When it comes to calligraphy, I can't help but say Wang Xizhi; Speaking of Wang Xizhi, he is almost a household name, and maybe he can tell a few stories about him. This is a unique phenomenon in China calligraphy culture.
Wang Xizhi (303-36 1, 32 1-379), a calligrapher in the Eastern Jin Dynasty, has few words. Originally from Langya (now Linyi, Shandong), I now live in Yinshan Huiji (Shaoxing, Zhejiang). The officers of the right army generals will review the internal history and be called "Wang Youjun". He came from a noble family in the Jin Dynasty. When Wang Xizhi was twelve years old, his father taught him the theory of brushwork. "If you use an outline, you will realize something." When I was a child, I studied calligraphy with the famous female calligrapher Mrs. Wei. Later, he visited the famous mountains in You Jiang, where he learned from foreigners, learned from foreigners, and learned from Zhong You. Observing and learning "how to combine multiple methods to prepare a family" has reached the height of "more expensive than others, the best in ancient and modern times".
Compared with Han Dynasty and Western Jin Dynasty, Wang Xizhi's calligraphy style is characterized by exquisite brushwork and changeable structure. Wang Xizhi's greatest achievement is to increase and destroy the ancient law and turn the simple calligraphy style of Han and Wei dynasties into exquisite and beautiful calligraphy style. In a word, the introduction of Chinese character writing from practicality to the realm of paying attention to techniques and tastes is the awakening of calligraphy art, which indicates that calligraphers not only discover the beauty of calligraphy, but also can show it. Few later calligraphers have not copied Wang Xizhi's calligraphy posts, so they have the reputation of "book saints". His regular script, such as Le Yi Lun, Huang Ting Jing and Dong Fangshuo Hua Zan, was quite famous in the Southern Dynasties, leaving various legends, and some even became painting themes. His cursive script is honored as "the sage of grass" by the world. There is no original trace in the world, and there are many calligraphy books, such as Seventeen Sticks, Le Li Yi in Small Letters, Huang Tingjing and so on. Copy the outline of ink, there is a hole in the middle post, Lanting [Feng Chengsu Copy] sequence, clear post in the snow, diligent funeral post, funeral post, far official post, aunt post, peace post, line post.
Wang Xizhi's calligraphy influenced his descendants. His son is mysterious and good at cursive writing; Coagulation, as a grass official; Emblem, good cursive script; Fuck it, be good at writing; Huanzhi, good cursive script; Sacrifice is called "little sage". Huang's "On the East View and Xu Lun" says: "Wang Sizi's books, Ning, Cao, Hui and Huan, have all been handed down from generation to generation, each with its own body, but different body. Condense its rhyme, practice its body, emblem its potential, rejuvenate its appearance and offer its source. " Later, descendants continued, and one of Wang's calligraphy was handed down. Wu Zetian tried Wang Xizhi's book, and Wang Fangqing, the ninth great-grandson of Wang Xizhi, presented ten volumes of The Travels of Twenty-eight People to his great-grandfather and compiled Long Live the Tian Tong Post. After Wang Sengqian, Wang Ci and Zhiwang were kings in the Southern Dynasties, regular script was created. Shi Zhiyong, the seventh grandson of Xihe, was a famous calligrapher in Sui and Tang Dynasties.
Wang Xizhi's calligraphy has influenced bookstores from generation to generation. The establishment of Wang Xizhi's calligrapher status has its evolution process. Calligraphers in Taishigong period of Southern Song Dynasty said in the book list: "Han, Wei, Zhong (Yi) and Zhang (Zhi) were good at beauty, and the two kings were called English at the end of Jin Dynasty." The title of the Right Army was unparalleled at that time, and Wang Xianzhi was the highest-ranking person in calligraphy during the Song and Qi Dynasties. Concentrated on learning books from his father, he was very talented and sensitive to innovation. He transferred to Zhang Zhi and created a cursive script that runs from top to bottom. He even surpassed his father and became a saint, and he was called "two kings" with his father. Tao Hongjing in the Southern Dynasties said in On Books that "everyone in the world respects books" and that "the sea is nothing more than Mongolian Yuan and Yu Ye". What changed this situation was Liang Wudi Xiao Yan's admiration for Wang Xizhi. He changed the book degree from "Wang Xianzhi-Wang Xizhi-Zhong You" to "Zhong You-Wang Xizhi-Wang Xianzhi". In Twelve Essays on Zhong You's Calligraphy, Yanyun Jr. said, "I don't respect my son, but I don't care much about my leisure." "unsuccessful" or "not caught" is not as good as meaning. Xiao Yan's position makes his comments particularly attractive, so the public opinion is firm.
