go this far. The so-called "clouds are scattered and it is difficult to get rid of them completely." On the other hand, Zhao Ziang entered this mysterious field and felt the breath of the market. Neijing said: "Natural grains are indifferent and tasteless", which can be imagined.
Thirty years ago, Shen Mi had a book, but there was no real pen, so he called himself a trick. I often can't learn, but I still feel sorry for it. Miyun: "Love is the most important thing." I'm sick, but I'm weak. Weaknesses are born and cannot be learned. The canon calls it the wisdom of taking the teacher, and the calligrapher calls it the charm.
Calligraphy is a painstaking thing, and I have never dared to respond with gas consumption. Those who are particularly refined are either drunk, dreaming or ill, exerting magical powers and doing everything they can, why bother to be happy and happy, and the creation is complete! It is said that Zhang Xu, the sage of grass, drank several times, dipped his head in ink, and the heavy rain hit the wall of the book, which made the viewer sigh. Prince Wen, grinding ink for several liters, lay under the quilt and slept soundly without saying a word. If there are ghosts and gods, all this can be achieved in other ways. Today, I observed the days when Mr. Wang was a man, and he didn't drink when he was ill. Mo Ting-Han drugged the Neifu, and he wrote more than 20 chapters of poems to thank him, all of which were coquettish and advocating. This is also a question of standing with his second son. ……
Jin people learn books well, but Song people learn ideas well? Otherwise, the Song people took its meaning as a book ear. Must have the meaning of the ancients. However, Zhao Ziang corrected the shortcomings of the Song Dynasty, although he didn't use it. This will be appreciated by the Song people and overturned by the law. The poetic technique of the Tang Dynasty is quite similar to its calligraphy, mainly rich and beautiful, but the stone technique is a little far away. Yumei said that there was no country in the Jin and Tang Dynasties, and learning from the Tang Dynasty enabled him to enter the Jin Dynasty. Poetry in the Jin Dynasty is like a book. Although Tao is ancient, Ruan Sizong is cool, but he is safe and appropriate in calligraphy, so there is no door. Because of Tang poetry.
When people in Jin and Song Dynasties write books, it is not impossible to win with love, and the beauty lies in the law. It was only in the Tang Dynasty that people took the law as the way, but they tried their best to study it.
In a word, the common desire is extreme, which makes the spirit indelible. The so-called magic products are also written by my god. He studied pottery, and everything remained the same.
Regarding meditation, Master Dahui said, "For example, if someone has millions, I will be more eager to ask for debts." This is a special kind of Guan calligrapher. Mi Yuan Zhang Yun said, "If you support a boat on a fast-moving beach, do your best and stay where you are." The beauty of calligraphers is that they can combine and God can leave. Therefore, the people who left were not the tricks of Europe, Henan, Chu and Xue, and it was difficult to get rid of Lao Tzu's habits in the right army. If there is no flesh and blood, then the whole body is broken in vain. After the Jin and Tang Dynasties, only Yang Ningshi understood this, but Zhao Wuji never dreamed of being there.
He studied books at the age of seventeen and painting at the age of twenty-two. Now I am fifty-seven and eight years old. There are false compliments, and I sort them out myself, which is very unlike Mi Dian's abusive language. Compared with Master Wen, most of the paintings have their own advantages and disadvantages, and the details are not as detailed as mine. As for quaint elegance, so much the better. Compared with Zhao, each has its own advantages and disadvantages. I'm not as good as Zhao because of the dense lines and thousands of words. If we imitate the past dynasties, Zhao Dedi 1 1, I get the first 17, which is vulgar because of "familiarity" and beautiful because of "life". Zhao Shu unintentionally, my book often cited; When I did this, Zhao Shu also lost. The first intention is to have fewer ears.
It seems that I can write to Zhao directly, and I have the least ears. And Ziang's familiarity is not as good as my crying. But not more books, for Xing Wu. Painting is concrete and implicit, and it takes 300 years to have a vision.
Those who have studied calligraphy for 30 years but can't prove it are beginning, ending and ending. After this, that is, the military son and his son are helpless. Turn left and turn right, which is the word potential of the army. The world can't understand the so-called strange traces.
Books in the Tang dynasty are all wrist-back, so you can leave a pen. Not straight and not slippery is the secret handed down by calligraphers. Micro-calligraphy, that is, the painter's pen, is also worthy of this idea.
