He Shou has never heard God's last sentence for thousands of years: peach blossom blinds don't make spring. The title of the poem: "Talk about peach blossom veneer without making spring". Real name: Wang Jian. Nickname: Wang Zhongchu, Wang Sima. Font size: Zhongchu. Time: Tang Dynasty. Ethnic group: Han nationality. Birthplace: Yingchuan (now Xuchang, Henan). Date of birth: 768 AD. Time of death: 835 AD. Main works: Bride, Three Stations in the Palace, Looking at the Moon at Fifteen Nights, Joking Order, Joking Order, etc.
We will give you a detailed introduction of "why have you lived for thousands of years" from the following aspects:
First, the full text of "Talking about Peach Blossom Veneers Not Making Spring" Click here to view the details of "Talking about Peach Blossom Veneers Not Making Spring"
Peach blossom blinds don't make spring, and for thousands of years, cranes have not been blessed.
Longzhou parrot is expensive, but Prince Peony is poor.
Singing and dancing back and forth, eyebrows and eyes are getting new.
Encourage six streets to ride out, and always learn to be crazy when you meet them.
Second, the background
In the Tang dynasty, especially after the middle Tang dynasty, the ruling class competed for luxury from top to bottom, and leisure became the norm. This poem is aimed at such a social atmosphere and reveals a very important social problem. Three. translate
Peach blossom blinds don't make spring, and for thousands of years, cranes have not been blessed.
Peach blossoms are full of branches. Nobody said it was spring. No one has seen it for thousands of years, and it has become a fairy.
Parrots are expensive in Qinzhou, but princes are poor in peony.
Parrots are very rare in Longzhou, Qin Zhou, and rich and powerful people compete to buy peonies at all costs.
Singing and dancing back and forth, eyebrows and eyes are getting new.
Song and dance go hand in hand over and over again, each time it is different. Dressing, eyebrows and eyes are being renovated every day.
Encourage six streets to ride out, and always learn to be crazy when you meet them.
The drums are beating in Tianjie, Kyoto, and people always have to learn to be crazy as soon as they meet.
Fourth, appreciate
The theme of poetry is ingenuity. The reason why we use "gossip" with teasing flavor makes the topic in the poem integrate with the humorous and lively style in the poem, and we can see the will in laughter. The first couplet says: "Peach blossoms and blinds don't make spring, and cranes are not as good as thousands of years." Hundreds of peach blossoms are in full bloom, which means that spring has come to the earth. It is when spring is full, but the poet bends his pen and says, "There is no spring." The second sentence continues the first sentence and makes a new growth: "How long will you live for a thousand years" is a miraculous thing, but it is also said to be "non-miraculous". Writing like this, first of all, will cause uneven trends, making the pen abrupt and particularly shocking. The second is to make poetry attractive. Judging from the conception of the poem, these two sentences have laid a strong foundation for leading to the following four social phenomena that violate common sense in advance. The crane with hundreds of petals of peach blossoms is suddenly dwarfed and eclipsed by those deformed social phenomena. The four sentences of couplets and necklaces are about the extravagant life of wealthy families. The author chooses the four most prominent and common life phenomena of the rich and the nobles to expose them, so as to get a glimpse of the whole leopard, thus showing the bad habit of boasting about wealth and pursuing pleasure in the whole upper class at that time. First, feed the parrot: "The parrot on the edge of Qinzhou is expensive". In the Tang dynasty, the society advocated the breeding of parrots, especially in Beijing, and some precious parrots were even more valuable. In this way, even Longzhou, the origin of parrots, seems to have become a treasure. The poem says that "the parrot is expensive in Qinlongzhou", which shows the grand occasion that dignitaries spend huge sums of money to buy expensive parrots. First, watch the peony: "the princes are poor peony." Peony is expensive, even "a book has tens of thousands of people". It can be seen that the extravagance of the upper class at that time was getting worse and worse, and it had reached the point of being possessed. One is like singing and dancing: "The song danced again." Every song and dance in the Tang Dynasty was once. Daqu is linked to the diseased sound, and the shooting is slow, with procedures such as the beginning, arrangement, abnormality and ending. The so-called "singing and dancing" refers to the novelty and surprise of singing and dancing. At that time, rich people liked singing and dancing, which was crazy. "Wulin Haozu competing with each other, there are countless HongLing songs" (Bai Juyi's Pipa Trip) is a true portrayal of this situation. The purpose of the poet's innovative writing of songs and dances is to criticize the abnormal mentality and atmosphere of rich people who spend money like water, pursue happiness and laugh, and seek novelty and difference. One is a woman's dress: "The sideburns and eyebrows last forever". Concubines, ladies-in-waiting, emperors' princesses, family members of dignitaries, singers and dancers, etc. By the Tang dynasty, they were seeking novelty in clothes, hairstyles and eyebrows, and they changed rapidly. Tang Xuanzong once designed ten eyebrow styles, such as distant mountains, three peaks and hills. Li Shangyin's poem Butterfly has the so-called "eight-character palace eyebrow". By the middle Tang Dynasty, the style of sideburns was constantly updated, and the old style of "small head _ narrow clothes, thin eyebrows with indigo" (Bai Juyi's Shang Yang Bai Mao Ren) was out of fashion. On the surface, this sentence is about women's clothes changing with each passing day, but in fact it lashed out at the extravagance and waste of the whole society at that time. Rich and powerful people compete for beauty and pursue a life of enjoyment, which is not only manifested in these aspects, but also endless. After showing the previous scenes one by one, the poet concluded in the couplet: "Encourage six streets to ride out and meet the total school fanatics." When the drums sounded in the street in the morning and the curfew was lifted, the dignitaries and the rich and powerful in the capital rode out one after another. The word "always learn to be a madman" criticizes the social atmosphere that no one can walk out of the mire without being defiled, and everyone takes madness as beauty. The last two sentences of the poem give an exact explanation of the first couplet's unexpected poem: the poet intends to make a horizontal comparison by comparison, and the peach blossom with a louver for thousands of years is hardly unusual compared with the luxury of riding a horse on the Sixth Street. What is really surprising is those extravagant and grandiose lives. It is not surprising that people are surprised. There are more amazing things in the world. The poet's criticism of reality is extremely pungent and incisive. The greatest feature of this poem is its moral. The content of this poem is serious and meaningful. It criticizes the rich family's arrogance and extravagance, and pursues endless enjoyment. But hidden in the performance, just like the title of a poem, it seems to be "talking casually." Everything seems to be said casually, and there seems to be praise and derogatory between the lines, but it is hidden in the cotton, which seems to be praise but actually derogatory, flattering and ironic. In addition, the unexpected beginning echoes the reasonable ending, which also adds a lot of color to the poem.
Five, Wang Jian's other poems
Fifteen nights looking at the moon, bride, former residence stone, Komatsu and short songs. Poetry of the same dynasty
Sangu's Family, Warm Dishes, Farewell to Xu Kan, Mourning Poems, Jia Dao's Tomb Inscription, Tiantai Temple Couplet, Song of Eternal Sorrow, Memory of Jiangnan, Spring Tour in Qiantang and Ode to Mujiang.
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