The climax of studying Wang Xizhi for the first time in history was in Nanliang, and the second time was in Tang Dynasty. Emperor Taizong highly praised Wang Xizhi, not only widely collecting Wang Shu, but also personally writing praises for the biography of Wang Xizhi in the Book of Jin. When commenting on Zhong You, he said that he was "either full of goodness or suspicious", while at the time of offering, he belittled his "calligraphy disease". As for other calligraphers, such as Ziyun, Wang Meng and Yan Xu, he said that he was "over praised". Comparatively speaking, Emperor Taizong thought that the right army was "perfect" and "eager to pursue, this man is just the rest. What can I say?" Since then, Wang Xizhi's supreme position in the history of calligraphy has been established and consolidated. Literati in Song, Yuan, Ming and Qing dynasties all kept Jin Zong's "Two Kings" at a respectful distance. Ou Yangxun, Yu Shinan, Chu Suiliang, Xue Qi, Yan Zhenqing and Liu Gongquan in the Tang Dynasty, Yang Ningshi in the Five Dynasties, Su Shi, Huang Tingjian, Midi and Cai Xiang in the Song Dynasty, Zhao Mengfu in the Yuan Dynasty and Dong Qichang in the Ming Dynasty all converted to Wang Xizhi. Although the study of steles broke the scope of calligraphy research in Qing Dynasty, Wang Xizhi's position as a calligrapher remained unshakable. Although the "Book Sage" and "Ink Emperor" are suspected of being "sanctified", the famous scholars and masters from generation to generation are convinced and admired through comparison and speculation.
In the history of China's calligraphy, although Wang Xizhi is known as the "sage of calligraphy", he is not regarded as a solidified icon, but only a perfect symbol of the creation of calligraphy in China culture. Things are always developing and progressing. Wang Xizhi reached the pinnacle of perfection in his time, and this "icon" will surely summon the later generations to climb the new height of calligraphy in their respective times.
Responder: Rain Kisses Fish and Laughs-Scholar II12-2415:11.
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Wang Xizhi was born in a calligraphy family. His uncles Wang Yi and Wang Dao; Cousins Wang Tian and Wang Qia were both famous calligraphers at that time. Wang Xizhi (32 1-379, or 303-36 1) was born in Linyi (now Shandong) and later moved to Yin Shan (now Shaoxing, Zhejiang). He is a general of the right army, and he will have a look at the internal history of the Eastern Jin Dynasty.
At the age of seven, Wang Xizhi studied calligraphy with the female calligrapher Wei Shuo. Wang Xizhi had been copying Shu Wei until he was twelve years old. Although he is very good, he always feels dissatisfied. Because I often listen to the teacher's stories about calligraphers' diligent study and hard practice, I admire the calligraphy of Zhang Zhi, a "grass saint" in the Eastern Han Dynasty, and I am determined to use Zhang Zhi's "Linchi" story to motivate myself.
In order to practice calligraphy well, wherever he went, he always waded through mountains and rivers, explored ancient inscriptions and accumulated a lot of calligraphy materials. In his study, in the yard, at the gate and even outside the toilet, he has stools and pens, ink, paper and inkstones. Whenever he thinks of a well-structured word, he immediately writes it on paper. When he practiced calligraphy, he thought hard and even forgot to eat and sleep.
