First, casting, aesthetic return to "ancient ugliness" has been spit out for nearly three years, but the film and television industry seems to have no feeling and continues to ignore the voice of the public. In this case, it is easy to attract the attention of the audience to the works with normal aesthetics in casting.
Liu Yifei and Chen Xiao, two ancient costumes, are the key to the success of Chinese Dream. Just like last year's "You are my glory", it locked in hot attention when it was decided.
After the broadcast, the charm of the two actors became a big bargaining chip for the works to revive passers-by. Zhao lured him to lie on the bed and caressed the fan, which made many netizens take a look at into the pit.
Chen Xiao's eye-painting also triggered a wave of the goddess in June. In addition, Jelly Lin, Ada, Joe and many other high-value artists joined in, which opened the distance between Lu and the ancient ugliness in casting.
When the market aesthetics can't meet the audience's demands continuously, a Cass lineup that returns to normal and even gathers top value will have natural advantages. Whether an idol drama respects the audience can be seen by casting.
Second, the texture, the ancient rhyme reappears "Hua Meng Lu" is an ancient doll, but it does not have the "plastic feeling" of the present ancient doll. This plastic feeling does not mean that clothes are cheap, but the overall impression of the work, unlike the stories of the ancients. More like modern people playing Cospaly in ancient costumes.
The director's luck in the mirror, the breath of life, the actor's manners, the style of lines and other elements may cause this result. Similar cases of modern ancient dolls have been counted before, so I won't mention them here.
The early house fight drama "Know No" of "The Noon Sun" was a great success, and the atmosphere of the ancient house created by the producer was a plus item. Today's "Dream of China" also perfectly presents the ancient cultural customs.
Zhao's swaying posture, San Niang's cooking fireworks, the interest of Huakui opera, the embarrassment, constraint and emotional game between men and women in the main cabin.
Every shot has a strong artistic conception of the ancients, the performance of the characters is not floating, the design of the lens is not pale, the picture has a strong ancient rhyme, and the story can immerse the audience, without the helplessness that is often embarrassed to play.
Even the passionate drama bound by audit has encountered a very "archaic" combination of fish, water and empty mirrors. The stream-of-consciousness car is stable and beautiful, which not only stabilizes art and rules, but also tickles the audience. This made many viewers call back the old taste of costume drama.
Director Yang Yang has no regrets about the pursuit of aesthetics and texture in costume dramas. For example, in a play like Rainy Night by Shen Putai, he can always dig deep into the traditional charm and bring too many surprises to the audience.
Third, CP, the high-level pushes the ancient puppet works, and the love line is still the core point of view. Whether there is a sense of spark in CP casting and whether the story collision is exciting directly determines whether the works can stop the huge CP army.
The casting of this film has been successful ahead of schedule, the eye contact between Liu Yifei and Chen Xiao, and the push and pull of Zhao Hefan have all created many top scenes that look forward to CP's glory.
The settings of the two protagonists are all ancient older youths. Zhao is good at cheering and becomes a man of the hour in the shopping mall. Gu Qianfan walks on the private side of power. Both of them are childlike, but they are not ignorant teenagers.
Their minds and experiences are very mature, and they are also very restrained and humble in desire, which brings rare adults in ancient times to push and pull, be charming and cheerful when bickering, and rest if they want to say something ambiguous.
It is difficult for the ancient costume CP to keep the audience unmoved, to create the contrast between purity and desire to the extreme, full of aggression and high order, and to take romance out alone. There is no doubt that Lu got high marks.
Fourth, the style, the charm of farming, whether a film and television drama is really out of the circle depends on whether the topic discussion area is wide enough. Before the broadcast of Flower Dream Road, it actually exploded silently in Gu Yan's tweet circle. Many Gu Yan fans are looking for a similar meal replacement, titled "Chinese Dream".
Readers also named the "farming" tone of the play. This "agriculture" does not refer specifically to agricultural farming, but a small story about trivial things in life, which is plain and colorful.
Among readers who like warm and inspirational growth style, farming literature can be described as the "mainstay", but because the rhythm of farming literature is relatively "flat", there are few film and television dramas to shoot this theme.
"Lu" is not a typical farming theme, but it accidentally pokes the point of farming. Step by step, the three sisters of Zhao got rid of the bondage of birth and worked hard, which just matched the exquisite charm of farming in Gu Yan.
The romantic line meets the demands of CP lovers, the career line follows the pleasing farming style, and the addition of casting and texture makes the dream China stand out from the ancient dolls, which is logical.
Of course, Lu is not perfect, at least in the eyes of the original fans, its adaptation is both regrettable and surprising, the satirical background of the original has changed, and love and inspiration have become the mainstream. However, these controversies do not affect it to become the most remarkable ancient doll at present.
Marketing and environmental opportunities may make an excellent work get double feedback, but it is impossible to turn a bad drama into a boutique. The success of "Chinese Dream" has luck, but it cannot be separated from quality escort.