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[Jun Porcelain]
One of the famous porcelain kilns in the Northern Song Dynasty. The kiln is located in Bagua Cave in Yuzhou City, Henan Province today. Jun kiln makes use of the different color characteristics of iron and copper to produce a variety of glaze colors such as blue with reddish, purple spots, pure azure, pure moon white, etc., with opal luster cyan as the base tone, giving it a milky and opaque effect. Another characteristic of Jun porcelain is that irregular flowing thin lines often appear on the glaze, which are called "earthworm mud lines". Jun kiln porcelain is a famous kiln treasure in Chinese history. It has a wide variety and unique shapes. It is famous for its magnificent Jun glaze. Its achievement lies in the addition of copper metal to the glaze, which causes kiln transformation at high temperatures. The glaze colors are mainly green, blue, and white, with rose purple, begonia red, etc., which are colorful and as beautiful as the morning glow and sunset. It is known as the "treasure of the country". In the Song Dynasty, it enjoyed the reputation of "gold is valuable but Jun is priceless" and "a piece of Jun porcelain is not worth as much as a rich family".
Jun kiln drum nail three-legged washer
Jun kiln drum nail three-legged washer, 9.4cm high, 23.5cm in diameter, 9.5cm from foot to foot.
Drum washing is also called drum washing. The body of the vessel is decorated with two drum nails (22 on the top and 18 on the bottom), with three Ruyi heads and feet underneath. The inside of the wash is covered with sky blue glaze and the outside is rose purple glaze. The bottom is painted with a thin yellow-brown glaze. There are burn marks around the bottom and the word "一" is engraved on it. Jun porcelain specimens engraved with the numbers "one" to "ten" have been found at the Juntai kiln site in Yuxian, Henan, which are the same as the official Jun kiln porcelain collected in the Palace Museum. Such numbers are the numbers of similar products from large to small.
This piece is of the largest size and is intact. Its rose purple glaze color and earthworm mud pattern are the characteristics of Jun kiln wares, and it is a representative work of Jun kiln porcelain handed down from generation to generation. The wash bottom "Yingtai Jingqixuan" is an official money of the Qing Dynasty.
Rose purple glaze statue
The rose purple glaze statue is 18.4cm high, 20.1cm in diameter and 12cm in foot diameter.
The statue imitates the style of bronze, with the mouth rim turned outward, straight neck, bulging belly and round feet. The inside and outside of the vessel are covered with copper red kiln glaze. The edge of the mouth and down to the neck are mainly made of sky blue glaze, with several lines of rose purple glaze scattered. The abdomen is mainly painted with rose purple glaze. The interior of the vessel is decorated with both rose purple and sky blue glazes. The bottom is engraved with the word "Six" and has five holes.
The shape of this statue is dignified and regular, and the glaze color is as soft and elegant as the sunset. The glaze color blends and intertwines with blue and purple, showing the pattern of earthworms walking on the mud, which adds to the natural beauty of the utensils. This statue was probably a flower pot used for planting flowers in the palace. It is a fine piece of Jun kiln porcelain handed down from the Song Dynasty.
Rose Purple Glaze Sunflower Style Flower Pot
Rose Purple Glaze Sunflower Style Flower Pot, height 15.8cm, diameter 22.8cm, foot diameter 11.5cm.
The flowerpot is in the shape of a sunflower with six petals, folded rim, ribbed edges, deep belly, and circled feet. The inside and outside of the basin are glazed. The inside of the rim is grey-blue and the outside is rose purple. The glaze flows down the rim and the glaze is thin and sauce-colored.
The bottom is in different shades of sauce color, with 5 circular seepage holes, engraved with the number "seven" to indicate the size of the object, and "Jianfu Palace" engraved by the jade craftsmen of the Qing Dynasty Manufacturing Office. , "Bamboo and stone rockery use" eight-character identification.
Rose Purple Glaze Begonia Style Flower Pot Holder
Rose Purple Glaze Begonia Style Flower Pot Holder, height 14.7cm, diameter 23.3-18.6cm, foot span 8cm.