He believes that raising geese can not only cultivate sentiment, but also understand the truth of calligraphy from some gestures of geese. One morning, Wang Xizhi and his son Wang Xianzhi took a boat tour of Shaoxing. When they arrived near Xianshui Village, they saw a flock of white geese on the shore, staggering and dawdling. Wang Xizhi was fascinated by these white geese and wanted to buy them home. Wang Xizhi asked the Taoist priest nearby, hoping that the Taoist priest could sell him the goose. The Taoist priest said, "If the right army adults want it, please write a Taoist health book" Huang Ting Jing "for me! Wang Xizhi longed for geese and readily agreed to the conditions put forward by the Taoist priest. This is the story of "Wang Xizhi gave the White Goose Book".
At the age of twenty, A Qiu Chi Jian sent someone to Wang Dao's house to choose a son-in-law. At that time, people paid attention to family status, and the door was right. When Wang Dao's son and nephew heard that Qiu's family was coming to propose marriage, they all dressed up in disguise, hoping to be selected. Only Wang Xizhi, as if he didn't hear anything, was lying on the bamboo couch in the east, eating baked wheat cakes in one hand and painting clothes in the other. When people came back, they reported what they saw to Xi Taiwei. When he knew that there was a quiet Wang Xizhi leaning on the east couch, he couldn't help clapping his hands and cheering. This is the son-in-law I want! So Chi Jian married his daughter Xi Jun to Wang Xizhi. This story has become two allusions of "East Bed" and "Lingtan".
There are more idioms on him than that. It is said that on one occasion, he wrote his words on a board and gave them to a sculptor for carving. The man cut the board with a knife, only to find that his handwriting was printed two-thirds deep in the board. This is the origin of the idiom "cut to the chase".
Wang Xizhi's best calligraphy in his life is Preface to Lanting Collection. That was his work in middle age.
There is a custom in the Eastern Jin Dynasty. Every year on March 3rd of the lunar calendar, people go to the river to play, so as to eliminate the ominous. This is called [repair]. On March 3rd, the 9th year of Yonghe, Wang Xizhi and some scholars, 4 1 * * *, went to the Lanting River to build a temple. Everyone is writing poems while drinking.
After the poem was written, everyone collected the poems and synthesized a preface to Lanting Collection, which was publicly recommended by Wang Xizhi. At this time, Wang Xizhi was drunk. He took advantage of the wine, picked up a moustache pen and waved it on the cocoon paper. This preface is the preface to the Lanting Collection, which became famous throughout the ages. This post is a draft with 28 lines and 324 words. Described the scene of the collection of literati at that time. Because the author was in high spirits and was very proud of his writing. It is said that I couldn't write anymore. Among them, there are more than twenty "zhi" characters, which are written in different ways. Mi Fei in Song Dynasty called it "the best running script in the world". According to legend, Li Shimin, Emperor Taizong of Tang Dynasty, collected the Preface to Lanting before his death and was buried in Zhaoling after his death. What's left is just a copy of others. What people see today is a Preface to Lanting. Wang Xizhi's calligraphy works are very rich. Besides Preface to Lanting Collection, there are other famous calligraphy works, such as Guan Nu Tie, Seventeen Tie, Two Xie Tie, Orange Tie, menstruation Tie, Quick Snow Clear Tie, Le Yi Lun and Huang Ting Jing. The main characteristics of his calligraphy are peaceful and natural, the brushwork is euphemistic and subtle, graceful and restrained, and later generations commented that "if you float in the clouds, you may be surprised by moss." Wang Xizhi's calligraphy is beautiful.
Respondent: Chen Weisi-Juren Grade 412-2415:12.
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Wang Xizhi, a calligrapher and writer in the Eastern Jin Dynasty in China, is an outstanding representative of the evil Wang family. Born in Linyi (now Linyi, Shandong) in 303 AD, he spent most of his life in Huiji (now Shaoxing, Zhejiang) Yin Shan.
