"Essays on Painting Zen Rooms" is divided into fifteen branches: on the use of pens, on calligraphy, on ancient calligraphy, on painting strategies, on painting sources, on paintings, on old paintings, on poems, on articles, chronicles, travel notes, miscellaneous notes, Chuci, and Zen. The purpose of painting and calligraphy is subtle, and its essence can be summarized as "using pen" and "using ink". In all kinds of theories, combined with the results of long-term practical experience, the traces of books in statutes are wonderful, while Confucianism circulates outside the traces. Among them, "On the Use of Pen" and "On the Comment on Calligraphy" are the core parts of the author's calligraphy view. For example, in "On Writing Style", the author puts forward the important relationship and function of writing style, and thinks: "The genius of Chinese characters lies in the use of pens, especially ink, but rarely see the original works of the ancients, which is not enough for words." "When you start writing, you must set a purpose. Calligraphy will not become an image if it is generally smeared. It is not too difficult to make people know that it is a book with a pen and say that it is fixed. " "The strokes must be straight and not easy to be soft." "When you write a pen, you must lift it. Don't let it be complacent, but it will never pass on words. The difficulty of using a pen lies in the strength of the Tao, not that the angry pen is strong, but that strong people can afford it. This is only in Henan, where Yu Yongxing has a book. I have to be enlightened before I can believe it. " ..... comprehensively summarizes the role and changes of brushwork in the whole process of writing a book. Regarding "the meaning of pen", the author thinks: "The most important thing is to eliminate ridge marks, so as not to make pens and pencils carve words on paper. Dongpo's poetry theory calligraphy cloud:' Innocence is my teacher' is also the marrow of Dan. " The average orientation of the most taboo people is that there is a connection between what is received and what is released. The book of Wang Daling has never been around. The right army, like a phoenix, seems strange. Anyway, it is said that the layout is unusual, and the length is complex, and the density is also required. "The abstract concept of brushwork is analyzed in detail, and its changing law is obtained. Regarding the "ink method", the author thinks: "When using ink, you should ask, don't get bored, especially avoid fat, which is a great evil. On "writing a book", he expressed his experience: "If you study for thirty years, you will realize calligraphy, but you can't prove it, you will find it in your ears. After that, that is, the father and son of the right army are helpless. " "Calligraphy is vivid, but clumsy is straightforward and unpretentious. "It commented on the ancient book cloud:" Mihai Yueshu does not hang down, does not shrink, does not accept. "This eight-character mantra does not have this mantra. However, there must be good words. Haiyue claims to be a collection of ancient sayings, and he attaches great importance to it. Compared with his old age, he has a new ear. Wu Ju is the only one who learns rice books. Huang Hua Liao Liao, one and a half knots, not like a tiger. " They are all based on feelings, avoiding the common problems of mystery such as spirit, reason, charm and character in books written by ordinary people. It covers a wide range and can be developed in the context of the development of book history, with many outstanding opinions.
"Sikuquanshu" describes: "He is good at doing things and accumulates his life's strength." Although there are still some limitations in his works on calligraphy, such as conservative criticism, lack of systematicness and inconsistency, it is still a rare work in the study of calligraphy in the Ming Dynasty, and it is also of great reference value to the study of calligraphy theory in later generations.
There are Kangxi Gengzi Changzhou Yangben, Jintai Bieji, Ganlong Middle School Dong Shiben, Luo Zao Tang Ben, Yilin masterpiece series and so on. The widely circulated version is Selected Calligraphy Papers by Shanghai Calligraphy and Painting Publishing House.
Mihaiyue's books do not sag, shrink or close. These eight-character mantras have no equal spells. However, if there is one word, Haiyue calls himself an ancient word set, which is what he pays most attention to. Compared with his old age, he began to have new ears. Wu Ju is the only one who learns rice books. Yellow flower bamboo material, one and a half knots. Although tigers don't like it.
