Liu yaren's eight-character fortune-telling marriage

In 2020, affected by the epidemic, the global box office revenue shrank by 70% compared with last year, and the film industry seemed forced to return to a single spark.

Rao, in 2020, many actors swept away the decline on the screen, broke through themselves, lit up their careers and brought unexpected surprises to the audience.

The actors below 10 broke through the original image on the screen in 2020, bringing a strong sense of contrast to the audience.

TOP 10: Liu Haoran

Liu Haoran is a young actor with both face value and acting skills in the new generation. From Beijing Love Story to detective chinatown, Liu Haoran has always been a sunny man next door on the screen.

The legendary white dragon of the demon cat is a little more fragile and stubborn, while the mysterious records of Kyushu are a little more silent, but his background color is still as refreshing and crystal clear as dew in the sun.

In the movie Home at One o'clock, Liu Haoran wore black-rimmed glasses, dressed as bronze Peng Yuchang and explosive Yin Fang, and drove thousands of miles to Guzhai, Yunnan Province to grow coffee. No matter in modeling or design, Liu Haoran in Home at One o'clock has made a breakthrough.

Wei Jinbei, played by Liu Haoran, is an entrepreneur whose vitality is eroded by the city. Black-rimmed glasses, plaid shirts, suits and belts are the standard elements of Wei Jinbei.

In addition to the contrast in modeling, Liu Haoran's performance in the film is also widely praised. The characters and stories in Arriving Home at One o'clock are actually polished and idealized. Liu Haoran showed the confusion of Wei, Jin and Northern Wei Dynasties wandering between dreams and reality with delicate eyes.

Top 9: Kate Winslet

Although the image of Kate Winslet in Chrysanthemum Stone is quite different from that of Rose in Titanic, her modeling and acting skills are always surprising.

The story of "Chrysanthemum Stone" takes place in the19th century, and Kate Winslet plays a lonely female biologist An Ning.

In an era when science, art and other disciplines are dominated by men, even if women risk their lives to dig chrysanthemum stones, they still don't deserve to have their signatures in the British Museum.

The innate talent is a shackle for Anning, nailing her to the cross of excavating paleontology.

Social injustice, class oppression and mother's insolence made her calm and rude, and the characteristics of her career made her abandon the red tape of women at that time and exile herself on the barren coast.

Anning often wears a dark cloth skirt in "Chrysanthemum Stone", and her plain face shows wrinkles of the years. Her body is thick and clumsy, and her posture is no longer elegant.

But Winslet doesn't care about the traces of time. In this gentle and sweet body, the vitality and source of life are surging.

How many people love your face when you were young, your beauty, your hypocrisy and your sincerity, but I love the traces of years on your sad face.

Look carefully at Winslet in Chrysanthemum Stone. It seems that mountains and seas are hidden in her thrush-like eyes, and the waves of the English coast are whistling in it. She is still a rose in the fog.

Top 8: Scarlett Johansson

On May 20th, 2020, the movie "Marriage Story" went online in Chinese mainland. As early as 20 19, Scarlett Johansson, the leading actor, had been nominated for the Oscar Award, Golden Globe Award and other western mainstream film awards.

In Marriage Story, Scarlett Johansson takes off the invincible uniform armor of a superhero, giving people the first impression of being ordinary.

Scarlett's proud figure and sexy thick lips are drowned by daily chores. In the movie, she had short blond hair and lost her charming femininity. Instead, it is numbness, confusion and pain about marriage and self-tear.

Although glamorous and powerful, Scarlett once again showed her appeal as an actress with tears and anger.

TOP 7: Liu Yifei

Liu Yifei became famous at a young age. In the eyes of the public, she is an exquisite and precious Bai Xiuzhu, an eye-catching Wang Yuyan and a fairy-like little dragon girl.

2017165438+1October 30th, Disney officially announced that Liu Yifei will stand out from 1000 actors and will play Mulan live-action version.

After the first notice of Mulan was released, Liu Yifei's style immediately caused controversy, and the makeup of "yellow decal for mirror" completely concealed Liu Yifei's dazzling facial features.

In other parts of the film, Liu Yifei also gave up the spotless route of the goddess, wearing a semi-old and simple uniform, and the sense of fatigue could be seen from her face, but Chai Jing, who was dressed in cloth, did not hide her national color at all, so that the unpretentious appearance made the audience more convinced that Mulan really existed in that era and could tell whether I was a man or a woman.

TOP 6: Gong Li

On 20 16, Gong Li's role as Bai in the movie The Journey to the West once again surprised the audience. In the film, Gong Li Leng Yan is aloof and everyone can bow down with a wave of his hand, and the name of "Gong Huang" has been verified again.

