How does Zhao Can Ti write a good running script?

Zhao Ti's brushwork is exquisite. For example, the point method, the point on the top of the Zhao character, the hidden front or the exposed front. Zhao's character is that the left is high and the right is low. The dragon is facing Zhao's character, taking advantage of the situation in the volley, revealing the front into the pen, first light and then heavy, and collecting the pen back. The echo points of Zhao characters are often connected by ties, which are smooth and free.

Fiona Fang is also used.

Zhao's handwriting is horizontal and smooth, slightly thin in the middle and full of momentum. Zhao's strokes are horizontal, and when he is finished, he will raise his strokes. The brush strokes are obvious, the brush strokes are square, the brush strokes are round, and Fiona Fang has both.

Balanced fluency

Zhao's words are folded and picked, and the strokes are reversed, that is, the strokes are quick and clean. Zhao's handle pickaxe and folding pickaxe have similar strokes, and the angle changes greatly.

Zhao's character is vertical, with a pen to the front and a pen to the back, which is smooth and long. The middle and vertical are short and thick. Such as "mountain". Zhao hangs the needle quickly and uses the pen quickly. Such as the word "bell".

Zhao's words are as straight as willow leaves, and there are songs in them. Grab the pen in front of you with a draw and write it quickly. Such as the word "item".

Zhao's straight, arrayed, full and powerful when squatting. Zhao Zi used Tang Liyong's brushwork to bend the arc hook, which was vigorous and powerful. Zhao Zige's hook strokes faster and straighter.

Second, the structure of Zhao Ti.

The structural characteristics of Zhao Ti's characters are: graceful and natural stippling, freely retractable, rich and changeable structure, absorbing a lot of calligraphy styles, emphasizing the intricate changes of the structure, moving long and vertical, or flat and horizontal, which increases the vivid aesthetic feeling of the characters.

Zhao Ti structure

1. Calligraphy pens can be divided into main pens and auxiliary pens, so we should avoid each other and make them harmonious. Zhao's main brushstrokes are obvious, such as the horizontal painting in Ji, which is fluent. The hanging needle in the word "Hua" is quick to use the pen vertically. To master the relationship between the main pen and the auxiliary pen, such as avoiding and inserting, all parts of the Chinese character structure should take care of each other.

Hanging needle vertical pen is fast and sharp.

2. It's uneven when it's put away. For example, the word "no" is longer on the left and shorter on the right. Left hand and right hand make it harmonious and natural. In a word, it is necessary to receive and release to be unfair. A rhythmic change.