The flowerpot has a begonia-style holder, with an open mouth, a folded rim, a broad upper abdomen and a convergent lower part, a flat bottom, four clouds on the head and feet, and 5 round holes on the bottom of the pot. The bottom is engraved with the characters "Chonghua Palace", "Jin Zhaoyu Cuiyong" and the character "四" in regular script. The inner wall of the basin is glazed with moon white glaze, and the outer wall is glazed with rose purple glaze. The glaze layer is thick and moist, with "earthworm mud patterns" on it.
This flowerpot has a thick and hard body, beautiful appearance and practicality. It is a typical palace utensil. Its glaze is smooth and smooth, moon white is soft and elegant, and rose purple is gorgeous. This exquisite flower pot holder is a typical palace utensil.
[Ru Porcelain]
One of the "Five Famous Kilns" of the Song Dynasty, it is the most famous Chinese porcelain kiln in ancient and modern times. The kiln is located in Qingliang Temple, Baofeng County, Henan Province today. It belonged to Ruzhou in the Song Dynasty, hence its name. Ru kiln is famous for firing celadon-glazed porcelain. Song Dynasty poet Ye Chi recorded in "Tanzhai Biheng": "In this dynasty, Dingzhou white porcelain had awns and was unusable, so Ruzhou was ordered to make celadon-glazed porcelain. Therefore, Hebei Tang and Deng and Yaozhou both had it, and Ruzhou was the leader." It can be seen that Ru kiln was the kiln that fired tribute porcelain for the palace after Ding kiln. Most of its utensils imitate the shapes of bronze and jade wares, mainly including halberds, jade pots, bile bottles, bottles and washbasins. The carcass is as fine and clean as fragrant gray, mostly burned with foot binding, and there are small traces of nails at the bottom of the object. The glaze colors mainly include azure, sky blue, light pink, pink blue, moon white, etc. The glaze layer is thin and shiny, and the glaze bubbles are large and sparse, so it is known as "few as morning stars". There are tiny patterns on the glaze, called "crab claw patterns." Ru kiln only fired palace porcelain for about 20 years, from about the first year of Yuanyou (1086) of Emperor Zhezong of the Northern Song Dynasty to the fifth year of Chongning (1106) of Emperor Huizong of the Northern Song Dynasty. Therefore, there are very few handed down products and they are regarded as rare treasures.
Ru Kiln Lotus Style Warming Bowl
Using lotus or lotus petals as the decoration and shape of the utensils became popular with the introduction of Buddhism, and later adopted its habit of being unstained. , meaning integrity, is widely used in various types of utensils. This vessel looks like a lotus flower before it is in full bloom. Its lines are gentle and graceful, elegant and beautiful. The original vessel should be matched with a jug, a vessel for warming wine, which was common from the late Tang Dynasty to the Song Dynasty.
The Ru kiln was once used in the palace. Due to the over-firing method, the mouth was defective. Therefore, "the palace ordered Ruzhou to bake celadon." The Ru kiln was selected and fired. Full glaze should be one of the reasons. Another purpose of supporting the burner is to prevent the bottom of the vessel from collapsing. The supporting nails used in Ru kiln are small and the nail marks left resemble sesame seeds. The five nail marks on the bottom of the vessel are the marks, which are commonly known as "sesame nails". The fine lines on the glaze are also known as "crab claw marks".
The Lotus Warming Bowl, with its elegant shape and gentle opaque glaze, is even more precious among the few Ru kiln wares handed down from generation to generation.
Ru Kiln Plate
Ru Kiln Plate, height 3.5cm, diameter 19.3cm, foot diameter 12.6cm.
The mouth of the handicap is slightly tilted, and the circle foot is tilted outward. The plate is covered with glaze and has fine grained flakes. There are five burnt nail marks on the bottom and the six characters "Queen's Pavilion of Shoucheng Hall" are engraved on it.
This porcelain is made of fine workmanship, with pure glaze and ice-cracked pieces. It is the top-grade porcelain from Ru kiln in Song Dynasty. The inscription indicates that this vessel was a vessel enshrined in the palace at that time.
