How to blow 6 holes?

1. How?

Blow whatever you want. What other fingering is there?

Fingering as shown in the figure, you will naturally become a song after you are familiar with pronunciation skills.

Finger vibrato: it is the action of opening and closing the whole hole with your fingers quickly, which makes the sound fluctuate. The most commonly used vibrato is big, small, three and four vibrato, which can be flexibly used according to the characteristics and styles of different works.

Tremolo practice is the most important part of finger movement skills, which requires fingers to be flexible and elastic. Slippery: A common playing technique, which is often used in humorous, deep and sad music. This technique greatly enriches the expressive force. Sliding is divided into three types: sliding, sliding and sliding.

Slippery on 1.: After playing the original sound, the finger slides up to the second sound (higher pitch than the original sound) without trace, and the expiratory intensity increases accordingly. 2. Descending sound: After playing the original sound, the finger slides down to the second sound (lower than the original sound) without trace, and the exhalation intensity is correspondingly weakened.

3. Slippery: The finger moves up or down to the second tone without trace, and then returns to the original position, and simultaneously presses the sliding tone and the sliding tone. Slippery, also known as polyphony, is a combination of upper and lower tones.

Slippery requires a round and clean tone and accurate rhythm, and every slip should be lightly spat at the beginning; In addition, don't be nervous when wiping your fingers. It is advisable to keep it in a natural state. The voice should be soft and smooth, and you can't hear a trace.

Giving sound is generally used as a short decorative sound at the end of a phrase and before the end of a local sound, also known as pronunciation. Gift sound is a kind of decorative sound, which hardly takes up the duration of local sound. I can hear it, but it's not obvious. Play it short, light and fast, and ventilate it timely and accurately.

Overlapping sound, that is, a short overlap of two degrees, three degrees and four degrees above the local sound, adds flowers and drops the local sound. When playing the overlapping sound, you should open and close your fingers quickly, and do all the movements of the tone, but don't play it as an obvious decorative sound. You should concentrate on the book, leaving only traces of sound.

Overlapping sounds vary in length and should be used flexibly according to works with different styles and characteristics. Playing, playing the local sound hole with your fingers, or the sound hole below the local sound hole, so that the local sound hole makes a separated sound, is called playing.

Beat is also a common playing technique, which can add color and beauty to music if used properly. When practicing, you should exercise your fingers' speed and strength, don't hesitate to point down, play hard with your fingers, distinguish homophones, keep the phrases coherent and the notes clear.

The combination of qi and finger should be clean and neat. When tapping and vibrato overlap, tapping first and then vibrato sounds like the feeling of appearing at the same time.

Remember: close connection and tacit cooperation. Tap the sound hole with your fingers to make the inner cavity of your body resonate, which is called air performance.

Don't play when playing blank, open the local sound hole and play the resonance sound hole. Pitch is adjusted by hearing and controlling the angle of blowing hole with lips.

Playing in the air requires strong and elastic fingers and accurate pronunciation, which is enough to play profound and implicit melodies and imitate some special acoustic effects in nature. When playing high notes, the high notes should be arched upward to strengthen the mouth strength and narrow the tone; You can play high notes easily.

You can't play high notes because the playing method is incorrect or the instrument itself is not standardized, so you can't play high notes. There are long sounds, air vibration sounds and lip vibration sounds in air playing skills, among which long sounds are the basis of air playing skills and must be full, round, loud, stable and silent.

Xun's commonly used skills can be classified into three categories: Qi, Finger and Tongue: including long tone, Qi trill, Finger trill, Lip trill, Slippery, Vomiting, Beating, Empty Beating, Cyclic Ventilation, Cyclic Ventilation and Virtual Blowing. These skills are necessary when playing.

In the vertical playing skills, long notes are the basis of vertical breath training. By practicing long sounds, you can master the correct breathing method, develop a good playing mouth shape, and have a smooth, full and pure pronunciation. Therefore, it is necessary to practice at a certain time every day, which can be carried out together with strength. The timbre must be full and round, loud and smooth without noise.

For example, the melody of singing should use even and free air vibration, and the melody of grief and indignation should use exaggerated air vibration. On the premise of ensuring accuracy, air vibration sound can be used flexibly and requires uniformity and fluency.

Lip trill is a special kind of fluctuating sound produced by driving the body with both hands to make the damper and blowhole move back and forth quickly. When the body moves backward, the blowhole becomes smaller and the sound is low; When the body moves forward, the blowhole becomes larger and the sound is higher.