People who are most afraid of writing books are evenly distributed. And as one sentence says, there must be collection, release and spiritual connection. The book of Wang Daling has never been around. The right army is like a phoenix and a phoenix, but it looks strange anyway. Mi Yuanzhang said, "A thousand words a year are biased, and they are outside the two kings." This means that the layout is not flat and even, but the length is intricate and the density is alternating.
The method of writing a book can be indulgent and can be saved. In short, if you lose these two skills, it will be like walking alone day and night, both of which are magic. After I tasted the topic, I learned from thousands of articles that you must write a book with a pen. Start with yourself and end with yourself. Don't trust the pen.
Later generations wrote books, all of which were letters. Letters and pens are the most interesting words. What I said is that you must hang your wrist and hold your chest out. It's all because of the broken letter. Dongpo's calligraphy and pens are all heavy. Mi Xiangyang refers to painting characters, which means that there is a letter and a pen. The strokes should be straight, not easy to soften.
When grasping a pen, you must set a purpose. If it is painted too wide, the book track will not be shaped like an image. It's not too difficult to say that the book was written with a pen.
When writing a book, it is most important to keep the edge marks, so that the pen and pencil will not be cut into patterns. Dongpo's poetics on calligraphy says, "Innocence is my teacher." This sentence, Dan Jiang also.
Calligraphy is only "clever", while clumsiness is straightforward and unpretentious.
In the Yan Plain, the house leaks in the rain, and the hair clasp is broken, indicating that the front should be hidden. Later generations took the ink pig as their work, and all of them became pens. Don't talk about dreams in front of idiots. If you want to know the cracks in the house and the broken hair, you have to ask in a mature way. You can't write it in the morning, but it's the same.
Leshan read the Bible: "This is a cover-up. If you look at cowhide, you must wear it. " Modern people look at ancient posts and wear the metaphor of cowhide. The beauty of the ancient calligraphy is free and easy. So as an author, the word is like a child, so it's not a book. It's a deal.
I have been studying for 30 years. People who have learned calligraphy but can't prove it are in a position of self-initiation, self-decline, self-collection and self-restraint.
In this case, the right army father and son are helpless. Turn left and turn right, that's the right army. The world can't understand the so-called strange traces. Booksellers love kiosks and posts, which is a disease. Wang Gai's generation never knew the brushwork of Jin and Tang dynasties, only knew its shape, so it was more correct. It is not the main reason that words must be unique, new words must be coined, and strangeness must be correct. This is what Zhao Wuxing never dreamed of. Only rice is interesting. Now, all three of them are living in seclusion, and there is no need to learn anything.
When the ancients wrote a book, they didn't play head games. This guy thinks odd numbers are positive numbers. This Zhao Wuxing did not enter the Jin and Tang Dynasties. Lanting is not straight, but it is left with a pen and there is no trace to be found. If the shapes are similar, turn around. Liu Gongquan said: "The pen is right. Those who like to learn from Liu Xiahui must participate." Yu Xueshu has been studying for 30 years, I think this means.
The cleverness of writing lies in the use of pens, especially ink. But it is not uncommon to see the original works of the ancients. It is not enough to speak this language. When raising a pen, raise it, don't press it, and don't spread the words through the ages. It is difficult to cover with a pen, but it is difficult to be vigorous; And vigorous, not to say that anger is strong. However, if a strong person is full of strength, he can bear it. This is only done by Chu Henan and Yu Yongxing. You won't be willing to say more until you realize it.
When using ink, it must be wet, not boring. Particularly jealous? Fat, fat is a great evil.
When writing a book, you must write a pen, not a letter. Cover the letter pen, its wave painting is weak. When writing, the word "Zhuan Liang" dominates every turn, which is also a wonderful tactic of calligraphers. Nowadays, people just own pens and never use them.
The model of books should take Huang Tinghuai Su as an example. If you can't get it, you will live in the history of women. Running script, with Mi Yuanzhang and Yan as sects. Grass is based on seventeen posts. There are many such websites on the Internet, and here I recommend the same one-calligraphy and painting works _ poetry dictionary _ antique collection _ seal script year signing encyclopedia _ comprehensive art and collection encyclopedia www.tongyangapp.com/www.tongyangapp.com/..