Qigong (19 12-2005)
China is a famous contemporary educator, master of Chinese studies, classical philologist, painter, cultural relic appraiser, poet, Manchu, Ai Xinjue Roche, the fifth son of Qing Sejong and the eighth grandson of Prince Hongzhou. Beijingers. White, also known as Yuan Bo. He lost his childhood and his family was poor. After dropping out of Beijing Academy, he was angry and taught himself. A little longer, I studied under Jia Ximin and Wu Jingting's calligraphy and Dai Classical Literature. Studied hard and finally achieved academic success in 1933. On the recommendation of Mr. Fu Zengxiang, he studied under Chen Yuan to understand the academic division and textual research. Later, he was hired as a Chinese teacher in Fu Jen Middle School. 65438-0935, Assistant Professor, Fine Arts Department, Fu Jen Catholic University; 1938, he served as a lecturer in China Literature Department of Fu Jen Catholic University, and concurrently served as a special member of the Palace Museum, engaged in peer review and cultural relics appraisal in the Palace Museum; 1949 Associate Professor of China Literature Department of Fu Jen Catholic University and Associate Professor of Peking University Museum Department; 1952, he served as an associate professor and professor of Beijing Normal University. Chinese People's Political Consultative Conference, member of the Standing Committee, director of the National Cultural Relics Appraisal Committee, curator of central research institute of culture and history, honorary chairman of China Calligraphers Association, professor of Beijing Normal University and doctoral supervisor. Consultant of Jiu San Society, Chairman of National Cultural Relics Appraisal Committee, Honorary Chairman of China Calligraphers Association, Consultant of Chinese Buddhist Association, Palace Museum and National Museum, President of Xiling Printing Society. He died in Beijing at 2: 25 on June 30, 2005. His main works include Essays on Ancient Fonts, Essays on Poetry and Rhyme, Essays on Qigong, Qigong Poems, Qigong Redundant Words, Essays on China Phenomenon, Poems on Books, Notes on Books, Essays on Eight Essays and Qigong Painting and Calligraphy Collection.
Artistic feature
Mr. Qi Gong is a famous contemporary scholar, painter and calligrapher. He is rich in works, familiar with linguistics and philology, and even has a good study of eight-part essays that have become historical relics; He is not only an excellent poet, but also an expert in ancient calligraphy and painting, especially the study of inscriptions.
Appreciating his calligraphy works, I always think of his profound study of inscriptions, because his study of inscriptions is inextricably linked with his achievements in calligraphy art. The study of inscriptions is a science that rose in the Ming and Qing Dynasties, and now it has opened up a new realm with the continuous excavation of underground ink. He is one of the pioneers of this garden. This knowledge can be divided into two categories: one is to study historical materials, supplement history with inscriptions, or collate essays; The second is to appreciate and study his calligraphy art. Mr. Qi Gong is good at both, and he is better at the latter. He combined the two, and his method broke through the barriers of predecessors. "Buying bamboo slips and pearls is different, and rubbings are mostly calligraphers. What's the use of rushing away? I saw several collectors chanting. " He wrote this poem because many connoisseurs in the past paid attention to the calligraphy of inscriptions, but often turned a blind eye to the words in them. Famous artists such as Weng Fanggang and Ye all have this defect. He never misses the content of his prose. Because of this, he refuted the "Cao E Monument" that has always been conclusive. Therefore, the so-called "Cao E tablet" written by Wang Xizhi in small letters no longer exists. What's more, Cai Yong's book Dan.
