Yan Zhenqing's brush calligraphy has a unique artistic charm and has made great contributions to the development of China's calligraphy. S
Yan Zhenqing's brush calligraphy has a unique artistic charm and has made great contributions to the development of China's calligraphy. So, about, have you enjoyed it? The following is what I arranged.
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Yan Zhenqing's Achievements and Status in Calligraphy Yan Zhenqing's calligraphy was a beginner of Chu Suiliang, and later he learned to write in Zhang Xu, and he also discussed calligraphy with Huai Su. He deeply studied the calligraphy of Erwang and Chu Suiliang, absorbed their strengths, completely got rid of the style of the early Tang Dynasty and created a new era of calligraphy style. Yan Zhenqing's calligraphy style is called "Yan Ti", and it is also called "Yan Liu" with Liu Gongquan, and has the reputation of "Yan Liu Jin Gu".
Yan Zhenqing's original calligraphy is magnificent and dignified, and its handwriting has changed from slender in the early Tang Dynasty to square and has a centripetal force. The pen is vigorous and powerful, and the central brushwork is good. Full of bones and muscles, but also sharp. Generally, horizontal painting is slightly thinner, vertical painting, point, skimming and pressing are slightly thicker. This book is magnificent in style and momentum, and has the spirit of flourishing Tang Dynasty. His cursive script is vigorous, expressive, calm and vigorous, which opens up a complete life for the cursive script after Wang School. Yan Zhenqing's running script is vigorous and vigorous. This style also reflects the prosperous style of the Tang Dynasty empire and conforms to his noble personality. It is a typical example of the perfect combination of calligraphy beauty and personality beauty, so it is praised as "the second running script in the world" by later generations.
It is more dignified and vigorous, and Yan's tablet is also his work, but the fine strokes are different from other tablets. Yan's Temple Monument is rich in calligraphy, which is also his masterpiece in his later years. Compared with his early works, it is more vigorous and atmospheric, which is his masterpiece in his later years.
Yan Zhenqing's Calligraphy Confessions * * 15 * * *
In the history of calligraphy, Yan Zhenqing created a unique realm of calligraphy with "Yan Ti". His calligraphy is characterized by excellent spirituality and natural magnificent realm; It is cast by its powerful soul, and its realm is naturally vigorous; It enriches the people, and the realm is naturally broad. In his youth, Yan Zhenqing asked Zhang Xu "how to be equal to the ancients". This is the aspiration of Yan's calligraphy, and it is also Yan's flying mandarin fish. This strict Miao descendant who used a loess broom to sweep walls and learn calligraphy since childhood stood at a towering starting point of calligraphy almost from the beginning. In calligraphy, Kun Peng spread his wings, and it took almost thirty or forty years of experience to become his own face and climate. Then after decades of hard work and enrichment, the "face and body" has both form and spirit. In his later years, he still pursued perfection and perfection. "Yan Ti" finally stands tall in the book world. As A Brief History of China said: "Ou, Yu, Chu and Xue in the early Tang Dynasty were only the inheritors of the calligraphy style of the two kings, and Yan Zhenqing in the prosperous Tang Dynasty was the creator of the calligraphy style of the Tang Dynasty. "Yan Zhenqing's regular script, especially after the year of India, has become a normalization, and there are many learners in later generations, and there is even a saying that' learning books is beautiful'. ?