The wind and smoke are all pure, and the Tianshan Mountains are beautiful. Drifting in the current, anything. A hundred miles from Fuyang to Tonglu, there are strange mountains and rivers, unique in the world. The water is all pale blue, thousands of feet long, and you can see the bottom. There are no obstacles to swimming fish or fine rocks if you look directly at them. The rapids are like arrows, and the fierce waves are like running.
The high mountains along the bank are all covered with cold trees, which compete with each other to reach the top. Thousands of them form peaks. The spring water stirs up the rocks, making a cool sound; the good birds sing to each other, and their chirping becomes a rhyme. The cicada can make endless revolutions, while the ape can make endless calls.
Those who fly with a kite to fight against the sky will look at the peaks and rest their minds; those who are economical and worldly will peek into the valleys and forget to rebel. The horizontal keels cover the top, making it still dim in the daytime; the sparse strips overlap, and sometimes the sun can be seen.
Vernacular interpretation:
The wind and smoke have dissipated, and the sky and mountains have become the same color. (I was in a boat) drifting along with the water, drifting east or west at will. From Fuyang to Tonglu, about a hundred miles away, there are strange mountains and supernatural waters that are unique in the world. The water is blue-white, and you can see the bottom of the clear water even from a thousand meters away.
Swimming fish and small stones can be seen directly without any obstacles. The rapid current is faster than an arrow, and the fierce waves are like galloping horses. On the high mountains on both sides of the Jiajiang River, there are green trees that give off the chill. The mountains are vying to go up according to the steepness of the mountains. These mountains are vying with each other to stretch high and far; vying to go straight up. Countless peaks are formed upward.
The spring water splashes on the rocks, making a clear and pleasant sound; the beautiful birds sing in harmony with each other, and their songs are harmonious and beautiful. (tree) cicada, long continue to sing, (the mountain of) the ape is always not stopped when they call.
Those who fly like ferocious birds in the sky and pursue high positions for fame and fortune will calm down when they see these majestic mountain peaks. Those who are busy with government affairs all day long will never want to leave when they see these beautiful valleys. The slanting branches cover it, and it is as dark as at dusk; the sparse branches cover each other, and sometimes the sun can be seen.
Introduction to the article:
"Sishu with Zhu Yuansi" is a famous landscape sketch written by Wu Jun, a Liang writer in the Southern Dynasty. It was written by Wu Jun to his friend Zhu Yuansi (his first work was Song Yuansi, A fragment from a letter written by Yushan (named Yushan, whose life is unknown) is regarded as a masterpiece of landscape description in parallel prose.
This article not only uses human feelings to reflect the beauty of the mountains and rivers, but also expresses the disdain for fame and wealth, the weariness of officialdom and government affairs, and implicitly reveals the love for the beautiful nature and the noble ambition to retreat from the world. Extended information
Writing background:
During the Wei, Jin, Southern and Northern Dynasties, there was political darkness and social turmoil. Therefore, many intellectuals turn to mountains and rivers to relieve their depression. Wu Jun also developed a love for landscapes and scenery due to the turmoil. "A Letter to Zhu Yuansi" is a letter Wu Jun wrote to his friend Zhu Yuansi after integrating his love. ?
Article Appreciation:
This article describes what the author saw on the way from Tonglu to Fuyang by boat, and depicts the mountains and waters (Fuchun River) in this section, which creates a fresh The natural artistic conception makes people feel fascinated after reading it, as if they have personally appreciated the beauty of the mountains and rivers therein.
At the same time, it also shows his interest in life that is obsessed with landscapes. It reveals contempt for those who pursue fame and wealth, and implicitly conveys the noble interest of admiring the beautiful nature and retreating from the world.
This article does not use the step-by-step writing method of changing scenery, but after the overall writing, it is described one by one in separate shots. The second paragraph follows the previous paragraph and writes "different water". The first two sentences describe the static beauty of Fuchun River. The color of the river is blue and white, the water flow is so clear, "you can see the bottom thousands of feet away".
"Swimming fish and small stones are not obstructed by looking directly at them." You can see the fish playing back and forth, and even the small stones are clearly visible, which shows the brightness, tranquility and clarity of the river. The third sentence also transcribes the dynamics of Fuchun River.
From the geographical situation. The river flows from east to west, and the terrain where it flows is complex. In some areas, the river surface is open and the water is calm. The river surface is like a mirror, quiet and clear. In some areas, it is narrow and the river banks are steep, so the waves are violent and unruly. The author uses The two metaphors describe the river flowing faster than a shot arrow, and the waves galloping like a horse. It is really touching and extraordinary.
This paragraph only uses three sentences and twenty-four words, either a positive description, a side contrast, or a metaphor, to show the changing scene.
The first paragraph of the article leads the whole article with the character "strange mountains and strange waters, unique in the world". The second and third paragraphs respectively inherit the two aspects of "strange mountains and strange mountains" and surround the words "unique in the world". "The two characters unfold and describe, and the structure is broad and clear in context. The sequence of describing the scenery is "water" first and then "mountain", unfolding layer by layer from near to far, which is in line with the viewing habit of "drifting with the current" and is clear and organized.
In the focus of describing scenery, write "mountain" in detail in the whole text and shorthand "water"; for the part about "water", write down static and shorthand for dynamic; for the part about "mountain", write down dynamic in detail and shorthand "static". . This not only highlights the main features of the scenery, but also makes it appear detailed and appropriate, with a moderate degree of importance.