Wang Xizhi's father, Wang Kuang, was a magistrate in Danyang, Huainan, and was a civil judge. Uncle Wang Dao, after three dynasties of Yuan Di, Ming Di and Chengdi, became a monk and became a teacher, and the stability of political affairs after crossing the south depended on his strength. At that time, there was a folk proverb: "The king and the horse, * * * the world", and it was also recorded in the history books that shortly after the establishment of the Eastern Jin Dynasty, Wang Dao and Emperor * * * were greeted by ministers. You can imagine this family.
Xihe was not good at words when he was young, but when he grew up, he was eloquent, honest and frank, and enjoyed a high reputation. Chi Jian, the commander of the Jin Dynasty, chose a son-in-law, and the story of "sleeping with an open stomach" came from Wang Xizhi. He was the favorite figure of the government and the public at that time.
According to historical records, court officials attached great importance to Wang Xizhi's talent and called him to be an official many times, but he declined politely many times. Later, he joined the army as a general in the west and moved to Changshi. He was a general in Jinning Yuan and Jiangzhou, and a general in the right army and literature and history. Later, I fell out with Wang Shu of Taiyuan, saying that I was ill, left my post without permission, retired to the record and died. Known as "Wang Youjun" and "Wang Huiji" in the world, this comes from his experience.
Wang Xizhi likes calligraphy since he was a child. He was enlightened by his father Wang Kuang and his uncle Wang Biao. At the age of seven, he was good at calligraphy. At the age of twelve, he was taught by his father the theory of brushwork, and "language is outlined", that is, he realized something. Wang Kuang's kindness and Li Shu: Wang Kui is good at calligraphy and painting. Wang Sengqian once commented in "On Books": "Before crossing the river to the east and the right army, Wei Xiao was the best, painting was the teacher of Jin Mingdi, and writing was the law of the right army." Wang Xizhi was deeply influenced by the Wangs in calligraphy since he was a child.
Wang Xizhi studied under Mrs. Wei in his early years. Mrs. Wei was famous, studied under Zhong You, and passed on her teachings wonderfully. She taught Wang Xizhi the method of Zhong You, the method of learning calligraphy in Wei Dynasty, and her own calligraphy style and method. Later, Wang Xizhi crossed the river to visit the famous mountains in the north and exhibited the traces of Zhuanli Spring Valley since Qin and Han Dynasties. He saw that this was different from the "new style of Zhong Fa" advocated by Mrs. Wei, and he was dissatisfied with the teacher's biography. After observing various schools and learning from others, we finally "combine various methods to prepare one" and reached the height of "the more expensive the group, the better the ancient and modern". Later, he once described this turning point in history as follows:
It will be great to learn from teacher Wei's book. And crossing the river to visit the famous mountains in the north, comparing books such as Lisi and Cao; And make a promise, see Zhong You, Liang Yu book; See Cai Yong's Three-body Book of The Book of Songs; At the meeting place with my brother, I saw Zhang Chang's Hua Yue Monument. It took me several years to learn Mrs. Wei's book. ..... and then change teachers, or learn tablet.
From this passage, we can see Wang Xizhi's experience and intention of constantly broadening his horizons, studying extensively and exploring the source of enlightenment.
Wang Xizhi is ambitious and creative. He learns from Zhong You, so he can change. Zhong Shu is still turning over, and the real book is also divided. The pen is still expanding and there is a tendency for birds to soar. The so-called "Zhong Jia falcon tail wave". Wang Xizhi likes to chase it with his hands, but it is easy to turn it into a song, subtract the momentum, reach it with his pen, and turn it over without folding. The so-called right army "slammed down."
He also expressed himself by imitating Zhang Zhi. In the Tang Dynasty, Zhang Huaigeng once pointed out this point in the "Introduction": "It is a shame to compromise on the analysis of the bow grass; Zhong Jun's servant's profit and loss, although used to increase China, is quaint and can't be grasped. When it comes to research, it will do anything. Wang Xizhi's analysis and harmony of Zhang Zhi's cursive script, and Zhong You's official script's gain and loss and use can all be studied by two calligraphy masters.
