A poem about labor. People come and go on the river, but they like the beauty of perch. You see a boat, going in and out in the storm. Fan Zhongyan, a fisherman on the river
Second, silkworms in spring will weave until they die, and candles will drain the wick every night.
Third, chirp answers chirp, Mulan weaves into a family.
Fourth, the feet are steaming, rustic and the back is burning.
Five, before the pottery, there is no tile on the house. A rich man lives in a tile-roofed building without touching mud.
Sixth, the hand of the document is called, and the carriage returns to the north. A load of charcoal, more than 1000 kilograms, eunuch attendants to drive away, the old man is helpless, but there is no way.
Seven, the feet are hot and rustic, and the back is burning. I don't know about the heat, but I regret the long summer.
Eight, the night comes from the south wind, and the wheat is yellow. Mother-in-law is rich in food, and children are full of pot pulp.
Nine, pick wild vegetables and roots to cook, and spin raw firewood leaves to burn. If you are in a deep mountain, you should also avoid the levy.
Ten, regardless of the flat land and the peak, unlimited scenery is accounted for. After picking flowers into honey, who will work hard for whom and who will be sweet?
Eleven, poor clothes, worry about charcoal.
Twelve, the people have constancy, weaving and dressing, ploughing and eating, which means concentric.
Thirteen, there is no ear-washing Weng, who knows Yao and wisdom.
At the age of fourteen, her finger embroidery is incomparable, but she can't compare with the painted eyebrows. Year after year, she sewed gold thread and made wedding dresses for others. (Qin Taoyu's "Poor Girl")
Fifteen, selling charcoal Weng, Nanshan chopping wood and burning charcoal. His face is covered with dust and smoke, his temples are gray and his fingers are black. What is the money for selling charcoal? My clothes are in my mouth. I'm dressed in shabby clothes and have a lingering fear. I hope it's cold.
Sixteen, there is less leisure at home, and people are twice as busy in May. In the evening, the south wind rises and the wheat turns yellow.
17. When weeding at noon, sweat dripped down the soil. Who knows that every grain of Chinese food is hard?
18. Work at sunrise and rest at sunset.
Nineteen, the face is full of dust and fireworks, and the sideburns are gray and black. What is the money for selling charcoal for? Buy clothes, buy food in your mouth.
Twenty, life belongs to the Tao, food and clothing are solid, but not camp, and safety is the best.
Twenty-one, go with Tian Xiang, Ding Zhuang is in Nangang.
Twenty-two, the cow is sleepy and hungry, resting in the mud outside the south gate. Who is that proud man riding on two horses? It was the eunuchs in the palace and eunuchs who did it.
Twenty-three, the sun is like fire, and the wild field seedlings are half withered. The farmer's heart is like soup, and the son Wang Sun shakes it.
Twenty-four, the morning star is barren. Daiyuehe cupboard
At the age of 25, silkworms will weave until they die in spring, and people will never stop. There is still work to be done. Make it a good category for young people. ? Yuzhang Wu
There are thousands of buildings in Ando, which greatly protect the poor in the world.
Twenty-seven, mulberry leaves have no leaves, and flute pipes welcome Longshui Temple. Watching songs and dances in Zhumen, I am afraid that the spring sounds will swallow the strings.
28. The husband burned the hemp and ramie clothes because the soldiers were defending Mao Peng. Mulberry and philosopher still pay taxes, but they still want seedlings after rural famine.
Twenty-nine, the woman entered the city yesterday and came back in tears. Those who wear Luo Qi are not silkworm farmers. Can zhangyu
Thirty, embroider colored patterns and blow six tubes of flying ash.
Thirty-one, snorting rainbow, pedestrians are embarrassed.
The second chapter is a poem about labor. Five cows breathe the moon, so why bother tugboat?
In the hot air exhaled by the black cow, the trackers grabbed the optical fiber and gasped, struggling forward step by step. Who knows the pain of the tracker tugboat?
Note: Black cattle breathe in the moon, when it is hot. Five cows are buffaloes. According to the note of Shi Shuo Xin Yu, it is hot in the south, but black cattle are afraid of heat. Seeing the moon is suspected to be the sun, so they breathe when they see the moon.
Ten thousand people cut stones, and there is no way to reach the river. You look at Shi Mang, and you hide your tears and grieve for the ages.
The poem depicts the hard scene of the tracker as an official pulling stones. This stone is so big that ten thousand people can't drag it to the river. And then what? Wu da? But? What is the actual need? Because the government is in a hurry. The poet could not help but hide his face and cry for their eternal misfortune, showing Li Bai's sympathy for the working people.
Note: Mang and Dang Mountain are located in Dangshan County, Jiangsu Province. At that time, Manger produced a kind of aragonite.
In autumn, Nanhu picks white apples. Lotus is so charming that I'm worried about killing the boatman.
The clear river sparkles in autumn, and women row boats on the lake and pick white apples. The lotus in the water shyly wants to talk to people. Seeing this, the woman can't help but feel homesick. This is a scene where a woman thinks of her lover while boating in autumn. The sentence is crisp, the picture is concise, the scene is mixed, and the faint sadness is beyond words.
Note: Restoration water, clear water. White apple, the name of aquatic plants.
In autumn, the whole world sheds flowers, collecting fish and leaving water. His wife, Zhang, has a deep bamboo knot.