This kind of playing technique is often used to express magical and ethereal artistic conception. Tongue-sticking technique: Tongue-sticking is a common playing technique.

It is suitable for playing warm, cheerful, passionate and lively tunes, and requires firm, clean and elastic sound, even and stable rhythm. Vomiting can be divided into single vomiting (including single external vomiting and single internal vomiting), Shuang Tu, mild vomiting, gas vomiting and lip vomiting.

On the basis of keeping the correct mouth shape, the tongue naturally goes up, slightly sticks to the inner edge of the lip, and quickly retracts when exhaling, so that the airflow rushes into the water jet hole to make a short and powerful sound, similar to the sound of "spitting". On the basis of keeping the correct mouth shape, the root of the tongue retracts to block the upper palate, and when exhaling, the root of the tongue moves forward quickly, so that the airflow rushes into the water jet hole and makes a short and powerful sound, similar to the "library" sound.

Shuang Tu is a combination of single internal vomiting and single external vomiting, which is twice as fast as single vomiting. Its sound is similar to "spitting library" or "spitting library", and it is suitable for playing cheerful and passionate tunes. Vomiting requires a firm, clean and elastic voice, and a uniform and stable rhythm.

There is no essential difference between light spitting and ordinary spitting, but the range of tongue activity is short and small, the intensity of spitting is weakened, and the sound is light and soft, similar to the "zone" sound, just like the light bow of a stringed instrument, which is suitable for expressing lyric happiness. Exhale depends on the sudden contraction of abdominal force, and the strong upward support of diaphragm makes the airflow rush into the water jet hole briefly and forcefully to make a sound.

Similar to the "shout" sound, the exhalation sound is rich and mellow, but it is not used much because of its slow exhalation speed, and it is only used occasionally under special circumstances. Lip vomiting relies on the strength of the muscles of the upper and lower lips. When the upper and lower lips are consciously opened and closed, the impact of the abdominal airflow is used to input the airflow into the blowing hole to make a sound.

Who knows how to blow?

◆ Basic performance posture

Generally, standing posture is used for solo and sitting posture is used for ensemble or accompaniment. The basic essentials are: when standing, the body should stand firm and vertical, with the legs slightly apart or one foot backward, and the fingers, wrists, elbows, arms and joints of the whole body naturally relax. Sitting needs physical relaxation, sitting in a chair. The height of the seat should be suitable for the legs to be naturally separated and the body should sit up straight. Sit in two-thirds of the stool surface, and your feet should be naturally separated from the ground. The above two postures require that the head is straight, the shoulders are naturally flat, and the fingers press the sound hole and face forward to keep the fingers flexible and the breath flowing smoothly.

holding method

Press the thumb on the back two holes, and press the little finger, ring finger, middle finger and forefinger on the front hole from bottom to top. When the little finger does not press the point, it should be naturally placed at the bottom to support the pad. When each finger presses the hole, it must be important not to leak. Don't let your fingers relax or stiff.

Blow nozzle shape

The mouth shape of blowing is very important, which directly affects the pronunciation of blowing and is the most important basic skill. Mouth shape includes three factors, namely "throttle, tone and mouth force", which can be organically and closely combined to achieve good pronunciation.

(1) damper

When blowing, the gap formed between the upper and lower lips is the place where the airflow passes, which is called the air door. Can be big or small. It must be adjusted and changed with the sound level. Bass air flow is slow, damper is large, and treble is the opposite. It must be free to contract. Otherwise, the sound will be hollow and unreal. When a novice blows for the first time, he usually puts the damper very wide. He likes to put several sound holes at a time, but he doesn't blow loudly. The reason is that the damper is too big, and a lot of air is blown outside rather than into the blowhole. Originally, the treble needs a more urgent airflow to blow well, and if you open too many holes, you will definitely not blow. Beginners must pay attention to these two points.

(2) Tuning

That is to say, the sudden slowdown of gas flow rate and tone is controlled by Tian Chan, which varies with the level of sound. High tones are sharp and fast, while low tones are the opposite. This is not a day's work. It takes a long time of practice to understand how the Qi in Dantian is used. Beginners will feel dizzy when blowing, indicating that they will not blow out the newly inhaled oxygen with abdominal air, which is caused by lack of oxygen.

(3) Oral strength

Refers to the force used when the upper and lower lip muscles and cheek muscles contract and retract repeatedly when the throttle size and tone are quickly controlled. When playing bass, the wind in the throttle is slow, the mouth strength is relatively small, and the treble is the opposite.