Wang Xizhi's calligraphy is good at regular script, running script and cursive script. On the basis of the simple and clumsy book style in Han and Wei Dynasties, he learned from others and created a beautiful and elegant new book style. It has a far-reaching influence on later generations and is known as the "book saint".
In addition, according to historical records, Wang Xizhi also has a free and easy appearance. In Shi Shuo Xin Yu, he once said: "People look at Wang Youjun, floating like clouds and agile like dragons." This "floating like a cloud, agile like a dragon" character refers to its rich inner world.
Metaphysics prevailed in Jin Dynasty, advocating philosophy of Laozi and Zhuangzi. Therefore, Wang Xizhi's thinking about life, society and nature is of course influenced by it. At the beginning of Jin Shinan's crossing, when he saw the beautiful scenery of Huiji, he had the ambition to die. After resigning and retiring, mountains and rivers set each other off, naturally feeling overwhelmed; He went boating in the sea, collected distant medicinal stones, cleaned up the dust in his heart, accepted the beauty of all things in nature, and further discovered the mystery of the universe ... all these proved to the art of calligraphy, as the book said: "How can you reach the peak with all kinds of magical powers?" . "
In his later years, Wang Xizhi moved to Jinting (now Jinting Town, Shengzhou City, Zhejiang Province), where he spent his later years with Xie An, a famous scholar at that time, and was buried at the foot of Waterfall Mountain after his death (according to legend, this place is one of Taoist fairyland).
Responder: zq 7 1- magician level 512-2415:17.
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Wang Xizhi
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Wang Xizhi (32 1-379, or 303-36 1 year), whose real name was Shao Yi, was born in Linyi (now Shandong) and later moved to Yin Shan (now Shaoxing, Zhejiang). He was a calligrapher in the Eastern Jin Dynasty, and he was called a calligrapher. In order to move south to Langya, later officials worshipped the general's rights and army, and he was called Wang Youjun. Author of Preface to Lanting Collection. His calligraphy letters can be found in various books and posts in Tang Dynasty, Seventeen Posts, Japanese Funeral, Confucius and other famous works.
Wang Xizhi's calligraphy practice changed from the popular Cao Zhang and moustache to the modern cursive, running and regular script, which was the peak of the change of calligraphy style.
catalogue
[hide]
* 1 anecdote
O 1. 1 East Bed Husband
O 1.2 for geese
* 2 offspring
* 3 List of existing works (including prints and reproductions)
[edit]
anecdote
[edit]
Good son-in-law
According to Shi Shuo Xin Yu Liu Ya, Chi Jian sent his protege to Wang Fu to choose a mate, and Wang Fu's children were deliberately reserved, while Wang Xizhi was lying on the east bed with an empty stomach. Chi Jian thought he was the right person and decided to marry his daughter. Son-in-law is also called "East Bed".
[edit]
Change geese
Wang Xizhi is fond of geese. Legend has it that he likes to observe the movements of goose feet when swimming, and learn from them to improve his wrist skills in calligraphy. A Taoist priest in Yin Shan hoped that Wang Xizhi could copy a Huang Tingjing for him, but he dared not put forward it rashly. Knowing that Wang Xizhi loved geese, he carefully raised a group of white geese for him and made a request to write scriptures. Wang Xizhi really promised him and copied him a copy of Huang Tingjing. Later, this "Huang Ting Jing" was called the second official book of the Right Army, also called "Changing Goose Posts". Song Tuoben of this post is now in the Palace Museum in Beijing. Li Bai's poem "Mirror Lake overflows with clear waves, and fanatics return to the boat." If the Taoists in Yin Shan meet, they should write Huang Ting for the White Goose. "("Send the guests back to their hometown in Vietnam ") not only quoted this allusion.
[edit]
later ages
* Wang Zixian Zhi is called "Little Sage" and Wang Xizhi is called "Two Kings".
* The seventh Sun Shiyi Zhiyong.
[edit]
List of existing works (including carving and copying)
Thank you.
* Post "Fast Snow" on sunny days (collected by the Palace Museum)
:: Seventeen posts
* Mourning station
* Kong Shi Zhong Tie
* Its book stickers
* Frequent sad stickers.