In addition to farming, the old farmers in Qiupu also make a living by fishing. To this end, he often stays in the water, and his wife catches silver pheasants for nets and keeps weaving nets. The big net being woven is in harmony with bamboo. The poet expressed the hard-working lifestyle of an elderly couple in plain language, which reflected the poet's love for the working people.
Note: Set (jū) as a net for catching birds and animals. White pheasant (xi? N) Waterbirds and pheasants in southern China have long white hair and tails. Qiupu, now in the west of Guichi County, Anhui Province, has Qiupu Lake.
The fire shines on heaven and earth, and the red star is in purple smoke.
The fire is raging, sparks are flying, purple smoke is transpiration, and the world is red. This is a gorgeous scene when smelting metal, which is extremely vivid and shows the fiery scene of labor.
No one is as good as a plow, which can be turned into mud with a knife.
Without people and cows, it is difficult to plow the land, so we have to split it with a knife and loosen the soil. The poem vividly depicts the hard scene of the daughter's arable land and the man's joining the army because of the shortage of labor.
Note: Zhu? ), cut with a knife, axe, etc.
Although it is hot and windy in May, the eaves are screaming.
Although the weather in May is hot, the wind blowing from the wheat fields is refreshing and pleasant. Under the eaves, there was a rustling sound, which turned out to be a spinning car chirping. It depicts the labor scene of men plowing and women weaving in southern rural areas during the summer harvest.
There are more hard days, fewer happy days, and the water stays like a seabird.
For trackers, there are many hard days, but few happy days. Sleeping on a boat at night and pulling fibers on the beach during the day are as hard as seabirds. The poet affectionately described the tracker's efforts day and night.
Against the wind, the water is heavy, all the way to Qiangang, followed by Vivi.
The tracker sailed against the wind and current, and the rope on his body was heavy enough. Sailing is so difficult, the post station in front is so far away, and the water waves behind are endless. Walking against the wind and against the current, the weight of the rope renders the hardships of the tracker. Qian Yi? 、? After Vivi? It means that the hardships of the journey and the hardships of the tracker are far away, and there seems to be no end.
Note: hello (h? ), ancient measuring instruments, in ancient times, ten buckets were welcome. Miao Miao (mi m 4 o), the water waves are drifting away.
Mother-in-law called a silkworm bath and idled gardenias in the atrium.
The women in the village called to each other to go to the stream to bathe the silkworms. Only a gardenia in the middle of the yard is blooming lazily. This poem depicts the busy farming scene in the mountain village. Even women are busy bathing silkworms, leaving only gardenias idle. The implication is that all the villagers are busy with production.
Note: The term "auntie" refers to married women; Menstruation refers to unmarried women. Washing silkworms, that is, washing seeds, is washing silkworm eggs. Gardenia is an evergreen shrub that blooms in summer. It's big, white and slightly yellow.
The Tian family has less leisure in the month, and people are twice as busy in May.
Farmers have little leisure time. In May, people were busier. Farmers are busy all year round and get little income. Poets' pens often touch the poor and describe their hard work and hard life. ? Times? According to records, farmers must work hard during the wheat harvest season.
I don't know about heat, but I cherish the long summer.
Exhausted, I don't feel the heat of the weather, but cherish the long days in summer. Through the description that farmers cherish the long summer days, rather than being tired and unaware of the heat, it euphemistically implies the psychology of farmers to work hard to get more gains, and reflects the seriousness of exploitation by rulers.
Note: cherish, cherish.
A horse is braying on the river bank. A boat passed by. People gathered in a willow bush, waiting for the ferry.
In the poem, it is said that the boatman on the water ferries and the boat hisses. People waiting to cross the river looked up at the boat back to shore under the Liu Yin. The poet described a busy and noisy riverside ferry scene in fresh and fluent language, which is very beneficial to the local color of the state.
Note: ⅵ (zh? O) boats.
The rain was high and white, and ploughing was done in the middle of the night. People do their best, and the East is extremely unclear.
There is plenty of rain, and the fields are full of water and bright white. Farmers wearing hemp fiber get up in the middle of the night to farm. People and cattle have tried their best, but the east is still a gray area, and the dawn has not yet appeared. The poet wrote down what he saw and heard in the field on a rainy night, and described the hard work of farmers in a sympathetic tone, reminding people that the fruits of labor were hard-won.
When crossing the river to pick mulberry leaves, silkworms always rush the plane. If you tie your feet, you can't get dressed.
This is a poem to remember first. It describes the hardships of the Weaver Girl. The main idea of the poem is: the woman crosses the river to pick mulberry and the old silkworm spins silk, prompting people to weave silk on the plane. One day, I only grew more than a foot. But I don't know who to make clothes for. Poetry is fluent and natural, and Xiao Ming is like a word. In a sympathetic tone, the author describes the hardships of Caisang girl and the unfair experience of making wedding dresses for others but getting nothing.
Chai Men is narcissistic, and the mountain family has fireworks and spring rain.
There was silence inside and outside Chai Men, smoke from kitchen chimneys curled up, and the smell of yellow rice floated with the wind. After a spring rain, farmers are busy farming again in order not to violate the farming season. The poet's combination of motion and static makes a wonderful pen blossom.
Labor poetry