In the film Leap released in 2020, Gong Li plays the legendary Lang Ping. Before Gong Li, no one could play Lang Ping. After the casting is finalized, it seems that no one can play Lang Ping except Gong Li.

After the release of Gong Li's behind-the-scenes tidbits, netizens were amazed at the high degree of body language and body shape of Gong Li and Lang Ping, as if "Gong Li" was just a piece of skin that might fall off at any time, and the modeling ability of the actress's chameleon was amazing.

Top five: Daniel Wu.

The film Eliminating Violence was released in 2020165438+1October 20th, and Daniel Wu played the fierce bandit Zhang Ying.

Before Eliminating Violence, Daniel Wu's last film was Tomb Raider: The Battle of Origins. In this film, Daniel Wu's image hasn't changed much. Although thin and dark, you can still see the shadow of Sam in Bisognin.

In Eliminating Violence, Daniel Wu's style is surprising: the second half of the hairstyle is long hair, and in front of it is a disobedient dog biting his eyebrows and bangs. This weird hairstyle and its exquisite clothes form a sense of tearing, expelling the inherent image of "Daniel Wu" from the audience's mind and keeping Zhang Ying neutral in his heart.

Daniel Wu's ugly appearance and thin facial muscles well present Zhang Ying's perverse and vicious gangster characteristics, which makes the audience shudder.

Top four: Yoo Ah In.

Yoo Ah In's face has the typical characteristics of "Korean handsome boy", with thin eyelids, thin jaw, full lips as if kissing all the time, tall and straight shoulders and neck, which can control young people who are hormonal or uncertain, confused or sad.

However, in Silent, Liu Yaren gained 30 Jin, playing the role of the corpse collector getting rich.

Chang Fu, who is used to seeing blood, looks dull and shiny. He always bows slightly and devotes himself to being invisible in the crowd. Yoo Ah In, a delicious food famous for its sexy desire, is gone, and Chang Fu's indifferent soul is stationed in this fat body.

TOP 3: Liu Haocun

Liu Haocun's debut can be called "a purple star from the sky". From 2065438 to 2008, Liu Haocun went to the one-second crew through screening, cut off her long hair and played "Liu Nv".

Before that, she was high flyers from Beijing Dance Academy. In order to meet the requirements of director Zhang Yimou, she cancelled all the play appointments and concentrated on studying acting.

The one-second story happened in the desert northwest of China in 1960s and 1970s. It is impossible for a "wild child" like Liu Nv who grew up in a broken family to have a white and tender face.

Therefore, Liu Haocun spent most of his time in the play with unkempt short hair and a cracked face. The only constant is those bright eyes, like a clear spring in the desert, which also symbolizes the eternal beauty and conscience of that era.

Top 2: Anne Hathaway

Anne Hathaway has always been synonymous with "perfection". Her skin is like jelly and her eyes are bright. When she looks at you with amber eyes, all kinds of tenderness will come to mind and the whole world will melt into her smile.

Mia's naivety and shyness in The Princess Diary, the glamorous danger of Catwoman in The Rise of the Dark Knight, and Les Miserables 20 12, Anne Hathaway with short hair are still heartbreaking.

But in The Witch, Anne Hathaway has a strong sense of contrast, and her appearance is enough to make people forget her beauty. In this cult film, Anne Hathaway is an elegant and fashionable French girl, but in fact she is a vicious and terrible witch.

Anne Hathaway's appearance in the film is very scary, covered with eyeliner, with a snake-like tongue in her mouth, sharp and uneven teeth and a terrible rash on her head. Although The Witch is an adaptation of children's works, Anne Hathaway's style is likely to be the shadow of most people's childhood.

Former 1: Li Xian

In 2020, Li Xian released three films. Apart from the mystery of arrival and jumping, the Red Fox Scholar is the second time he has appeared in ancient costume. Previously, in the costume drama "Sword Dynasty", Li Xian's clothing style was not as popular as his modern clothes.

In The Red Fox Scholar, Li Xian played an ancient male fox demon. In addition to the traditional clothing style, Li has now released his own fox demon style on social platforms. This appearance made people stunned, and Li Xian's figure and appearance advantages were all covered up beyond recognition.

This modeling is also very time-consuming and laborious. It takes seven hours to make up, and Li Xian has to wear an ugly costume to shoot the scene, which can be said to be a great sacrifice.

Many times, actors can create truth in the film regardless of hue, and truth has its own power.

For big screen actors, laughter and scolding are articles. When creating a character, the muscles tremble beautifully, even the wrinkles are moving.

I hope that actors will not be bound by appearance, but hone themselves into containers of roles and create more and better works for the audience and themselves.