Ru kiln bowl
Ru kiln bowl, height 6.7cm, diameter 17.1cm, foot diameter 7.7cm.
The mouth of the bowl is tilted, the belly is full, the feet are slightly tilted outward, and the carcass is light and thin. The whole body is covered with glaze, which is light azure color, shiny and pure, with fine lines. It is neatly made, with five nail burn marks on the inside and a poem inscribed by the Emperor Qianlong:
The secret weapon is still passed down from ancient Luhun, but the pottery hole has not been preserved today.
However, if you think about it for a long time because of its simplicity, why should you fight for the beauty and imitate the complexity?
The mouth is normal and not rustic, and the feet are still with nail marks and irregularities.
The Yu Yuan cuts oneself and is close to the king's way, and the plaything dares to forget the Taibao's words.
It is signed "Qianlong Emperor Dingyou Zhongchun Imperial Title" and sealed with "Guxiang" and "Taipu" seals.
The celadon body of Ru kiln is delicate and fragrant gray, and the glaze color is like the blue sky reflected in the lake water. This Ru kiln bowl has a delicate texture and smooth glaze. It is a beautiful and rare treasure.
Ru kiln three-legged washing machine
Ru kiln three-legged washing machine, height 3.6cm, diameter 18.3cm, foot distance 16.7cm.
It has a straight mouth, a flat bottom, and three curved feet at the bottom. The inside and outside are covered with azure glaze, and the glaze is covered with fine grained flakes. The bottom is fully glazed and has 5 small nail marks. Emperor Qianlong of the Qing Dynasty valued this wash very much and once wrote a poem for it, which was engraved on the outer bottom of the vessel by the palace jade craftsman:
Purple earth pottery made of iron feet, a fable is obtained from this letter .
Yi Ci Benqi retreated to Tibet, and Song Dynasty ordered Hu to talk about everything.
It is later signed "Qianlong's Wuxu Summer Imperial Title".
This vessel has a simple shape and regular production. The glaze is light azure, soft and moist.
Ru kiln three-legged bottle
Ru kiln three-legged bottle, height 12.9cm, diameter 18cm, bottom diameter 17.8cm.
This bottle imitates the shape of Han Dynasty bronzes, with a straight mouth, flat bottom, and similar mouth and foot diameters. There are two protruding string patterns on the outer mouth and feet, three protruding string patterns on the middle part, and three legs below. There are 5 small nail marks on the bottom. The inside and outside are covered with light azure glaze, and the glaze surface has fine cracks and is smooth and smooth.
[Guan porcelain]
Guan kiln is one of the five famous kilns in the Song Dynasty. The kilns are divided into north and south. According to documentary records, from the late Northern Song Dynasty to the Xuanhe reign of Huizong (1111-1125), the government set up a kiln in Bianjing (now Kaifeng, Henan) to fire celadon, which was called the Northern Song Dynasty official kiln. After the Song Dynasty moved south to Hangzhou, they set up a kiln under Fenghuang Mountain in Hangzhou, Zhejiang, named Xiu Neisi Kiln, also known as "Nei Kiln". Later, a new kiln was built in Wugui Mountain in the southern suburbs of present-day Hangzhou, namely the official kiln under the suburban altar. The above are collectively referred to as the official kilns of the Southern Song Dynasty.
The official kiln is famous for its celadon-glazed porcelain. The main types of utensils include bottles, statues, washbasins, plates, and bowls. There are also styles such as tripods, furnaces, goblets, and Yi imitating the bronzes of the Zhou and Han Dynasties. The shapes of the utensils often have a graceful and elegant palace style. The selection of raw materials for firing porcelain and the mixing of glaze colors are also very particular. The porcelain clay used has a very high iron content, so the color of the fetal bones is black and purple. The mouth edge of the vessel is exposed due to glaze dripping, and purple-black is exposed under the thin layer of glaze, commonly known as "purple mouth"; the bottom foot is also exposed, so it is called "iron foot".