Among Mr. Qi Gong's calligraphy theory works, I like his metaphors and quips best. He has unique views on the art of calligraphy and many problems in the history of calligraphy, which is his decades of experience in calligraphy practice and research. Especially self-annotation, Wen Juan's escape, and his opinions. I have some long-standing problems myself, and after reading them, I feel solved and suddenly enlightened. For example, the textual research of Ode to the Bird originated from the dedication of Kaiyuan Hanlin; In the face of Japanese Fujimoto's book "Le Yi Lun", it proves Wang Xizhi's strong writing style; Identify Zhang Xu's book Geng Xin's "Not Empty Zuo Ci" as the pen of Dazhong Xiangfu after the Song Dynasty; On the True Features of Suo Jing's Calligraphy in Ge Tie from the Remnants of Jin People. These are all cases in the history of calligraphy, and the arguments are solid enough to be convincing. In addition, for example, Cai Xiang and Zhu Yunming's calligraphy did not become their own paragraphs; The calligraphy of Liu Gongquan and Huang Tingjian is perfect, and the words are bound together. Among them, it is very incisive to distinguish the characteristics of famous calligraphers in past dynasties, the style and style of calligraphy in each era, and even the origin of calligraphy and the reasons for its changes. Commencement chronology
19 12 was born in Beijing on July 26th.
The founder of Qigong was the son of Yong Zhengdi in Qing Dynasty, ranking fifth, named Hongzhou, and was named "Prince of Peace". Their descendants gradually left the palace, and by the time of their great-grandfather, the family had lost its shadow and needed to find a way out through the imperial examination. Great-great-grandfather Pu Liang was admitted to imperial academy and joined the Imperial Academy. In the late Qing dynasty, he served as the minister of rites and commander-in-chief of Chahar. Grandpa Yulong, who is also an academician, is a bachelor of rites, has studied politics and is an examiner.
My father died at the age of one in 19 13 and lived with my grandfather.
In order to pray, my grandfather asked him to learn from an old Lama in the Lama Temple and become a registered little Lama named "Chado Zabu". At that time, just after Xinhai, the Qing court abdicated, and his great-grandfather refused to live in Beijing to show that he would no longer ask about state affairs. Only his great-grandfather had a student named Chen, who was also an academician. His family is the richest man in Yixian County, Hebei Province, and his family is rich, so he invested in buying a house in Yixian County and asked his great-grandfather to live there. My great-grandfather moved to Yixian with his family when he was three or four years old. Later, I went to a private school to read poetry.
1922 Ten years old.
Great-grandfather died. The family business declined due to the repayment of debts.
My grandfather died in 1923 at the age of 1 1.
The family sold the books collected in the world as funeral expenses. At that time, mother Ke Lianzhen and unmarried aunt Heng Ji Hua, both in their twenties, provoked the burden of family life. In order to raise his nephew, Henderson decided not to marry for life and regarded himself as the man in this family. Qi Gong also called his aunt "Dad" (full of customs, "Dad" means uncle).
1924- 1926 Twelve to fourteen years old.
Studied in Huiwen Primary School and Huiwen Middle School in Beijing. When I was a child, I saw a big landscape painting hanging on the wall next to grandpa's box, which was painted by my uncle. I also saw my grandfather drawing bamboo stones with a small fan, which made me feel wonderful and made me want to be a painter. His school works have been selected as gifts for celebrities by the school.
1927- 1929 Fifteen to seventeen years old
Mr. Jia Ximin studied painting under the leadership of his eldest brother. Mr. Jia is knowledgeable in the history of painting and is also knowledgeable and insightful in the appreciation of painting and calligraphy. I often take Qi Gong to the Palace Museum to see the ancient paintings and calligraphy on display. Sometimes I will watch and comment with some friends, and I will write down Qi Gong one by one. These activities are of great inspiration and education to Qigong. Qi Gong wanted to learn more painting skills, and Mr. Jia introduced him to Mr. Wu Jingting. Professor Wu is very patient with painting. He never generalizes, but points out the most important tricks to make great progress. Once, an elder asked him to draw a picture and said that he would frame it and hang it. He felt very honored. But the eldest brother said, "Don't sign after painting, please ask the teacher to sign", which greatly stimulated him and made him practice calligraphy angrily from now on.
1930 18.
