Vertical Calligraphy of Ancient Poems of Night Thinking

The vertical format of regular script calligraphy of night thinking ancient poems is as follows:

Writing method:

1, I worked hard in the past, learned to accumulate experience in calligraphy and composition, read more posts and think more.

2. Calligraphy lines should be strong and powerful. Line is the combination of force and potential, so the pen should be calm and happy, steady and light, focusing on the pen potential (that is, the trend) and arranged according to the font size.

3, the calligraphy structure should be strange and stable, not blindly curious, not blindly stable, pay attention to the edge, grasp, density, height.

4, there should be echoes between words, front and back, left and right, and the line spacing and word spacing should not be equal.

The first two sentences of appreciation of poetry works are a temporary illusion of the poet in a foreign specific environment. A person who lives alone in a foreign country and is busy during the day can still dilute his sadness. However, in the dead of night, the waves of missing his hometown will inevitably surge in his heart. Not to mention on a moonlit night, not to mention on a frosty autumn night.

"Could there have been frost?" The word "doubt" in the poem vividly expresses that the poet woke up from his sleep and mistook the Leng Yue in front of his bed for the thick frost on the ground. The word "frost" is better used, which not only describes the bright moonlight, but also expresses the cold of the season, and also sets off the loneliness and desolation of the poet wandering abroad.

On the other hand, the last two sentences of the poem deepen homesickness through the description of actions and ways. The word "hope" takes care of the word "doubt" in the previous sentence, which shows that the poet has changed from a daze to a sober one. He stared at the moon eagerly and couldn't help thinking that his hometown was under the bright moon at the moment. So naturally, I came to the conclusion that "I sank back and suddenly thought of home".

The action of "bowing your head" depicts the poet completely lost in thought. And the word "miss" left a rich imagination space for readers: the old brothers, relatives and friends in that hometown, the mountains and rivers, the grass and trees in that hometown, the lost years, the past … are all in my thoughts.