The official kiln porcelain of the Song Dynasty not only paid attention to the texture, but also pursued the beauty of the glaze color of the porcelain. Its thick-glazed plain porcelain rarely has decorative patterns, and is mainly decorated with glaze color. Common colors include azure, pink blue, beige, putty and other colors. The glaze layer is generally thick, and the glaze surface often has flakes. This kind of flakes is very different from that of Ge kiln in the same period. Generally speaking, the thick glaze of Guan kiln has large ice cracks, and the thin glaze has small flakes. Ge kiln has The fine caviar pattern is the most famous.
Guan kiln Kwai petal wash
Guan kiln Kwai petal wash, height 4.8cm, diameter 18.7cm, foot diameter 11.2cm.
Wash the eight-petal sunflower style, with straight walls, folded bottom, and circled feet. The whole body is covered with pink celadon glaze, and the glaze surface is open and the patterns are intertwined like a net. The sole edge of the foot is unglazed, exposing the iron black tire.
Song Dynasty official kiln porcelain, like Ru, Ge and Jun kiln porcelain, pays special attention to the beauty of glaze color. The thick glaze layer is achieved by first firing the body and then applying glaze multiple times. The thickness of the glaze layer is often greater than the thickness of the body. During the firing process, high-quality wood is used as fuel to ensure the temperature and atmosphere in the kiln. Most of the official kiln porcelain is plain, without exquisite carvings or colorful depictions. Instead, it is mostly decorated with convex and concave straight edges or string patterns, which are quite noble and elegant under the natural and beautiful flake patterns on the glaze surface.
This wash has a beautiful shape, and the glaze is as smooth as jade. On the green glaze, the patterns are criss-crossed, and small ice cracks flash between the large patterns, forming an elegant and harmonious artistic whole. .
Official kiln round washer
Official kiln round washer, height 6.5cm, diameter 22.6cm, foot diameter 19cm.
The mouth is straight, slightly open, the body is nearly straight, the inside is flat, the base is short and wide, and the bottom edge is exposed and unglazed. This wash has a dignified and elegant shape, and is covered with green glaze. The glaze is pink-green, pure and translucent. On the glaze, golden thread-like flakes are criss-crossed, and ice cracks flash between the flakes, which is beautiful and harmonious.
The official kiln porcelain of the Song Dynasty was mainly plain, with neither gorgeous carvings nor colorful paintings. Most of them were decorated with concave and convex straight edges and string patterns. The patterns on it are sparkling, making it look more noble and elegant. This official kiln round washer was used by the royal court. It is very exquisite in terms of shape, craftsmanship and decoration techniques, especially the glaze color and flake pattern. At the same time, with the help of secondary oxidation in the later stage of firing, "purple mouth iron feet" are formed on the mouth of the vessel with a thin glaze layer or the bottom part of the vessel that is not covered by the glaze layer, making the vessel appear more primitive and solemn.
Guan kiln string pattern bottle
Guan kiln string pattern bottle, height 33.6cm, diameter 9.9cm, foot diameter 14.2cm.
The bottle has a mouth, a long neck, a round belly, and a high ring foot. There is a rectangular flat hole on both sides of the ring foot for wearing a belt. There are 7 raised string lines from the neck to the abdomen. The whole body of the bottle is decorated with celadon glaze. The glaze layer is thick and pink-green in color. The glaze juice is bright and moist, and it has the beauty of thick and deep jade quality.
The body of this bottle imitates the style of a Han Dynasty copper pot, which is simple and elegant. The raised string pattern changes the monotony of the shape and enhances the decorative nature of the utensil. The body of the vessel is covered with large patterns, criss-crossing each other, and is a representative work of official kiln porcelain from the Song Dynasty.