After being introduced by family friends, he studied China classical literature under Mr. Dai and wrote ancient poems. Thanks to the teacher's careful cultivation and hard self-study, he has laid a solid foundation for China's classical literature and history since he was a child.
1932 Twenty years old.
Married to Zhang Baochen. Zhang, Manchu, is two years old. To make a living, I teach houses, and sometimes I paint and sell money.
1933 I am twenty-one years old.
Introduced by Mr. Fu Zengxiang, he studied under Mr. Chen Yuan. After reading his works, Mr. Chen Yuan thought his writing was excellent, so he arranged for him to be a Chinese teacher in Fu Jen Middle School. Since then, he has been engaged in education for decades, mainly teaching classical literature and selling calligraphy and painting in the middle, but he said, "that's just a sideline."
I was twenty-three years old in 1935.
He used to be a teaching assistant in the Fine Arts Department of Fu Jen Catholic University, and engaged in painting and calligraphy creation in his spare time.
I was twenty-six years old in 1938.
He is a lecturer in China Literature Department of Fu Jen Catholic University. After the victory of the Anti-Japanese War, he also served as a special member of the Palace Museum, responsible for reviewing manuscripts and identifying cultural relics in the literature museum.
1949 37 years old
Associate Professor of China Literature Department of Fu Jen Catholic University and Professor of Peking University Museum Department.
1952 Forty years old
The national colleges and universities adjusted their departments, Fu Jen Catholic University merged with Beijing Normal University, and served as an associate professor in the Chinese Department of Beijing Normal University, teaching classical literature. In the same year, he joined the "Jiu San" Society and was elected as a member of the Beijing Branch of the "Jiu San" Society, and later served as a member of the Beijing Municipal Political Consultative Conference. Since then, he has played Dunhuang Bianwen folk songs with Xiang Da,,,, Gong, and others. Later, he annotated Cheng Yi's A Dream of Red Mansions published by People's Literature Publishing House, which was the first annotated version of A Dream of Red Mansions published after the founding of the People's Republic of China. 1957, my 45-year-old mother and aunt died one after another.
1962 Fifty years old
I have written two manuscripts, namely "On Ancient Fonts" and "On the Rhythm of Poetry".
1963 5 1 year
He wrote notes about a dream of red mansions.
1966 54 years old
When the Cultural Revolution broke out, all public reading and writing activities were forced to stop, but they continued to study in private. Because he is proficient in calligraphy, he is often ordered by the rebels to copy posters.
197 1 year 59 years old
Participated in the punctuation work of Twenty-four Histories and Draft of Qing History organized by Zhonghua Book Company, and was jointly responsible for the punctuation work of Draft of Qing History with Wang Zhonghan.
1975 63 years old
Mrs Zhang Baochen passed away.
1976 64 years old
After the downfall of the Gang of Four, Normal University resumed its operation.
1977 Sixty-five years old
On Poetry and Prose was published by Zhonghua Book Company.
1978 66 years old
After the Cultural Revolution, he was still employed as a professor.
Sixty-seven years old in 1979
The manuscript of ancient Chinese characters is published by Cultural Relics Publishing House.
198 1 year 69 years old
Cong Manuscript was published by Zhonghua Book Company. In the same year, China Calligraphers Association was established and promoted to vice chairman. At the invitation of the Chinese University of Hong Kong, he went to Hong Kong to give a lecture on Chinese and A Dream of Red Mansions.
1982 Seventy years old
A national planning group for the collation and publication of ancient books was established and served as a member of the group.
1983 Seventy-one years old.
Invited by the Office of Complete Works of China Fine Arts of the Propaganda Department of the CPC Central Committee, he was hired as the consultant of Complete Works of China Fine Arts. The China Ancient Painting and Calligraphy Appraisal Group, composed of seven experts organized by National Cultural Heritage Administration, is responsible for appraising and evaluating the authenticity of ancient painting and calligraphy works collected by museums in Beijing and major cities in China.
