The black fox was designed as an old woman for more than half a century. Some rickety bodies were wrapped in a horrible head with a protruding mouth and a pair of big black eyes embedded in their faces. There are a pair of scheming little eyes in his eyes, all dressed in black and full of silver hair. She is obviously the head of three foxes. Pink fox essence is designed as a charming young woman with exquisite bun, phoenix eye, cherry mouth and oval face. Every face has a big blush, just like Hua Dan in Beijing Opera. Look at her, with orchid fingers up, willow branches twisted, coy and pretentious, but she also has a unique charm. Blue fox essence is designed as a young white-faced scholar, dressed as a scholar but simple-minded. His broken leg because of overeating made his character fuller. Fangfang's face has a pair of round eyes, her greedy mouth is smiling stupidly, and there is a big blush in the middle of her white face. This Peking Opera figure, the three fox spirits, has undoubtedly become one of the most lovable monsters in the history of animation. Monk: Master and apprentice are a couple in the play. Go ahead. The old monk was designed as a hypocritical hypocrite. His weather-beaten face is wrinkled, his toothless mouth is sunken inward, his chin is protruding forward, and his sesame-sized eyes contain indifference and strength. Wearing a monk's hat and cassock, you should be a man who has been practicing for many years, but six roots are not clean. The silly little monk was designed as a young man with a hunchback, a round head and big ears. He has a pale and terrible face. Under the six-point "fragrant scar" on the forehead are a pair of big eyes that look lifeless, with "double eyelids" on both sides. Coupled with a big mouth that often laughs, a selfish and funny young monk like Master comes alive. As the saying goes, it is good to change. The master and apprentice finally cleared up their differences. Emperor: The legendary Jade Emperor was designed as an ordinary old man. He is wearing an official robe, sitting in a chair with a lantern on his head. He has a rectangular face, thick eyebrows, a pair of small eyes and a big head. The fat on his face fell on his chin, and the blue beard under his nose was in stark contrast to his white face. His mediocre appearance is as disgusting as his foolish mind. The little emperor of the world was designed as a spoiled child. He has a round head, two small blushes on his white face, eight eyebrows, small eyes, a nose facing the sky, and a small mouth that often pouts because he is unhappy. His five senses are almost all together. I saw him wearing a crown of red velvet balls and a dragon robe. His triangular body and round head feel like a checkers. Perhaps this is also a satire on the "little emperors" in many families at that time. Official: There are no more vivid figures. Perhaps "selfishness" is the eternal quality of these authorities, which has a long history. The sesame official has a slender oval face. The beard next to the sharp mouth and his face are very similar to "rats". There is a circle of white powder in the middle of the dark face, like a clown in Beijing opera. There are a pair of small eyes similar to the word "ten" in the middle of the white part, with a pair of thin eight-character eyebrows on it. The decorations on both sides of the black hat are designed as two huge copper coins. His scrawny body is wearing a tailor-made official uniform, and two long sleeves are about to land. These details add up to make him look like a complete slave. Compared with the petty magistrate, the prefect is obviously much more clever. What he pursues is not a temporary "petty gain" but a fox who can bring long-term benefits, so that it can be done once and for all. Therefore, he was designed as a middle-aged man with a medium paunch and a big head. On his chubby face, which looks like a gourd, he has two thick eyebrows, a small piece of pink between which is decorated with an S-shaped pattern, and a pair of round eyes on both sides of his nose that can rotate at will. The long sideburns on his cheeks and his long beard form an interesting pattern. Without a neck, he can only embed his chubby head in his chubby body. Street people: The design of these supporting roles is equally excellent. Bare-chested, short and chubby cook, wearing a kitchen hat, he has a broad forehead, eight eyebrows, small eyes and a beard, an apron on his waist and a towel on his shoulders. He really looks like a simple and honest cook. The bartender is designed to be a tall and thin man with a pointed face, a clown's white face, a figure of eight eyebrows and big eyes gathered in the center of the face. Under the moustache is a small mouth and a long chin. He is dressed in men's clothing, wearing a tall pointed hat and a towel over his shoulders. He also shows off his "dish-changing" stunt from time to time. When his eyes roll, he is much smarter than the chef. Di Bao's image is designed as a middle-aged man with profound charm in the world. He is short and fat, with rosacea, heavy eyebrows, small eyes and goatee, a big mole on his right face and a landlord costume. At this point, the image of Dibao has become vivid. The grandmother who gave the eggs raw cakes was portrayed as amiable. Her forehead and cheekbones are high, her chin is prominent, and her chubby face is more amiable with round black eyes. She wore a black scarf on her silver hair, a simple old woman, hunched back and a vegetable basket in her hand. There is no doubt that this is the most intimate role in the play. There is the birthday girl, the county magistrate, limping, leaning on crutches and holding a long white beard. ...