Read the text quickly and silently, and think about this legend about King Gelsall.

Look at this information: The Biography of King Gesar tells a story: A long time ago, natural and man-made disasters spread all over Tibetan areas, and demons and ghosts were rampant, and the Lebanese people suffered greatly. The benevolent Bodhisattva Avalokitesvara asked Amitabha to send the son of God to descend to the earth to subdue evil spirits, so as to help all beings get out of their misery. The son of God, Tibagawa, vowed to be the king of dark-haired Tibetans in Tibetan areas-that is, King Gelsall. In order to enable Gesar to accomplish the sacred mission of exorcising demons, restraining the strong and helping the weak, and benefiting the people, the epic author endowed him with special personality and extraordinary talent, and shaped him into a demigod hero who is a vigorous and uplifting spirit in Tibetan primitive religion. Gesar was framed many times after he came to earth, but because of his own strength and the protection of the gods, he was not killed, but killed evil monsters. Gesar has been doing harm to others and benefiting itself since its birth. At the age of five, Gesar and his mother moved to the bank of the Yellow River, and at the age of eight, the Ling tribe also moved here. /kloc-at the age of 0/2, Gesar won the tribal racial conference and won the throne. At the same time, I married Mori Jiangzhumu. From then on, Gesar began to display his great power, marched eastward and fought westward. In all directions, he subdued the northern demons who invaded Guo Ling, defeated White King of Hall, King Sadan of Jiang Guo, King Xinchi of Menyu, King Noel who ate heavily, King Chidan of Katchesong, and Gui who wished the ancients, and successively subdued all ten "clans" in the world (tribes and small countries in ancient Tibet). Judging from the story structure of The Biography of King Gesar, it vertically summarizes two historical periods in the history of Tibetan social development, and horizontally covers nearly 100 tribes, nationalities and regions, with a span of thousands of miles, broad connotation and magnificent structure. It is mainly divided into three parts: first, birth, that is, the birth part of Gesar; The second is expedition, that is, the process of Gesar's demonization; Third, the ending, that is, Gesar returned to heaven. Of these three parts, the second part "Fighting" is the most abundant and grand. In addition to the four famous historical demonization-northern demonization, Huo Ling war, defending salt sea and Menling war, there are 18 big, 18 middle and 18 small. Every important story and every war constitutes a relatively independent epic. The Biography of King Gesar is like a big bag that can hold Kun, a big garden of literary aesthetics. Rooted in the fertile soil of social life at that time, it not only summarized the main stages and processes of Tibet's historical development, revealed a profound and broad social life, but also shaped hundreds of characters. Among them, no matter the hero on the front or the tyrant on the back, no matter the man or the woman, no matter the old man or the young man, they all portrayed distinctive personalities and outstanding images, leaving an indelible impression on people, especially the hero headed by Gesar, which became an immortal model in the history of Tibetan literature. It is one of the characteristics of the epic Gesar to shape the characters through their own language, movements and story lines. So although there are many characters, they give people a different feeling and have no sense of concept. Both of them write heroes, but they are different. Write Gesar * * * with foresight and leadership style; Write that manager Wang is witty, kind and mature. Sino-Japanese War is about courage and strength, while Ma Dan has both wisdom and courage. Everyone has outstanding personality and vivid image: the portrayal of female images is more beautiful in language and vivid in characters. For example, the war department in Huo Ling, Shi Si described that the three kings of Huoling rose up and robbed Princess Gesar in Lingling State. That's because the king of Huoling sent the four kings of Huoling to look for beauty all over the world, and the crow brought him back news that the beauty was in Lingling State, and she could get one hundred horses forward, but she returned one. She is warmer than the sun in winter and cooler than the moon in summer. Covered with fragrant flowers. Bees swarmed around them; Although there are countless beautiful women in the world, only she deserves the king; King Gelsall has gone to the north, and now she stays at home. Biography of King Gesar comes from social life and has a very rich foundation of Tibetan ancient literature, especially ancient folk literature. Before the Biography of King Gesar came into being, Tibetan literature, especially folk literature, such as myths, legends, stories and poems, was very complete, rich in content and numerous in number. Therefore, The Biography of King Gesar is not only about the