First of all, I want to talk about the "acting level" of the actors in the play (strange, why do you say that? )。
Wu hired buried this scene can be seen:
1./ Korean drama acting: The goddess still loves her when she was young, but her acting as Wu stays in the stage of/Korean drama where "clam" opens her mouth and stares (Hu). And the father of Zhang Chenguang, an "old drama bone" in the same province, has been honing for many years. When he was buried, the tears in his eyes were really reading the vicissitudes of life and playing the pain of old age ~ (Speaking of it, Zhang Chenguang was also playing the silly son of the landlord);
Second, the primary stage: that is, using routine mode, trying to "play", such as Shantou Chunxing;
Third, drama/stage acting: Zhao Daren played by Ren Zhong, whose actions and lines are "dramatic" (not derogatory), will have a deliberate sense of "craftsman" in TV dramas. Probably the scholar who wants to highlight the role is pedantic and clumsy.
Unexpectedly, Hamm, who plays Du, is between "artisan spirit" and the role of natural melting. If you don't grasp it well, you will feel deliberately artificial. This "degree" is not easy to grasp, so in the process of watching the drama, sometimes it is "brilliant" and sometimes it is "dramatic". -By the way, "Playing the villain's acting skills is too realistic and was criticized by Weibo", which is really low.
4. The queen's acting reached its peak in The Queen of the Palace. Although some critics say that the Queen used too much force in this play, I think several crying scenes are very layered.
But then again, the director really plays an important role in the performance of the actors. Similarly, we can refer to the works of Gong Huang and Zhang Yimou, as well as her later works and those of other directors. A while ago, there was a very popular gif in Weibo. A male director personally demonstrated how to "seduce" the male host and how the male host charmed the female host with laughter. Netizen commented, "A man with empty acting skills and no aesthetic feeling" (laughs).
On the other hand, in the 45th episode, Zhou Ying Zongmiao swears that this is really abusing me. I often wonder how to deal with this play as a screenwriter or director and how to tell the actors about it. However, what kind of treatment is probably better than "blank space"-the star moves, turns around, his feet are soft and he kneels. The audience couldn't see his expression, but judging from his kneeling position, the man who slapped the door was indescribable.
His personality is changeable. How many times Zhou Ying refused him, he was shameless, never discouraged, and never took it to heart. But this time,
Hearing that grandma came to humiliate Zhou Ying, with his understanding of Zhou Ying, I'm afraid he also knew that they might have really come to an end. It's probably a life-and-death struggle to propose for yourself.
However, I didn't expect to bring despair. As I said just now, no matter how many times Zhou Ying rejected him, his shameless character will never turn back. But this time, he saw it with his own eyes, Zhou Ying smiled, and then called all the people to swear, "Never remarry"-what's the despair? It's more a star's move than looking at his lover in such a decisive way, breaking all thoughts and forcing his beloved to embark on this road.
I can't remember which drama or novel has such a passage: you have a thousand ways to refuse me, but you have a magic power. As long as you say a word, I will not hesitate.
Finally, to say a word about war, JJ saw many such articles (extortion, farming, commercial warfare), and many routines were similar. For example, the first child of the hostess must have miscarried (sin), the change of the black sheep, the kidnapping of the hostess by bandits/robbers, the outstanding life experience of the ordinary hostess … and the most important thing is how to tell and interpret it.
cP？ l？ ]?