Blowing angle

After pressing the sound hole with your finger, lift the piano and put it to your mouth. Feng's lips form an angle of about 75 degrees with the blowhole, and the head is slightly raised, but the angle is not constant, the treble angle will increase and the bass will decrease. This can be realized by yourself.

Breathing method

Breathing is very important for any wind music. It wasn't built in a day to practice the correct breathing method. When inhaling, relax and take a deep breath. For example, you should lift heavy things. Breathing before moving is deep breathing.

How to play with rhythm?

Cloud's playing posture can be divided into vertical and sitting posture:

1, upright, refers to the posture of standing and playing ball. Standing posture requires the performer to keep his head straight, his waist straight, his shoulders flat, his eyes looking straight ahead, his hands naturally raised and his arms unfolded at an angle of about 45 degrees; The body is stable, the legs are upright, and the heels are separated by about 15 cm, forming a figure of eight. The center of gravity of the body falls between the legs, and the fingers, wrists, elbows, arms and other body parts should be naturally relaxed. Generally used for solo, ensemble and basic training.

2. Sitting posture refers to sitting on the bench and playing ball. It is required that the player's upper body should be vertical, the seat height should be appropriate, and his feet should be naturally separated from the ground. The buttocks account for about two-thirds of the stool and chair, and the center of gravity falls on the seat point of the buttocks. Generally used for accompaniment and ensemble.

When holding the cuff, the palms of your hands naturally bend, and close the sound hole with the pulp of your fingers (not too hard). When playing the highest note, because the finger holes of the cuffs are all open, we should use the method of pushing the lips and knuckles inside and outside, and skillfully use certain strength to keep the stability of the cuffs, so that the performance will be unaffected and smooth.

In addition, we should pay attention to the mouth shape, that is, the mouth shape when playing, which is directly related to whether the pronunciation of the instrument is beautiful, whether the pitch is accurate and whether the strength is clear.

Yan's mouth shape is formed by the coordinated action of lip muscles and facial muscles. The muscles of the upper and lower lips cling to the gums and contract slightly to the middle of the person, so that the middle part of the lips forms an "oval" damper. The tongue is in a natural state and the mouth expands into an air-filled state (this can increase the resonance of the mouth and beautify the timbre of the mouth). When playing, the impact of airflow naturally controls the upper and lower posterior muscles, thus forming a correct mouth shape.

Blowing methods include long sound, air vibration sound, lip vibration sound and so on. Among them, the long note is the basis of Cui's aerial performance skills, which must be full, round, loud, stable and noiseless.

Xun's commonly used skills can be classified into three categories: Qi, Finger and Tongue: including long tone, Qi trill, Finger trill, Lip trill, Slippery tone, Vomiting tone, Empty percussion tone, Cyclic ventilation, Cyclic ventilation and Virtual blowing tone. These skills are necessary when playing.

Air fibrillation, also known as "abdominal fibrillation", is caused by airflow vibration caused by abdominal contraction. Tremolo is big, small, fast and slow, which should be determined according to the needs of music content in actual performance. For example, the melody of singing should use even and free air vibration, and the melody of grief and indignation should use exaggerated air vibration. On the premise of ensuring accuracy, air vibration sound can be used flexibly and requires uniformity and fluency.

Vomiting is a common playing technique. It is suitable for playing warm, cheerful, passionate and lively tunes, and requires firm, clean and elastic sound, even and stable rhythm.

Vomiting is a common playing technique. Suitable for playing warm, cheerful, passionate and lively tunes. Vomiting can be divided into single vomiting (including single external vomiting and single internal vomiting), Shuang Tu, mild vomiting, gas vomiting and lip vomiting.

On the basis of keeping the correct mouth shape, the root of the tongue retracts to block the upper palate, and when exhaling, the root of the tongue moves forward quickly, so that the airflow rushes into the water jet hole and makes a short and powerful sound, similar to the "library" sound.

Vomiting requires a firm, clean and elastic voice, and a uniform and stable rhythm.

Exhale depends on the sudden contraction of abdominal force, and the strong upward support of diaphragm makes the airflow rush into the water jet hole briefly and forcefully to make a sound. Similar to the "shout" sound, the exhalation sound is rich and mellow, but it is not used much because of its slow exhalation speed, and it is only used occasionally under special circumstances.

Lip vomiting relies on the strength of the muscles of the upper and lower lips. When the upper and lower lips are consciously opened and closed, the impact of the abdominal airflow is used to input the airflow into the blowing hole to make a sound. Similar to the sound of "slapping", lip vomiting has a soft pronunciation and is only suitable for the attack of weak music or special circumstances.

