Shi Chenbei in Mingtuo is engraved on both sides, and the front and back are collectively called Chen Shibei. Ganbei was built in March (169), the second year of Jianning in the Eastern Han Dynasty. Houbei was built in the first year of Jianning (168). It's all official. Existing Confucius Temple in Qufu, Shandong. Before and after the two monuments, like one hand, the pen is thick and simple, dignified and vigorous. The 36-character "Shi Chenbei" collected by China History Museum should be a rubbings in the early Ming Dynasty.
The "Zhang Qianbei" of Mingtuo was erected in Bingyin, Zhong Ping, Emperor Wu of the Han Dynasty (186). I don't know when it was buried in the soil. At the beginning of the Ming Dynasty, farmers in Dongping, Shandong Province dug it out underground while plowing, so it was moved to Binglingmen, Daimiao, Tai 'an on 1964. The stone tablet is perfectly completed, and the inscription is inscribed in official script. Park Hou-hsiung-keung is one of the representative works of official script inscribed on tablets in the Eastern Han Dynasty. This monument has been handed down from generation to generation, mostly in the late Qing Dynasty, and the old one is rare. Zhang Qianbei rubbings collected by Beijing Cultural Relics Company are rubbings of Wang Jimen's old collection in the middle of Ming Dynasty, which have been cut and mounted into volumes. Rubbing is made of white cotton paper and dry ink. The paper is tough, the ink is turbid and Gu Zhuo, the calligraphy and painting are rich, without any inking and filling, and the words have not changed when mounting, which truly reflects the original appearance of the inscription. There is quite a brushwork to be found when copying.
The Monument to Zhang Menglong in Ming Dynasty was established in the third year of Zheng Guang in the Northern Wei Dynasty (522), and it is an authentic book. Multi-style characters. Now Confucius Temple in Qufu, Shandong Province. This is a monument to the merits of the Raptors. Calligraphy is vigorous and handsome. "Pingbei Collection" says: "Calligraphy is chic and ancient, so the Six Dynasties are higher than the Tang Dynasty." This tablet is the first tablet of calligraphy in Tang Dynasty. Although his brushwork is similar to Jia Zhijun's tablet, Gao Zhen's tablet and Cui's tablet, it is dense and varied, and Zhang Menglong's tablet is the first. Ming Tuo's "Zhang Menglong Monument" collected by China History Museum has good paper and ink, good ink color and old paper. Experts and connoisseurs recognized it as Ming Tuo at first sight. Not only is the paper and ink good, but the textual research is also complete. The word "warm in winter and cool in summer" is intact, which is the foundation of Mingtuo. This is a good book of the Ming Dynasty, which is hard to come by. Generally, this kind of tablet does not expand the yin and quantity of the tablet, and its Ming version is basically the same. It is the three major parts of Weibei (Zhang Menglong tablet belongs to Fang Bi Road; Zheng Wengong tablet belongs to circular brush road; Longmen Statue belongs to Fang Bi Road. Therefore, the monument has become an important material for studying Weibei.
Ming Tuo's "Longzang Temple Monument", the Palace Museum, the Shanghai Museum and the Chinese History Museum all have rare copies of Ming Tuo. In the sixth year of Emperor Kai of Sui Dynasty (586), now Zhengding, Hebei Province. There is no author's name, but it is written according to the ancient records collected by Ouyang Xiu of Song Dynasty. There are inscriptions on the forehead, the shade and both sides of the tablet. This monument does not have the cold and frugal style of the Northern Wei Dynasty. Its font structure is simple and clumsy, and its pen is heavy and sincere, giving people a deep sense of Gu Zhuo. Calligraphy is broad and beautiful, which has been valued by book critics in past dynasties. The Ming Dynasty rubbings collected by the Chinese History Museum are bound into a book with inscriptions by Zhang Tingji and Zhao Liewen on the back. The earliest collector of this book was Cao Rong in the late Ming and early Qing Dynasties, followed by Wu Jin, Qin Kunsun and Chen Jianbo. This Ming rubbings, with clear characters and well-preserved strokes, still exist, such as "Luyuan", "Siqi", "Hail Grass" and "Jiumenzhang Kilometers", which is the confirmation of Ming rubbings. As far as calligraphy art is concerned, this monument inherits the rites of Han, Jin and Cao, and is the first example of regular script in Tang Dynasty. It is an important material for studying the history of calligraphy development.