[Ding porcelain]
A famous porcelain kiln in the north of the Song Dynasty. The kiln is located in Jianci Village, Quyang, Hebei Province. It began to be burned in the late Tang Dynasty and the Five Dynasties, flourished in the Northern Song Dynasty, and gradually declined during the Jin and Yuan Dynasties. Ding kiln in the Northern Song Dynasty mainly fired white glazed porcelain, and the decoration methods included scratching, engraving, printing and molding. Lotus, peony and daylilies are the most common patterns, and the pictures are simple and vivid. In addition to white glaze, Ding kiln also burns black glaze, green glaze and sauce glaze. The most common shapes are plates and bowls, followed by plum vases, pillows, boxes, etc. It is common to find the words "Fenghua", "Juxiu", "Cifu" and "Guan" engraved on the bottom of the vessel. Plates and bowls are characterized by glazes and tear marks due to glaze sagging due to over-burning.
White glaze carved folding bowl
White glaze carved folding bowl, height 5.5cm, diameter 16.8cm, full diameter 9.4cm.
The bowl is open, shallow, oblique, and folded inward near the bottom. The whole body is covered with white glaze and the mouth is inlaid with copper. The inside, outside and inside of the bowl are carved with lotus and lotus leaf patterns.
The white glaze of this bowl is pure, and the lines of the lotus flower decorated with it are natural and smooth. It is rare for a bowl to have carved patterns on both the inner and outer walls. This bowl is an exquisite piece of Ding kiln porcelain.
Ding kiln printed peony lotus plate with entwining branches
Ding kiln printed peony lotus plate with entangled branches, height 5.4cm, diameter 30.4cm, foot diameter 13.6cm.
The mouth is wide, the abdomen is shallow, and the feet are circled. There are 2 raised string patterns on the inside. The plate is decorated with printing, and the inner wall of the plate is separated from the inner bottom by a pattern. The inner bottom is decorated with 5 groups of lotus flowers and lotus leaf patterns. The inner wall is decorated with 2 weeks of entangled peonies. The two layers of peonies are staggered up and down and arranged in an orderly manner. The plate is glazed with white glaze on the inside and outside, and the rim is inlaid with copper because it was fired without glaze. Swirl marks and tear marks caused by the dripping glaze can be seen on the outer wall. There are many exposed areas near the feet, which is a typical feature of Ding kiln porcelain.
Ding kiln was one of the five famous kilns in the Song Dynasty. It mainly fired white porcelain, with a fine and smooth glaze, white and slightly yellow. Decoration is represented by printing, engraving, scratching and carving, and printing techniques are especially praised by the world. This printed peony and lotus plate is large and regular in shape, with intricate printing, distinct layers, smooth lines, and clear patterns. It fully demonstrates the high level of production of Ding kiln printing varieties. It is a treasure of Ding kiln ware in the old collection of the Qing Dynasty.
Ding kiln white glaze carved straight neck bottle
Ding kiln white glaze carved straight neck bottle, height 22cm, diameter 5.5cm, full diameter 6.4cm.
The flat mouth of the bottle is folded outward, the neck is slender, the belly is round, and the high-circled feet are turned outward. The abdomen is engraved with a pattern of chi dragons piercing through.
This vase has a beautiful shape, a white body, vigorous and vivid chilong patterns, powerful knife work, and natural and clear lines. It is a masterpiece of Ding kiln.
Engraved plum vase
The carved plum vase is 37.1cm high, 4.7cm in diameter and 7.8cm in foot diameter.
The small mouth of the bottle is folded, the neck is short, the shoulders are plump, the lower part of the shoulders gradually converges, and the feet are circled. Commonly known as "Plum Vase". The whole body is covered with white glaze, the glaze color is soft and clean, with yellow flashes in the white. The shoulders are engraved with a chrysanthemum petal pattern, the abdomen is engraved with a lotus pattern, and the lower part is engraved with a banana leaf pattern. The carvings are clear and graceful, with different shades. The lotus is simple and elegant, with smooth lines, showing the skill of Ding kiln carving technology. This vase has a tall and straight shape, which is the standard style of Ding kiln plum vase in Song Dynasty.
Child pillow
Child pillow, height 18.3cm, length 30cm, width 11.8cm.
The pillow is like a child lying on the couch, with the child's back as the pillow surface. The child has his arms wrapped around his head to prop up his head, holding a hydrangea in his right hand, with his feet crossed on stilts. He is wearing a long coat with a waistcoat and a pattern printed on the lower part of the long coat. The sides of the couch are molded with patterns, and are illuminated on all four sides. One side is embossed with the dragon, the opposite side is plain, and the other two sides are embossed with the wishful head pattern.