A flowered tongue is a tongue. The tip of the tongue gently touches the upper jaw, so that the tip of the tongue vibrates rapidly while exhaling, making a "beep, beep" sound. Flower tongue sounds are like fingers plucking music, only used for special needs.

Who knows how to blow?

Hold it all down. The method of checking whether the finger hole is under pressure.

Blow the air and wrap it with your lips. A vent hole.

Blow air into the body, just like a car. If the finger hole is not blocked, there is air leakage at the finger hole.

Only by pressing the finger hole to blow out the sound can the pitch resonate well. Open each finger hole in turn according to the fingering requirements of syllables.

Blow out syllables. A few sounds can be played in the early stage, just 12345.

A little, you can play high notes. Next, blow out 1765432 1.

Theoretically, the bass can be blown to 1. It is difficult to control this sound. Blow, blow.

Breath, sound, flute. Why to laugh.

Between strength. The same person, the same fingering position, different playing angles and different heights.

At the beginning of learning, we should find an angle that resonates with the best breath. That is to say, the angle when playing.

How to blow

Let me tell you something, if you want to learn, you still have to find a teacher to learn. First, blowing this point really needs some understanding.

Point one, make sure that every hole is tightly covered, without leakage, and blow the sound of full cover; Point two, don't push too hard, the tighter you push, the harder you blow; The third point: not all airflow blows into the pores, some into the holes, and some out; Point four, gently change the angle of the lower lip and lips to find the right position. Master these four points, try more, and you should almost be able to blow.

Then don't rush to blow the next note, just blow the full cover, as long as you have, and practice until you can catch the trap and blow the full cover at any time, and then you can practice the next step. Second, the process of scale is really boring, which reminds me of hanging my fingers when practicing the piano.

If you hold all five, some friends can play five, and there will be no sound when you raise one finger. Two adjacent sounds are played very similarly. I suggest you don't call 565656 in a row until you master your breath correctly.

In this way, you will slowly find the feeling of 6, and then play 6 alone, and you must always pick up a shovel and blow 6 directly. Then push again and again in turn, and blow 676767 continuously. Don't breathe in one breath, learn to blow 7.

If you want to play the next note well, you must lay a good foundation for the previous note. This practice method kills two birds with one stone, one is to practice scales, and the other is to practice the flexibility of fingers.

Third, you don't have to wait until all the scales have been blown before you start practicing music, and your interest will gradually decrease. If you can play six notes, you can show your friends the two tigers you play.

If you can play nine notes, the famous music [Laughter in the Sea] can also be interpreted by you. Practicing scales and tunes at the same time will make you more motivated.

How to blow with your mouth?

(1) Play 1. Body posture Sitting posture requires the body to relax and sit in a chair. The height of the seat should be appropriate, the body should be upright, and the legs should naturally leave the ground.

Sit on two-thirds of the bench to avoid filling the whole chair. Vertical requires the body to stand, with feet slightly apart or one foot slightly in front and one foot slightly behind.

Hold your head with your hands, aim the blow hole at the air door, keep your head straight, open your arms at an angle of about 45 degrees, and hang your elbows. The whole body naturally relaxes into a vertical shape to ensure smooth breathing.

Note: Because the length of the urn is shorter than other musical instruments, remember not to lean forward when playing, and always keep your body upright. 2. Grip method: naturally bend your fingers and press the holes on your fingertips.

Press the small hole tightly with your fingers to avoid air leakage. It is not advisable to raise your fingers too high or too low when opening a hole. Too high will affect the performance speed, too low will affect the pitch.

Generally, fingers can be raised to a distance of 2-3 cm above the body sound hole. Eight points: the ring finger of the right hand presses the first point, the middle finger presses the second point and the index finger presses the third point; Hold the fourth hole with the ring finger of the left hand, the fifth hole with the middle finger and the sixth hole with the index finger.

Press the seventh hole and the eighth hole with two thumbs, and gently hold the bottom with the little finger. Nine-hole pestle: press the first hole for the little finger of the right hand, the second hole for the ring finger, the third hole for the middle finger and the fourth hole for the index finger; Hold the fifth hole with the ring finger of the left hand, the sixth hole with the middle finger and the seventh hole with the index finger.

Press the eighth hole and the ninth hole with two thumbs respectively, and gently hold the bottom with the little finger of the left hand. Note: Eight-hole and Nine-hole towers have been standardized and developed by Mr. Zhang Ronghua and customized.

