A few days ago, Ma Weidou, the first collector who boarded the Lecture Room, threw out a unique view: "Is it frosty with such bright light at the foot of my bed?" It's not a bed for sleeping, it's Mazar (a small foldable bench in the north). "A blog criticism war started, but since yesterday, more and more scholars have stood up to support Ma Weidou, expecting his appearance to bring a new fashion of rational collection to Lecture Room, which is tired of aesthetics.
Cause: The new explanation of "there is such bright light at the foot of my bed" caused an uproar.
As the first collector to appear in the lecture room, Ma Weidou's lecture series on furniture collection immediately attracted wide attention after it appeared in the lecture room on June 65438+ 10/0. In the second lecture, Ma Weidou put forward a unique point of view: the explanation of Li Bai's famous sentence "The foot of the bed is bright, is there first frost's principle?" has been misunderstood for a long time. The bed mentioned by Li Bai is not a bed for sleeping, but a hemp bed, which was called "Hu bed" in ancient times: "The door of the building in the Tang Dynasty was very small, opaque, and the window was also very small, so the moon could not enter the room, especially the window was covered with paper. So Li Bai made it very clear that he was sitting in the yard, not indoors as everyone always thought. " Ma Weidou also used Li Bai's Long March to prove his point: "My hair hasn't covered my forehead yet, I was picking flowers and paying at my door, when you, my love, rode a bamboo horse, trotted around and threw your childhood. It means sitting at the door with Mazar and the little boy riding a bamboo horse in circles. If' bed' is interpreted as the bed where you sleep, there is a big bed in the room, and the little boy is secretly looking at the little girl, it is not Li Bai's original intention. "
A few days later, Zhang Huali, director of Hunan Entertainment Channel, took the lead in refuting Ma Weidou's "Mazar Theory" in his blog. Zhang Huali also quoted many ancient poems, from Li Bai's "A bed can't be embroidered, and it smells good after three years" to Bai Juyi's "Sleeping alone under the eaves, sleeping for half a month" to Du Fu's "Bed or that sleeping bed": "The beds of the above poets are one after another with moonlight, but others can't meet Li Bai. How does the thin enough paper block the moonlight? It's a bit arrogant to turn the bed into a small Mazar and forbid the Tang people to sleep. " This statement has attracted much attention and controversy.
Support: Ma Weidou's point of view is not surprising.
Although Ma Weidou's views caused controversy, his speech was welcomed by the audience. Yesterday, more audience readers supported Ma Weidou's point of view with their own blog platform, calling Ma Weidou's lecture "clean and neat", starting with daily appliances, and explaining the cultural details in a way that appeals to both refined and popular tastes. There are many scholars who support the theory that a bed is not a bed. "My bed feet are so bright that a' bed' is not a bed for sleeping. This is definitely nothing new. But most of them put forward the third viewpoint "well field theory". Many years ago, there was a "bed" in the book Appreciation of Poetry by the late poet Wu Benxing, which should be interpreted as "well site". Wei Minglun, a genius of Bashu, joined in the excitement and took the initiative to call the media to support the "Minefield Theory": "Li Bai's homesickness poem" Silent Night Thinking "is almost a household name in China, but researchers have been arguing endlessly, and the focus of the debate is" there is such a bright line at the foot of my bed ". Some people think that "bed" should be interpreted as a seat, others think that "bed" should be interpreted as a bed for sleeping, and some scholars think that "bed" should be interpreted as a well site. In fact, the' bed' in Silent Night Thinking is indeed a well site, and the folk image of' well' is the core image of the whole poem. The playwright Guo Qihong also said: "With the change of people's living environment, the well has long been a thing of the past, and no one has seen the mine field." . "This is different from what Ma Weidou said." We have a misunderstanding, and this misunderstanding comes from the changes in our daily life after the Millennium. "In the same strain. Others say that Li Bai is a descendant of Hu, and the "bed" is Mazha, which was called "Hu bed" in ancient times, or it is not impossible.
Faced with external doubts, Ma Weidou responded indifferently to the media: "The study of history cannot rely on literature at all, because literature is too subjective and unreal. I think it depends on cultural relics to explore the truth of history. The real cultural relics are irrefutable evidence. Before throwing this idea, I knew there would be opposition. I read Zhang Huali's blog and collected some rebuttals. At present, I will not rush to respond to outside comments, but I still have to say that Zhang Huali's rebuttal has no power for me. "
Prospect: Looking forward to rational collection fever
Can the intimate contact of Lecture Room+Ma Weidou+Collection make folk collection activities flourish again? Since Yi Zhongtian and Yu Dan left, Lecture Room seems to have been silent for too long, and the appearance of Ma Weidou dispelled the fog of aesthetic fatigue.
In the interview, the reporter found that many people who watched Ma Weidou's lecture were people who worked in museums and auction companies. These people usually appreciate Malik Dou Wei's style, his knowledge and appreciation. "After listening to Ma Weidou's class, I have some understanding of some professional terms in the collection industry." A female lecturer in the museum said on her blog: "I just joined the work and haven't officially taken office yet. I watch Ma Weidou's speech to enrich myself. The humorous Markov style really taught me a lot, such as what is a rose chair and what is a situation of tilting my head. I didn't know this before, and some contents will definitely be used in my future work. "
"This speech at the altar can be said to be a change in Ma Weidou." The staff of Beijing Guanfu Museum said that Ma Weidou started as a grassroots collector and achieved great success today through his unremitting efforts. The tortuous process itself is a readable story. Now, through a mass communication, Ma Weidou tells everyone about his collection experience and prompts some necessary knowledge, which can be described as a reward for the collection industry and also means giving back.
According to the column of Lecture Room, Ma Weidou's Tales is a good reading for those who want to enter the collection circle. It has a great enlightening effect on beginners, and will let people know how to enjoy the cultural fun brought by collection, rather than the temptation of money.
"I hope that Teacher Ma's content can make people have a clear understanding of the collection market." A person in charge of an auction company said that judging from the age and nature of the participants, today's collections have a process of participation by the whole people, and more than half of them have the dream of "losing their children" and "getting rich". In fact, people who can make money in this market have capital and vision. It is difficult for people who are "lucky" and "gambling" to find cheap money in this market, but it is precisely these people who account for the majority of the market at present, so someone needs to talk about risks and collect knowledge. At this time, the emergence of Ma Weidou can be said to be just the right time.