Although calligraphy is expensive and unambiguous, it must be cut with a pen to gain momentum with strength and rhyme with emptiness. The same is true of Yan's so-called "painting sand with a cone". I have read the book Yu Runtie carefully, and I think more than half of it.
Mihaiyue's books do not sag, shrink or close. These eight-character mantras have no equal spells. However, there must be good words. Haiyue claims to be a collection of ancient sayings, and he attaches great importance to it. Compared with his old age, he has a new ear. ……
When the ancients wrote a book, they couldn't be correct, but the odd was correct. This is the reason why Zhao Wuxing did not enter the Jin and Tang Dynasties. "Lanting" is not straight, and the pen has no trace of its vertical rock. If the mining patterns are similar, please turn around. Liu Gongquan said that "correct writing" needs people who are good at learning from Liu Xiahui. In the thirty-ninth year of Yu Xueshu, I saw this meaning.
Use ink to make it moist, not boring, especially avoid thick fat, which is a great evil.
Taste the book of the right army father and son, the joy of Qi Liang. Since the early Tang Dynasty, the two generations of Yu and Chu changed the law, which coincided with each other, and the right army father and son almost resurrected. This statement is not easy to understand, it is the easiest to copy and difficult to spread.
If you suddenly meet a stranger, you don't have to look at his eyes, ears, hands, feet and head, but at his behavior, laughter and true spirit. Zhuangzi's so-called "witnesses exist".
Zhang Zihou came to Lanting one day, and Dongpo heard about it, saying that his book was not good. There are clouds in the Zen family, but those who enter the door are not treasures. However, there are many copies of Zhao Ziang's works, of which seventeen and thirteen are handed down to the world. "The world only learns Lanting noodles and wants to change every bone without elixir." Gu Yu and Dongpo agree that it is between clutch and law-abiding, that is, calligraphers are slaves.
In the past, half of the posts of the right army came from asking for sick condolences and half ended in grief and indignation. The so-called old writer had tears in his eyes, and his books have been hanging down to this day.
"Interior" is a proud book of the Six Dynasties. People nowadays only believe in pens and ears when writing books. Although the structure has ancient methods, it has never really used a pen. Make good use of the author's clear energy, not the author's thick turbidity Not only are there differences in each body, but there are also these two kinds in one word, which are indispensable.
Yan zai accepted painting. Taste metaphors are "painting sand with an awl" and "Yin Yinni", also known as "leak marks". But its inscription is neat, with "cone sand", "inkpad" and "leakage mark". I haven't seen it yet. The only place to put down and put down this monument is tenderness and strength, which I wrote recently and I feel enlightened every time. Duke Lu said: From Zhong and Wang to Yu and Lu, they all gave orders from their mouths, even right. Believe it.
There are three metaphors for the cone sand, all of which refer to the Tibetan front. I didn't know there was a front. Because the front is particularly prominent, it becomes the muddy front of Tibet, and so is this monument. Although Dongpo's pen looks like a face, it is lost in using it. So did he learn from Wang Heshang.
Xi Shu was copied by Huang, Mi and Cai. Europe, Henan, Chu and Xue in the Tang Dynasty, although depicting two kings, are not without limitations. However, Lu Gong's innocence and attitude won the spiritual harmony of the right army, so it was the origin of the Song Dynasty.
Recently, when I came to Uncle Yan, I realized the so-called "broken hairpin stocks" and "leakage marks", which only two kings had. Went straight into Shanyin's room and never flirted with Chu Er again. Dongpo said: "Poetry is as beautiful as children, and books are as beautiful as Lu Gong." It's not empty talk. Yan's Preface to Cai Mingyuan is particularly old. Mihaiyue's life can't be like that Gai also borrowed from the public books of the early Tang Dynasty, which was a bit lacking in backbone. Because of this, under the lamp, everything is wrong. Although it is not vulgar, it is not as good as the ancients, and it is getting older and more mature, but it is dull. How dare you be realistic when you are old and out of the dust? I am ashamed of this title.
Every time I come to Huai Su, the "self-narrative post" is required by the big order. Huang Changrui said: Mifei, look at the pavilion posts and you will be wise. Therefore, Xu and Su got a family from Erwang. Although Xu is arrogant and detached, he is rigorous and meticulous, especially in grasping the truth. Those who study weeds will enter it from now on.
Liu Cheng hung up the book and tried his best to change the right army law, but he didn't want to look like "Mao Tie". The so-called demonization stinks, so keep your ears. Ordinary people study books, but they can't understand this. Yu Yu, Chu and Europe all seem to be eleven years old. I taught myself to hang Liu Cheng, and I realized that I was indifferent with my pen. From now on, you can't give up Liu Fa and be interested in the right army.