The pillow body is glazed in tooth yellow. The bottom is plain tire with two holes.
Pillow is a pillow for sleeping. In ancient China, people liked to use jade pillows and porcelain pillows. This is because jade and porcelain can refresh the body and refresh the mind, and even have the effect of "brightening the eyes and improving the ability to read carefully when you are old". Porcelain pillows were created in the Sui Dynasty and became popular in the Tang, Song and Yuan dynasties. This child's pillow is beautifully crafted and has a lively and leisurely figure. It is a precious product among ancient Chinese porcelain.
[Ge porcelain]
One of the "Five Famous Kilns" in the Song Dynasty, the Ge Kiln mentioned here refers to the Ge Kiln porcelain handed down from generation to generation. Its body colors include black, dark gray, light gray and earthy yellow. Its glaze is all devitrified opalescent glaze, and the glaze color is mainly gray-green. Common utensils include stoves, bottles, bowls, plates, washers, etc., all of which are of fine quality and fine workmanship. They are all in the style of palace porcelain, which is very different from folk kiln porcelain.
Porcelain from the Ge Kiln has not been unearthed from Song Dynasty tombs, and its kiln site has not been found. Therefore, researchers generally believe that the Ge Kiln belongs to the official porcelain kiln of the Song Dynasty. For a long time, people have mainly studied it based on documentary records and handed down objects. "Tanzhai Biheng" written by Ye Chi of the Southern Song Dynasty clearly pointed out that there were two official porcelain kilns in the Southern Song Dynasty: one was the official kiln under Jiaotanxia, ??whose kiln site has been discovered in Wuguishan, Hangzhou; the other was the official kiln of Xiuneisi, whose kiln The address has not yet been found. According to the records of the characteristics of the Xiuneisi official kiln in Cao Zhao's "Gegu Yaolun" published in the 20th year of Hongwu in the Ming Dynasty, some scholars believe that the handed down Ge kiln is the Xiuneisi official kiln of the Song Dynasty.
Ge Kiln Bafang Bowl
Ge Kiln Bafang Bowl, height 4.2cm, diameter 7.8cm, foot diameter 2.8cm.
The bowl is octagonal in shape, with the mouth slightly turned outward, curved walls, thin bottom, octagonal circle foot, and the foot slightly turned outward. The bowl is fully glazed inside and out. The outer wall is glazed thickly and has large openings, which are ice cracks. The inner wall is thinly glazed and the openings are small and dense, forming an irregular spider web line, that is, a hundred rubbish fragments. The rim of the mouth appears purple due to drooping glaze, while the edges of the feet are unglazed and appear iron-black, commonly known as "purple mouth and iron feet".
The shape of this bowl is novel and elegant, with sharp edges and corners, and smooth and natural lines. It is a treasure among Song Ge Kiln utensils
The eight-sided flat bottle with ears from Ge Kiln
Ge Kiln Bafang Ergu flat bottle, height 14.9cm, diameter 4.6-3.7cm, foot diameter 4.8-6.4cm. The bottle imitates the style of a bronze vessel and is octagonal in shape. The mouth is slightly turned outwards, with two protruding string patterns on the neck. There is a cylindrical round straight ear on each side, which is hollow and is commonly known as "Guan Er". The lower part of the abdomen is plump, and the high-circled feet are slightly turned out. The sole is unglazed and black.
The glaze surface of this bottle is bright and moist, with fine caviar patterns all over the body. The patterns are natural and beautiful, and unique. It is a typical Ge Kiln product.
Ge Kiln Sunflower Wash
Ge Kiln Sunflower Wash, height 3.5cm, diameter 12cm, foot diameter 8.8cm.
The wash is in the shape of sunflower petals, the center of the wash is slightly convex inward, and there are six burn marks on the bottom. The whole body is covered with gray glaze, the glaze juice is thick and moist, and the glaze surface is covered with open flakes with alternating large and small flakes. The large flakes are iron-black and the small flakes are golden yellow, so it is called "golden iron wire".
