There are many tones, and the first two sentences and eight characters are a wonderful couplet. Most famous artists in Song Dynasty paid attention to these places and showed their literary talent. For example, "be a cold deceiver and catch smoke in the willows." "the night is cool and the drums are stacked, and the spring is shallow" ... I can't help but mention him for the time being. This is like the appearance of a famous actor, the unveiling of an embroidered curtain, and the spirit of appearance and elegance, which can "cover" the whole audience. Look at the words "bullying", "sleepy", "overlapping" and "hanging" ... the poet's intelligence, heart and mind have long been beautiful and moving.
However, if I want to be an expert, I will eventually push Qin Lang. For example, what a wonderful stroke he wrote, "Clear water surprises autumn, yellow clouds coagulate dusk"! As for this song,
What are the advantages of these two sentences?
Everyone first took a fancy to the word "wipe". What a Wei Yun! "Wipe" is strange, fresh and boring!
Why is Wipe so novel and unique that it won applause?
It depends on his choice of words. Some people say that his handwriting is also fluent.
Where is the eraser? This is the so-called masking the original background color with another color. Therefore, when Tang Dezong is reading the paper in Zhenyuan, if there is anything unreasonable, he will "write it off" (really happy)! As for ancient women, they should always be "powdered". Luo Qiu's "inclined face with a thick red color" and Lao Du's "casual makeup" are both good examples. In fact, fat red is used to cover up the original meaning of plain noodles.
In this way, Qin Lang pointed out that the mountain covered Wei Yun, and there should be nothing wrong.
However, if he wrote down the words "Mountain Cover Wei Yun", his romantic life would be reduced and his meaning would be limited. People who study ci should savor it here. As the same poet, he said in a poem: "The forest is picturesque, and the Huaihe River flows in the mountains." Also become a famous sentence. It seems that he did deliberately use the brushwork of painting to write poems. Some people say that he is a "general in a painting", so we can add another layer of proof. He is good at using the word "wipe". One writes about the mountain marks outside the forest, and the other writes about the cloud marks in the mountains. Techniques are painting in poetry, and poetry in painting leads to one thing. Just looking at the first four words of this word is like a picture of "clouds breaking away".
If the sentence is like that, let's see what words he uses to oppose the sentence. He said, "It's getting dark."
Here, some people think that the word "Lian" is too easy and that it is not as good as "expert". After thinking about it, I came up with a word "sticky" People who think of the word "sticky" are at least from the Southern Song Dynasty. He thinks this is the only way to "refine Chinese characters". Everyone saw him write that the sky was falling, and he was "connected" with the horizon, as if he were "stuck". His choice of words and sentences is different from the secular, and it is really commendable!
I disagree with this spelling.
Why not use the word "sticky"? When Gaishao traveled in the Northern Song Dynasty, during that period, the style of ci was still generous and changeable, and it was still very tricky and eccentric. Furthermore, as has been emphasized above, Qin Lang's choice of "wipe" is well used, and all the words of the painter are used. It seems exquisite, but it is actually handy and naturally interesting. He never thought of using the word "wipe" to mean "enemy", and finally recognized a word "sticky" as "top secret"-that is, the style of ci that only existed since the Southern Song Dynasty, and the characteristics of the times cannot be confused. The disease of the word "sticky" lies in: it is too carved, but it is too boring; It's too difficult-it seems too difficult. Art does not take these as the highest realm. Moreover, "stickiness" is not suitable for our national painting theory. Our poet can write "boundless low altitude" and "water and sky meet" by hand. This naturally conforms to the western perspective; But they don't want to use a "metaphor" in which heaven and earth stick together, because there is no such concept in the painting. The division between them needs careful investigation and understanding: generally speaking, in choosing words, poets in the Northern Song Dynasty prefer to lose "out", while poets in the Southern Song Dynasty deliberately lose "people". At the end of the latter, I fell into a new and small way. I worked hard on one or two words; If you look at Qin Lang this way, it's the opposite.
The above is the fundamental truth from an artistic point of view. It seems that no one in the annotators pointed out that the word "Lian" in Kou Zhun's poem "leaning against the building is speechless, and the grass is faint" is implicitly used. Can you change his words?
After talking for a long time, is this wonderful appearance because of a word "wipe"? Shaoyou enjoys a high reputation in this word, which is of course and has been. His son-in-law not only had an accident in the street, but also shouted, "I am the son-in-law of Wei Yun, a Samoan bachelor!" " Even Dongpo, also want to say a "mountain brush out, dew flower reflection Liu wasteland". It is well known. However, the benefits of this couplet will not "die" on these two words. To understand the scene and atmosphere of this word, these eight words have played a role in covering the whole situation.