The fingering of the eight-hole pier is the same as that of the flute, with a barrel sound of 5 and flexible fingering. The range of nine-hole pier is one grade more than that of eight-hole pier, and the barrel sound is 1. Players can choose according to their own needs.

3. Playing the mouth shape is accomplished through the coordinated action of labial muscle, orbicularis oris muscle and facial muscle. Whether the mouth shape is correct or not directly affects the timbre, intonation and strength control ability of flute playing.

When playing, the muscles of the lips naturally stick to the gums, and the corners of the mouth on both sides shrink appropriately (like a smile), so that the stress points of the upper and lower lips are inclined to the middle, and an oval damper is formed in the center of the lips to open the mouth. The tongue stretches naturally.

According to the needs of music, the mouth shape of blowing will change at any time, and its changes are concentrated in three aspects: throttle, tone and mouth shape strength. When playing, the gap formed in the center of the upper and lower lips is the "door" through which the airflow passes, which is called the "air door".

The airflow blown through the damper is called "mouth wind", and the organic cooperative contraction, relaxation and support of labial muscles and facial muscles is called "mouth force". Also known as "mouth strength".

The size of the air door, the urgency of the tone, and the strength of the tone change with the different high and low areas of music and the change of the volume. The relationship among them is shown in the following table: the bass damper is big and slow, the treble damper is small and sharp, the strong damper is big and sharp, and the weak damper is small and slow. (2) Breathing methods Breathing in our daily life is passive and a subconscious action, and the time for inhaling and exhaling is roughly the same.

Yan's performance requires active breathing, short inhalation time and long exhalation time. Mastering the correct breathing method is the key to blowing well.

Let's talk about inhalation and exhalation. 1. When inhaling and inhaling, the mouth and nasal cavity open rapidly, and the mouth and nose inhale rapidly at the same time. At this time, the diaphragm drops, and the chest cavity and abdominal cavity expand obviously, which is the common chest and abdomen inhalation during the performance.

This method has a large inspiratory capacity and is not easy to fatigue. In order to make it easier for beginners to understand, here are two examples in daily life: one is a bouquet of fragrant roses, you can't help but take a deep breath and feel the feeling of penetrating the heart and spleen; Second, blow out the lighted candle placed one meter away, and you will suddenly take a breath. The breath in this state must be relaxed, full, chest and abdomen, which is what we need when playing.

Abdominal inhalation can also be used when playing short phrases or needing rapid ventilation. We can also give an example in life: when people are wronged and keep sobbing, this is the way to inhale.

The advantage of abdominal inhalation is that it is easy and fast to inhale. Therefore, according to the needs of work, we should play Changle sentences and adopt the method of combining chest and abdomen with inhalation. When you play short phrases or need to take a quick breath, you should use abdominal suction.

Learn to adjust your breathing style at any time according to the structure of phrases. 2. Exhale If inhalation is the preparation stage of pronunciation, then exhalation is the real pronunciation stage. Correct inhalation is better exhalation.

The expiratory process is completed by the organic cooperation and control of labial muscles and abdominal muscles. We combine the airflow into a "beam" by controlling the muscles of the lips, and adjust the size of the damper through the strength of the mouth, which requires that the air cannot be dispersed, the performance is noiseless, and the sound is full and solid.

Through the control of abdominal muscles, the exhaled airflow is even and stable, and it can't be fast and slow, strong and weak, so that the sound will be stable and heavy. In breathing training, we should pay attention to two points: first, breathe deeply, but not too full, otherwise it will easily lead to excessive tension of breathing muscles and muscle groups and reduce the quality of exhalation; Second, exhale with reservation. The so-called "three points left in one breath" can't wait until one breath is completely used up, otherwise it will affect the inspiratory quality in the next stage.

In short, the performance of the cloud requires that the timbre be round, solid and thick, strong but not noisy, weak but not empty. The training of breathing methods and the breath control in the next chapter require learners' long-term unremitting practice and experience in order to correctly grasp the essentials and apply them freely in performance.

There are long sounds, air vibration sounds and lip vibration sounds in air playing skills, among which long sounds are the basis of air playing skills and must be full, round, loud, stable and silent. Xun's commonly used skills can be classified into three categories: Qi, Finger and Tongue: including long tone, Qi trill, Finger trill, Lip trill, Slippery tone, Vomiting tone, Empty percussion tone, Cyclic ventilation, Cyclic ventilation and Virtual blowing tone.