* Aunt's post
* Preface to the Collection of Feng Chengsu Moranting
* Holy order
David's Wang Xizhi is an unfinished small work about people or ethnic groups. You are welcome to actively edit or modify and expand its content.
From "blog.org/wiki/%E7% 8e% 8b% E7% Be% B2% E4% B9% 8b"
Page Classification: Characters | Calligraphers | Jin Dynasty Characters
Responder: Wikipedia-Wizard Level 5 12-24 17:22.
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Wang Xizhi (303? —36 1? )
When it comes to calligraphy, I can't help but say Wang Xizhi; Speaking of Wang Xizhi, he is almost a household name, and maybe he can tell a few stories about him. This is a unique phenomenon in China calligraphy culture.
Wang Xizhi (303-36 1, 32 1-379), a calligrapher in the Eastern Jin Dynasty, has few words. Originally from Langya (now Linyi, Shandong), I now live in Yinshan Huiji (Shaoxing, Zhejiang). The officers of the right army generals will review the internal history and be called "Wang Youjun". He came from a noble family in the Jin Dynasty. When Wang Xizhi was twelve years old, his father taught him the theory of brushwork. "If you use an outline, you will realize something." When I was a child, I studied calligraphy with the famous female calligrapher Mrs. Wei. Later, he visited the famous mountains in You Jiang, where he learned from foreigners, learned from foreigners, and learned from Zhong You. Observing and learning "how to combine multiple methods to prepare a family" has reached the height of "more expensive than others, the best in ancient and modern times".
Compared with Han Dynasty and Western Jin Dynasty, Wang Xizhi's calligraphy style is characterized by exquisite brushwork and changeable structure. Wang Xizhi's greatest achievement is to increase and destroy the ancient law and turn the simple calligraphy style of Han and Wei dynasties into exquisite and beautiful calligraphy style. In a word, the introduction of Chinese character writing from practicality to the realm of paying attention to techniques and tastes is the awakening of calligraphy art, which indicates that calligraphers not only discover the beauty of calligraphy, but also can show it. Few later calligraphers have not copied Wang Xizhi's calligraphy posts, so they have the reputation of "book saints". His regular script, such as Le Yi Lun, Huang Ting Jing and Dong Fangshuo Hua Zan, was quite famous in the Southern Dynasties, leaving various legends, and some even became painting themes. His cursive script is honored as "the sage of grass" by the world. There is no original trace in the world, and there are many calligraphy books, such as Seventeen Sticks, Le Li Yi in Small Letters, Huang Tingjing and so on. Copy the outline of ink, there is a hole in the middle post, Lanting [Feng Chengsu Copy] sequence, clear post in the snow, diligent funeral post, funeral post, far official post, aunt post, peace post, line post.
Wang Xizhi's calligraphy influenced his descendants. His son is mysterious and good at cursive writing; Coagulation, as a grass official; Emblem, good cursive script; Fuck it, be good at writing; Huanzhi, good cursive script; Sacrifice is called "little sage". Huang's "On the East View and Xu Lun" says: "Wang Sizi's books, Ning, Cao, Hui and Huan, have all been handed down from generation to generation, each with its own body, but different body. Condense its rhyme, practice its body, emblem its potential, rejuvenate its appearance and offer its source. " Later, descendants continued, and one of Wang's calligraphy was handed down. Wu Zetian tried Wang Xizhi's book, and Wang Fangqing, the ninth great-grandson of Wang Xizhi, presented ten volumes of The Travels of Twenty-eight People to his great-grandfather and compiled Long Live the Tian Tong Post. After Wang Sengqian, Wang Ci and Zhiwang were kings in the Southern Dynasties, regular script was created. Shi Zhiyong, the seventh grandson of Xihe, was a famous calligrapher in Sui and Tang Dynasties.