This wash basin is exquisite in shape, elegant and cute. It is a delicate work of Ge Kiln porcelain in the Song Dynasty.
Ge kiln string pattern bottle
Ge kiln string pattern bottle, height 20.1cm, diameter 6.4cm, foot diameter 9.7cm.
The bottle has a wide mouth, a long and slender neck, a flat and round belly, a circle foot, and four raised string patterns on the neck and shoulders. The inside, outside and bottom of the vessel are covered with glaze, and the whole body is covered with gold and iron lines. , the exposed part of the bottom foot is brown.
The reason for the opening of the glaze is that the shrinkage rates of the glaze and the body are inconsistent. When cooling, a phenomenon of glaze cracking occurs but the body does not crack. Ancient craftsmen skillfully used the patchwork opening and let nature take its course to form a pattern. A wonderful decorative glaze. The glaze of Ge kiln is thick, the glaze color is stable, and the iron content in the body is relatively high. When fired, the glaze at the edge of the kiln droops, forming a sauce mouth.
The string pattern bottle is a typical Ge Kiln product, with a dignified and beautiful shape. The gold iron wire pattern pieces and the four raised string patterns on the shoulder and neck add ups and downs to the single color glaze, making it more rhythmic. . There are not many pieces of Ge Kiln handed down from generation to generation, and they are mainly collected in the National Palace Museum in Beijing and the National Palace Museum in Taipei.
Ge Yao Fish Ear Stove
Ge Yao Fish Ear Stove is 9 cm high, 11.8 cm in diameter, and 9.6 cm in foot diameter.
The shape of this furnace imitates the bronze ritual vessel Gui of the Shang and Zhou dynasties. The "S"-shaped outline is convex and concave, outlining a dignified and full body. There are symmetrical fish ears on both sides and a supporting ring foot. The appearance of the furnace is simple and elegant, with blue-grey glaze all over the body. The glaze is densely covered with "golden iron wires" intertwined like a net, which makes the plain glaze full of rhythm and beauty. There are 6 circular burnt nail marks on the outsole.
The fish-ear stove is named after the fish-shaped ears on both sides and can be used to burn incense. It is a famous product of Ge Kiln porcelain in the Song Dynasty. Although there were imitations handed down in the Yuan and Ming dynasties, they all looked alien and could not match the charm of the original. This piece belongs to the old collection of the Qing Palace. Emperor Qianlong admired it very much. He once drafted a poem and engraved it on the outer bottom of the vessel by the palace jade craftsman. The poem goes:
Who exchanges the fragrance for evening fragrance, and the fragrance is still astonishing to this day smell.
Made from Chongyu Ear, the color is like a valerian eel pattern.
There is no fire at first, but it seems to be cloudy.
After the eight stages of discernment are completed, where is the root of the nose?
It is later signed "Qianlong Bingshen Zhongchun Imperial Title".
Ge Kiln-style bottle
Ge Kiln-style bottle is 14.2cm high, 2.2cm in diameter, and 5.4cm in foot diameter.
The bottle has a small mouth, a long neck, and the neck gradually becomes wider. The longest diameter is near the foot, and the circle foot is wider at the top and narrower at the bottom. The whole body is covered with beige glaze, with black and beige stripes, commonly known as gold wire, showing diagonal stripes from the upper right to the left.
This vase has a beautiful shape and is the only one seen in the Song Dynasty. The glaze color is moist and the patterns are typical. There are very few such utensils handed down from generation to generation and they are extremely precious.
Ge Kiln Bowl
The Ge Kiln Bowl is 7.5cm high, 19.8cm in diameter, and 5.6cm in foot diameter.
The bowl has an open mouth, curved walls, and shallow circle feet. The inside and outside are fully decorated with celadon glaze, which is as thick and moist as grease. The glaze surface is covered with fine open flake patterns of different shades, like a net or a weave. The deep flakes are black and the light flakes are yellow, commonly known as the "golden wire" pattern.