2. 1972 became famous in the exchange and selection of Chinese and Japanese calligraphy, and the calligraphy work "Sino-Japanese Friendship Poetry" was praised as "the first cursive script in Lin Sanzhi". Zhao Puchu, Qi Gong and others called poetry, calligraphy and painting "the three wonders of the present age", and together with Li Zhimin, they were called "Southern Forest and Northern Plum" and "Grass Sage", and Lin Sanzhi cursive script was called "Forest Style". If we say that in the contemporary cursive practice, Lin Sanzhi is the elegant beauty, while Li Zhimin is the boundless beauty. They have different styles, combining rigidity with softness, which highlights the double-peak game of "South Forest and North Plum".
3. Lin Sanzhi is a typical late bloomer. It is precisely because he became famous late and studied hard for decades that he nourished the spirit, rhyme, meaning and interest of his books and made him reach an extraordinary height. His contribution to the cause of modern calligraphy art in China can be described as "great contribution".
4. Lin Sanzhi's representative calligraphy works include Xu Yao Huai Su's cursive poem, self-written book and Li Bai's cursive script.