These skills are necessary when playing. In the vertical playing skills, long notes are the basis of vertical breath training. By practicing long sounds, you can master the correct breathing method, develop a good playing mouth shape, and have a smooth, full and pure pronunciation.

Therefore, it is necessary to practice at a certain time every day, which can be combined with strength. The timbre must be full, round, loud, stable and noiseless. Air vibrato is also called "abdomen".

How to play six skills well?

Cloud is a musical instrument with open mouth, its timbre is simple and simple, which is unique to nature and occupies an important position in the history of primitive art in the world. Some stones have naturally occurring holes. When ancestors attacked their prey with this stone, the cavity in the stone would whistle due to the action of airflow. As one of the popular musical instruments in ancient times, the pottery urn is a sounding instrument. It was very popular as early as the Neolithic Age in Hongshan Culture, and it continues to this day.

1, learn to blow pottery, don't be impatient. At first, you must practice your basic skills patiently and don't rush to play music. Practice breathing and long tones, fingers and hair, and lips. First long and then short, first slow and then fast, first slow and then urgent. Practice again and again, and you will get something.

Of course, there are many difficulties in learning to play, but as long as the method is proper, keep practicing more. These difficulties can also be overcome. For example, the function of lungs, the elasticity of fingers, the elasticity of lips and tongue, and memory can all be strengthened in practice. Practice more music and find inspiration for playing well.

2, blowing is still a good way to exercise, finger exercise is good for the brain, and practicing memory is good for the brain. Breathing is good for the lungs, and practicing pranayama is good for the lungs. Blowing is another good aerobic exercise. This is an interesting aerobic exercise.

It's good to listen to music played by some famous artists. Experience charm, skills and skills in listening. Listening to famous songs should run through the learning process. If you go too far, let the songs played by famous artists always accompany you, infect you, influence you and achieve yourself.

Not only should we spend special time practicing blowing, of course, it is better to practice it with special time. Put it in a convenient place and practice for a while when you have time. Even if it's only for a few minutes, let's collect all the bits and pieces, every little makes a mickle, and mobilize all the scattered time.

Practice should have a general plan and a period of focus. For example, to practice a technique, we must concentrate on it first, that is to say, we should concentrate on practicing this technique for a period of time. Wait until this technique is almost practiced before practicing other techniques. The same is true for practicing songs.

Precautions:

In the process of practice, practice more playing skills, fingering and playing of long notes, and practice more songs.

The mattress is ceramic, so don't put it in a dangerous place at ordinary times to avoid damage.

How to play six skills well?

How to play the six techniques of mouth-opening musical instruments well, with simple timbre and unique nature, occupies an important position in the history of primitive art in the world.

Some stones have naturally occurring holes. When ancestors attacked their prey with this stone, the cavity in the stone would whistle due to the action of airflow. As one of the popular musical instruments in ancient times, the pottery urn is a sounding instrument. It was very popular as early as the Neolithic Age in Hongshan Culture, and it continues to this day.

1, learn to blow pottery, don't be impatient. At first, you must practice your basic skills patiently and don't rush to play music.

Practice breathing and long tones, fingers and hair, and lips. First long and then short, first slow and then fast, first slow and then urgent.

Practice again and again, and you will get something. Of course, there are many difficulties in learning to play, but as long as the method is proper, keep practicing more.

These difficulties can also be overcome. For example, the function of lungs, the elasticity of fingers, the elasticity of lips and tongue, and memory can all be strengthened in practice. Practice more music and find inspiration for playing well.

Blowing is another good aerobic exercise. This is an interesting aerobic exercise.

It's good to listen to music played by some famous artists. Experience charm, skills and skills in listening.

Listening to famous songs should run through the learning process. If you go too far, let the songs played by famous artists always accompany you, infect you, influence you and achieve yourself. Not only should we spend special time practicing blowing, of course, it is better to practice it with special time. Put it in a convenient place and practice for a while when you have time.

Even if it's only for a few minutes, let's collect all the bits and pieces, every little makes a mickle, and mobilize all the scattered time. Practice should have a general plan and a period of focus.

For example, to practice a technique, we must concentrate on it first, that is to say, we should concentrate on practicing this technique for a period of time. Wait until this technique is almost practiced before practicing other techniques.

The same is true for practicing songs. Note: In the process of practice, practice the playing skills, fingering and playing of long notes, and practice music for others.

The mattress is ceramic, so don't put it in a dangerous place at ordinary times to avoid damage.