Yang's calligraphy, written by Yan Shangshu and Huai Su, is amazing, and there is no decline in the Five Dynasties. , Huang and Mi Zhu all belong to this category. "Book Spectrum" said: "If the public is public, it will pursue danger."
Calligraphers are surprised at this danger, but only Yang and Zhao Wuxing can steal it from each other, and Zhao Wuxing can solve it. Today's eyes are blocked by Xing Wu. Yang Gong's poems about immortals are becoming more and more popular in local chronicles.
Everyone in the world says that Mr Dongpo learned his books from Xu Hao. In view of this, it comes from Wang Sengqian's ear. But the slope shares its structure, and there is a pen in it, and Yan Changshan's method is miscellaneous. So the world doesn't know where it came from. That is, Mi Haiyue's book is more of a self-report. When it was changed in his later years, it was strange that ice was better than water cooling. An unlearned and unchanging calligrapher.
Mi Yuanzhang's book, calm and happy, won the god of Jin people. Young people failed to get married, one after another, and Qian Mu's father described it too much. When he was a disciple, he realized that he had tried his best, so he got out of the plane. For example, after the enlightenment of Zen Buddhism, I returned the meat to my mother, tore the bones to my father, and shouted at my ancestors beyond recognition. Although Sue and Huang met, they were not without fear. In his later years, he said that the right army was nothing tacky, and he was good at it.
Right was written by Zhao at leisure. Xishan 'an stone carving is at home. Su Yu, unlike Zhao Shu, is a little used to its structure. As for using pen and ink, Wen Min called it "not easy through the ages". But why is it famous in the universe! Seniors are not easy to discuss.
It is said that Ni Shu has the legacy of Huang Ting, but this statement has not been made public. Ni has made her own schedule, such as spitting olives, and sometimes there is clear liquid around her cheeks and ears. Four taboos for calligraphers: sweetness, evil, vulgarity and dependence. Ni realized her beauty from painting. The branch refers to the mountain man's book, and Wuzhong is a fake book. There are 20 poems in this book, such as cotton wrapped in iron. For example, this is the real tiger unless General Pei shoots the tiger first.
People who studied plain calligraphy in this dynasty were rarely interested in Buddhism. Xu Wugong, Zhu Jingzhao, Zhang Nan 'an and Mo Fangbo have their own merits. They have gained a lot in the exam, but they have lost their foundation in arrogance. I said Zhang Xu has Huai Su and Dong Yuan has Ju Ran. They come down in one continuous line and have no regrets. They all aim at simplicity and innocence, and people are crazy but not crazy.
"My Pine Tree" was written by Lu Ji and Lu Yun before the Right Army, and has never been heard from since. Er Shen, Zhang Nan 'an, Lu Wenyu and Mo Fangbo gave it a little push, but it was not passed down from generation to generation and was covered up by Wu Zhongwen and Jules. Wen and Zhu tried to cross, but failed. Empty is not practical. So the rest of the books will go to the gentleman quickly, and I don't want to argue, so let people who know books try them.
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China's theoretical works on calligraphy and painting in Ming Dynasty. By Dong Qichang. It is a book composed by Yang Bu, a painter in the late Ming and early Qing Dynasties, who collected Dong Qichang's essays that were not included in The Collection of Rong Tai. There are four volumes in the book, of which the third and fourth volumes have nothing to do with painting and calligraphy. Volume 1 includes writing with a pen, calligraphy comments, postscript, comments on ancient posts and so on. The second volume includes painting strategies, painting sources, self-painting and comments on ancient painting. This book advocates the clever use of pen and ink, emphasizes the conclusion of words, pays attention to understanding its spirit when posting, and advocates "backing with meaning"; In terms of painting, he advocated literati painting and belittled "expert painting" with the theory of southern and northern sects as the core. In the development of painting, he praised the transformation from "work" to "shun" since the Tang Dynasty, and criticized the transformation of some painters from "shun" to "clumsy" in the Song and Yuan Dynasties. It is advocated that painters should learn from thousands of books and follow Wan Li Road, and take life, beauty and truth as the ultimate artistic realm. Some painting theories and techniques in the book have original opinions, which have great influence on the development of painting in the future. His painting theory has a far-reaching influence on the "Four Kings" painting school in Qing Dynasty.