1984 72 years old.
Be hired as a doctoral supervisor. Elected President of China Calligraphers Association.
1986 74 years old
He was appointed chairman of the National Cultural Relics Appraisal Committee.
1989 77 years old
In April, he served as deputy curator of central research institute of culture and history. Qigong Yu Yun was published by Beijing Normal University Press.
1990 78 years old.
One hundred quatrains about books are published by Hong Kong Commercial Press and Beijing Sanlian Bookstore. This book summarizes the systematic theory of his calligraphy practice in the form of poems, comments on calligraphers of past dynasties, and has unique views on calligraphy writing and writing. In order to set up the "Li Yun Scholarship Fund", the "Qigong Painting and Calligraphy Exhibition" was held in Hong Kong.
199 1 year 79 years old
Consultant of the national planning group for the collation and publication of ancient books. On China Phenomenon is published by the Commercial Press (HK) Limited. At the end of the same year 1 1, all the proceeds from the charity sale of calligraphy and painting were donated to Beijing Normal University to set up the "Li Yun Scholarship Fund". In September, I went to Tokyo and Osaka and visited the treasures of China paintings and calligraphy collected by Osaka Museum.
1992 Eighty years old
China People's Political Consultative Conference, Beijing Normal University and Rong Baozhai jointly held the "Qigong Painting and Calligraphy Exhibition", which was exhibited in Beijing, Guangzhou and Japan. Talking about stereotyped writing, Notes on Qigong Prose and Qigong Calligraphy and Painting Collection are all published by Beijing Normal University Press.
1994 82 years old
Go to Korea for calligraphy and painting exchange. Rong Baozhai and Korean Oriental Gallery jointly held "Qigong Jin Yingxian Calligraphy Exhibition", which was exhibited in Beijing and Seoul successively. Yu Xu Qigong is published by Beijing Normal University Press.
1995 83 years old
Rong Baozhai published 100 quatrains in the Book of Qigong and a Collection of Qigong Paintings and Calligraphy.
1996 84 years old
/kloc-Visit the United States, Germany and France in October and visit the treasures of China's paintings and calligraphy in the national museums of the three countries.
1997 85 years old
In April, central research institute of culture and history organized a painting and calligraphy delegation to hold an exhibition of paintings and calligraphy works of librarians of the Central Literature and History Museum headed by Mr. Qi Gong. 10, at the invitation of the Hong Kong Commercial Press, went to Hong Kong to attend the celebration of the centenary of Hong Kong's return to the motherland and the establishment of the Commercial Press, and created many paintings and calligraphy works for Hong Kong's return. The Japanese translation of Qigong Shu 100 quatrains was published in Tokyo.
1998 86 years old
Professor and doctoral supervisor of Beijing Normal University. Member of the 5th Chinese People's Political Consultative Conference, Standing Committee member of the 6th, 7th, 8th and 9th sessions, Chairman of the National Cultural Relics Appraisal Committee, Deputy Director of central research institute of culture and history, Honorary Chairman of China Calligraphers Association.
93 years old in 2005.
He died in Beijing at 2: 25 am on June 30th.
Mr. Qi Gong's publication chronology
1953
A Dream of Red Mansions Review, People's Literature Publishing House.
1957
Collection of Dunhuang Changes (co-edited with others), People's Literature Publishing House.
1965
Ancient fonts, cultural relics publishing house.
1977
On the Rhythm of Poetry, Zhonghua Book Company.
198 1 year
From the manuscript, Zhonghua Book Company.
1982
Mr. Qi Gong talks about calligraphy (video), Beijing Normal University.
1985
Selected Calligraphy of Qigong, People's Fine Arts Publishing House.
Selected Works of Qigong Calligraphy, Beijing Normal University Press.
Book on quatrains, Commercial Press (Hong Kong)
1986
Selected Works of Qigong Calligraphy (condensed version), Beijing Normal University Press.