Wang Xizhi's calligraphy has influenced bookstores from generation to generation. The establishment of Wang Xizhi's calligrapher status has its evolution process. Calligraphers in Taishigong period of Southern Song Dynasty said in the book list: "Han, Wei, Zhong (Yi) and Zhang (Zhi) were good at beauty, and the two kings were called English at the end of Jin Dynasty." The title of the Right Army was unparalleled at that time, and Wang Xianzhi was the highest-ranking person in calligraphy during the Song and Qi Dynasties. Concentrated on learning books from his father, he was very talented and sensitive to innovation. He transferred to Zhang Zhi and created a cursive script that runs from top to bottom. He even surpassed his father and became a saint, and he was called "two kings" with his father. Tao Hongjing in the Southern Dynasties said in On Books that "everyone in the world respects books" and that "the sea is nothing more than Mongolian Yuan and Yu Ye". What changed this situation was Liang Wudi Xiao Yan's admiration for Wang Xizhi. He changed the book degree from "Wang Xianzhi-Wang Xizhi-Zhong You" to "Zhong You-Wang Xizhi-Wang Xianzhi". In Twelve Essays on Zhong You's Calligraphy, Yanyun Jr. said, "I don't respect my son, but I don't care much about my leisure." "unsuccessful" or "not caught" is not as good as meaning. Xiao Yan's position makes his comments particularly attractive, so the public opinion is firm.
The climax of studying Wang Xizhi for the first time in history was in Nanliang, and the second time was in Tang Dynasty. Emperor Taizong highly praised Wang Xizhi, not only widely collecting Wang Shu, but also personally writing praises for the biography of Wang Xizhi in the Book of Jin. When commenting on Zhong You, he said that he was "either full of goodness or suspicious", while at the time of offering, he belittled his "calligraphy disease". As for other calligraphers, such as Ziyun, Wang Meng and Yan Xu, he said that he was "over praised". Comparatively speaking, Emperor Taizong thought that the right army was "perfect" and "eager to pursue, this man is just the rest. What can I say?" Since then, Wang Xizhi's supreme position in the history of calligraphy has been established and consolidated. Literati in Song, Yuan, Ming and Qing dynasties all kept Jin Zong's "Two Kings" at a respectful distance. Ou Yangxun, Yu Shinan, Chu Suiliang, Xue Qi, Yan Zhenqing and Liu Gongquan in the Tang Dynasty, Yang Ningshi in the Five Dynasties, Su Shi, Huang Tingjian, Midi and Cai Xiang in the Song Dynasty, Zhao Mengfu in the Yuan Dynasty and Dong Qichang in the Ming Dynasty all converted to Wang Xizhi. Although the study of steles broke the scope of calligraphy research in Qing Dynasty, Wang Xizhi's position as a calligrapher remained unshakable. Although the "Book Sage" and "Ink Emperor" are suspected of being "sanctified", the famous scholars and masters from generation to generation are convinced and admired through comparison and speculation.
In the history of China's calligraphy, although Wang Xizhi is known as the "sage of calligraphy", he is not regarded as a solidified icon, but only a perfect symbol of the creation of calligraphy in China culture. Things are always developing and progressing. Wang Xizhi reached the pinnacle of perfection in his time, and this "icon" will surely summon the later generations to climb the new height of calligraphy in their respective times.
Responder: Rain Kisses Fish and Laughs-Scholar II12-2415:11.
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Wang Xizhi was born in a calligraphy family. His uncles Wang Yi and Wang Dao; Cousins Wang Tian and Wang Qia were both famous calligraphers at that time. Wang Xizhi (32 1-379, or 303-36 1) was born in Linyi (now Shandong) and later moved to Yin Shan (now Shaoxing, Zhejiang). He is a general of the right army, and he will have a look at the internal history of the Eastern Jin Dynasty.
At the age of seven, Wang Xizhi studied calligraphy with the female calligrapher Wei Shuo. Wang Xizhi had been copying Shu Wei until he was twelve years old. Although he is very good, he always feels dissatisfied. Because I often listen to the teacher's stories about calligraphers' diligent study and hard practice, I admire the calligraphy of Zhang Zhi, a "grass saint" in the Eastern Han Dynasty, and I am determined to use Zhang Zhi's "Linchi" story to motivate myself.
