The family is happy.
Shi Lan youranran former site
Tang Huaiyou Qin Xi Xin ju
Lan Xin's grandson in your house will always protect you.
Zhu Bao, Song Taizu, spring is everywhere.
The Millennium of China Architecture
Zhu Xiao Anju Shi Sichun
The hawksbill cloud is the first.
Aphrodite Fuchunhua
Gao Qiao completed the kiloload.
Huatang will usher in eternal spring.
Wuhua huancai
Tian Bao cheng Xiang
Spring breeze turns into rain, peach blossom and plum blossom.
Descendants of King Ai Rui Yingwu
Xi Tang Jianhua sits in the spring breeze.
Qiao Qian Xin ju Jia ke ying men
Ge Shangjin Longteng Zi Qi
Danxia in front of Cai Tang.
Mei Huan mei LUN daqi second language
Ken Tang is willing to be lucky with long hair.
The structure of the church is strict. Rope foot dance
Heaven, wealth, law and humanity
On the back of a tiger, on the flat land of a dragon.
It is cool in summer and warm in winter.
Tinghui Shu Lian Cai
The eaves were obscured by clouds.
Qingshan longzhimen
Hu na LV shui phoenix pool
Yu Jin Tang ma Jia sheng Lao
Painting and carving beams to find new ones.
Birds fly from the forest to the phoenix.
Zhu Baosong Mao Gui Lan Xiang
Hua Tang Xin Jian Liu Qin Li
Yuyu becomes a hundred craftsmen.
Riyue Yao Hui Huaguangdong
Shan chuan Li xiu ying Diao LAN
Reflecting the sun, red labels, colorful clouds and colorful phoenixes are flying.
Ling Xiao drew a dragon among the flowers.
The church structure has been built for thousands of years.
Tancheng has been built for thousands of years.
Elegant room, power, pen holder, hilltop topography, Zhong Ling's prediction, money.
After the new home, relying on Wen Tou Daling, the beauty and beauty of nature will definitely take the lead.
Hua Tang Rui Rao Xi Guanghui Dongyu
Shi Lan Sheng Xiang and Jinxiu Yangchun
Ge Xiang ju xiu ai Lian Rui
Kui Lian Bi Hu Hui Na Xiang
Civilization opens the scene.
Dong Yu Rao Yuntong
lie at the foot of a mountain and beside a river
One's greatness brings glory to a place.
Xiang Lin Zhen pu
Mingfeng Wuqi
Jiegou is a secluded place, with water like jasper and mountains like Dai.
The people live well, and the phoenix has a high crane and a pine.
The painting building sparkled against the clouds.
The lantern reflects the moon and shines brightly.
Rui Cai Yingting shan ju xiu
Xiang guang dang Hu dou Federation
Wu se Xiang Jia Yunlong di
San duo Jing fu Ji men LV
Reluctance and virtue have deep roots.
The situation in is new.
The surrounding clouds are blowing purple gas.
Poems handed down from family are full of spring breeze.
Reflect on the moon, mark it clean and seek innocence.
Ling Luan Hua Tang does not produce mountains and rivers.
Ai Rui Jia di
Fu Yun Xin ju
Long Pan Hu Ju Le Fu Zhai
Fengchaohe town anningju
Couplets, one of the traditional cultures of the Han nationality, also known as couplets or couplets, are antithetical sentences written on paper, cloth or carved on bamboo, wood and columns. The antithesis of couplets is neat and even, which is a unique artistic form of Chinese language. According to legend, couplets originated from Meng Changjun, the master of Shu after the Five Dynasties. Couplets are the traditional cultural treasures of Han nationality in China.
The origin of development
Couplets, also known as antithesis, antithesis, spring stickers, Spring Festival couplets, couplets, Taofu and couplets (named after the pillars hanging in halls and houses in ancient times), are a kind of dual literature, which originated from Taofu. It is a antithetical sentence written on paper, cloth or engraved on bamboo, wood and columns. It is a unique art form of Chinese, concise and profound, neat and even, with the same number of words and the same structure.
Legend has it that couplets originated from Meng Chang, a master of Shu in the Five Dynasties. It is a traditional cultural treasure of the Han nationality. Spring Festival couplets are called Spring Festival couplets, funeral couplets are called elegiac couplets, and wedding couplets are called violet couplets. Couplets are a national style written by using the characteristics of Chinese characters, and generally do not need to rhyme (only the antitheses in the rhyme need to rhyme). Couplets can be roughly divided into poetry couplets and prose couplets.
With the rise of poetry in the Tang Dynasty, prose couplets were excluded. Prose couplets are generally informal, straightforward, and do not avoid repetition. They do not overemphasize the equivalence of parts of speech without losing duality.
Spring Festival couplets have a long history. It is said that they originated from Meng Changjun, the master of Shu after the Five Dynasties. He wrote an inscription on the peach symbol on the door panel of the dormitory: "When the New Year arrives, the number of festivals will be in Changchun", which means the words "Write the peach symbol" (see Shu Lang). This is the earliest couplet in China and the first Spring Festival couplet.
As a custom, couplets are an important part of Han traditional culture. In 2005, the custom of couplets was listed in the first batch of national intangible cultural heritage in the State Council, China. The custom of couplets is passed down and spread in Chinese-speaking areas and ethnic groups with cultural origins of Chinese characters, which is of great value for promoting Chinese culture.