Introduction to Calligraphy, Beijing Normal University Press.
Introduction to Calligraphy Reference, Beijing Normal University Press.
Qigong-Uno Xue Cun Painting and Calligraphy Exhibition (Japanese Printing)
1988
Calligraphy teaching (video), Beijing Normal University Audio-visual Publishing House.
1989
Qi Gong Yu Yun, Beijing Normal University Press.
1990
On the quatrains of books, The Commercial Press (Hong Kong), Sanlian Bookstore.
Thousand-character Qigong cursive script, China Peace Publishing House.
Rong Baozhai (HK) Co., Ltd. published Qigong Painting and Calligraphy Exhibition.
199 1 year
China Phenomenon Series, Commercial Press (Hongkong)
Said stereotyped writing, Beijing Normal University Press.
1992
Notes on "Qi Gong Lun Shu" by Beijing Normal University Press.
Qigong Painting and Calligraphy Atlas, Beijing Normal University Press.
1993
Rong Baozhai's Painting Spectrum-Qigong Volume, Rong Baozhai Publishing House.
1994
Talking about Great Achievements, Beijing Normal University Press.
1995
"One Hundred Poems on Success", Rong Baozhai Publishing House.
1997
"Qi Gong Shu Hua" (namely, the Japanese version of "Poems on the Book 100") was published by the Second Selection Society of Japan.
On the quatrains (reprint), Sanlian Bookstore.
1998
Contemporary calligrapher's masterpiece "Qi Gong Juan", Hebei Education Press, Guangdong Education Press.
1999
Ancient font manuscripts, reprinted by Cultural Relics Publishing House.
Redundant Meritorious Words, Beijing Normal University Press.
Manuscripts (paper roll, postscript roll, poetry volume), Zhonghua Book Company.
In 2000,
Three posts of Qigong, Beijing Normal University Press.
Say stereotyped writing, Zhonghua Book Company.
On the Rhythm of Poetry, Zhonghua Book Company.
200 1 year
On Calligraphy (Xuan Paper Edition), Cultural Relics Publishing House.
Qigong Calligraphy and Painting Collection, Cultural Relics Publishing House, Beijing Normal University Press.
Qigong Lin Tie, Beijing Normal University Press.
In 2002
Notes on Qigong Painting and Calligraphy, Shanghai Painting and Calligraphy Publishing House.
Huai Su's Self-narrative Sticker, Rong Baozhai Publishing House.
Wang Xizhi's Seventeen Sticks at the Opening Ceremony, Rong Baozhai Publishing House.
Comments on Poetry by Sanlian Bookstore.
Famous calligraphers and painters in Zhenmingge-Qigong Volume, Cultural Relics Publishing House.
On the Rhythm of Poetry (Ink and Wash Edition) (Revised Edition), Zhonghua Book Company.
In 2003
A Thousand Words Qigong Cursive Script (reprint), China Peace Publishing House.
Qian Qigong cursive script, Shanghai Painting and Calligraphy Publishing House.
Qigong Calligraphy Collection, Cultural Relics Publishing House.
In 2004
Qigong Lecture, Qigong Rhyme Collection, Qigong Painting and Ink Selection, and Qigong Oral History, Beijing Normal University Press.
In 2005
Lin Lanting, Rong Baozhai Publishing House.
Qigong Calligraphy and Painting Collection (Popular Edition) Cultural Relics Publishing House, Beijing Normal University Press.
Qian wrote Qigong Regular Script, Beijing Normal University Press.
Selected Paintings and Calligraphy of Qigong (Xuan Paper Edition), Cultural Relics Publishing House.
Selected Calligraphy of Qigong (Xuan Paper Edition), Xiling Publishing House.
"Xie Lin Series", published by Beijing Normal University Press.
Let me tell you something about calligraphy, Zhonghua Book Company.
In 2006
Selected inscriptions on calligraphy and painting, Cultural Relics Publishing House.