In order to practice calligraphy well, wherever he went, he always waded through mountains and rivers, explored ancient inscriptions and accumulated a lot of calligraphy materials. In his study, in the yard, at the gate and even outside the toilet, he has stools and pens, ink, paper and inkstones. Whenever he thinks of a well-structured word, he immediately writes it on paper. When he practiced calligraphy, he thought hard and even forgot to eat and sleep.
He believes that raising geese can not only cultivate sentiment, but also understand the truth of calligraphy from some gestures of geese. One morning, Wang Xizhi and his son Wang Xianzhi took a boat tour of Shaoxing. When they arrived near Xianshui Village, they saw a flock of white geese on the shore, staggering and dawdling. Wang Xizhi was fascinated by these white geese and wanted to buy them home. Wang Xizhi asked the Taoist priest nearby, hoping that the Taoist priest could sell him the goose. The Taoist priest said, "If the right army adults want it, please write a Taoist health book" Huang Ting Jing "for me! Wang Xizhi longed for geese and readily agreed to the conditions put forward by the Taoist priest. This is the story of "Wang Xizhi gave the White Goose Book".
At the age of twenty, A Qiu Chi Jian sent someone to Wang Dao's house to choose a son-in-law. At that time, people paid attention to family status, and the door was right. When Wang Dao's son and nephew heard that Qiu's family was coming to propose marriage, they all dressed up in disguise, hoping to be selected. Only Wang Xizhi, as if he didn't hear anything, was lying on the bamboo couch in the east, eating baked wheat cakes in one hand and painting clothes in the other. When people came back, they reported what they saw to Xi Taiwei. When he knew that there was a quiet Wang Xizhi leaning on the east couch, he couldn't help clapping his hands and cheering. This is the son-in-law I want! So Chi Jian married his daughter Xi Jun to Wang Xizhi. This story has become two allusions of "East Bed" and "Lingtan".
There are more idioms on him than that. It is said that on one occasion, he wrote his words on a board and gave them to a sculptor for carving. The man cut the board with a knife, only to find that his handwriting was printed two-thirds deep in the board. This is the origin of the idiom "cut to the chase".
Wang Xizhi's best calligraphy in his life is Preface to Lanting Collection. That was his work in middle age.
There is a custom in the Eastern Jin Dynasty. Every year on March 3rd of the lunar calendar, people go to the river to play, so as to eliminate the ominous. This is called [repair]. On March 3rd, the 9th year of Yonghe, Wang Xizhi and some scholars, 4 1 * * *, went to the Lanting River to build a temple. Everyone is writing poems while drinking.
After the poem was written, everyone collected the poems and synthesized a preface to Lanting Collection, which was publicly recommended by Wang Xizhi. At this time, Wang Xizhi was drunk. He took advantage of the wine, picked up a moustache pen and waved it on the cocoon paper. This preface is the preface to the Lanting Collection, which became famous throughout the ages. This post is a draft with 28 lines and 324 words. Described the scene of the collection of literati at that time. Because the author was in high spirits and was very proud of his writing. It is said that I couldn't write anymore. Among them, there are more than twenty "zhi" characters, which are written in different ways. Mi Fei in Song Dynasty called it "the best running script in the world". According to legend, Li Shimin, Emperor Taizong of Tang Dynasty, collected the Preface to Lanting before his death and was buried in Zhaoling after his death. What's left is just a copy of others. What people see today is a Preface to Lanting. Wang Xizhi's calligraphy works are very rich. Besides Preface to Lanting Collection, there are other famous calligraphy works, such as Guan Nu Tie, Seventeen Tie, Two Xie Tie, Orange Tie, menstruation Tie, Quick Snow Clear Tie, Le Yi Lun and Huang Ting Jing. The main characteristics of his calligraphy are peaceful and natural, the brushwork is euphemistic and subtle, graceful and restrained, and later generations commented that "if you float in the clouds, you may be surprised by moss." Wang Xizhi's calligraphy is beautiful.