theme, creation, material selection and expression of the work; In other words, in terms of ideological content, ideology, religious beliefs, customs and habits, they have absorbed enough nutrition from previous folk literature works and inherited excellent traditions, and all kinds of folk literature works and their materials are shown in epics. In rhetoric, Gesar quoted countless Tibetan proverbs, and the number of proverbs contained in the book was amazing. Some are quoted in the original text, and some are processed. For example, if you don't sow in spring and March, it will be difficult to harvest six crops in autumn and March; If cows are not fed in March in winter, it is difficult to give milk in March in spring; If a good horse is not kept regularly, it will be difficult for it to gallop with the enemy in the battle. Although hungry, it is the nature of white-lipped wild horses; Although thirsty, it is the nature of fierce bison not to drink ditch water; It is a hero's nature not to cry; There are various and countless praises in the Biography of King Gesar, such as praise for wine, mountains, tea, horses, swords, clothes and armour. The famous praise for wine is this: this bowl of wine in my hand. To say that history has a head; Jasper sky, jasper dragons roar. Lightning flashes red, drizzle dew flows. Use this clean nectar essence to brew wine on the earth. To make wine, grow grain first, and the pot of five treasures will open. The golden basin of the earth grows grain, and the sickle cuts crops in autumn. The cows came to the threshing floor side by side, pulled up the wheels and whined. Yang shovel raised the valley, and the wind blew the chaff everywhere. Yang Jing was put into the square warehouse, and Man Ku was filled with highland barley grains. When highland barley cooks wine, it is full of joy. Set up a flower stove first. A good copper pot is auspicious. Wipe it with a white towel. Pour the supernatant to cook the green trees, and the kitchen will burn quickly. After the highland barley is cooked, it is spread on the felt and mixed with essence and good koji. It takes a year to brew vintage wine, which is called manna. What makes January is the moon wine, which is called manna cold. What makes a day is Japanese wine, called manna swirl. ..... have the right to drink, sir, and be open-minded. Timid drinking on the battlefield, brave charge to kill the enemy. ..... There are many benefits to drinking this wine, so there is a shortage of good wine. This is the king's royal wine, which is a sad and comfortable wine. This is a kind of wine that inspires people to sing and dance ... In addition, The Biography of King Gesar is also a basket of literary materials serving the people. Many of its contents are taken from folk songs, myths and stories, which in turn become a rich garden for later literary and artistic creation to collect materials and borrow themes. For example, folk songs and dances developed later, many tunes are taken from the Biography of King Gesar, and some tunes directly praise King Gelsall and his wife. Another example is the rich myths and legends and folk stories, which are also adapted from the Biography of King Gesar. The famous "Seven Brothers" interweaves the story of Gai Lou and the story of King Gelsall, which are the seven brothers for the people, and they are integrated and set each other off. For another example, a large number of unique paintings and sculptures are also based on the story of King Gelsall, painted as murals, or regarded King Gelsall as a protector, sculpting and offering sacrifices to his body. The Biography of King Gesar adopts the style of combining prose with poetry, and the poetic part of it plays a connecting role in the history of Tibetan literature development, which is manifested in ideology and rhetoric, especially in poetic meter. For example, the tiger king is rotten and gorgeous. What's the use of roaming to Lin Tan to show off his power? Wild yak is young and gorgeous. What's the use of dancing if they want to climb the Black Rock Mountain? Wild horses have beautiful white lips. What's the use of galloping on the grassland without white lips? Tang Ze, the hero in Huo's novels, is gorgeous. He wants to compete on the battlefield of Ling, so what's the use of Yulong? This kind of poem can be seen everywhere in the Biography of King Gesar. It not only inherits the multi-paragraph cycle pattern of poetry in the Tubo period, but also breaks through the six-character rhyme sentence in the Tubo period and becomes a eight-character rhyme sentence. The rhythm of this multi-paragraph poem was basically formed and fixed around the eleventh century, and has not changed much until now. It is widely used in Tibetan folk songs, narrative poems, Long song, lyric story poems, Tibetan opera poems and literati poems, and has become the most popular and important meter in Tibetan poetry. Epic combines poetry and prose, singing and telling, and integrates stories, myths, poems, fables, proverbs and aphorisms in real life, thus becoming a great fusion of Tibetan folk culture.