Song Dynasty: Jiang Kui
When people fall around the moon in Gao Xiang. The slanting flower tree is sad. Who knows what happened one spring? The east wind is cold and the fragrance is far away.
Seagulls wandered in the past. Distant pity for flowers and cocoa, dreams and dreams. Nine doubts break the soul. Acacia's blood makes the branches green.
Translate/Translate Xiao Zhongshan Ling Fu Tanzhou Hongmei
Xiao Zhongshan Ling Fu Tanzhou Hongmei
Walking on the banks of Xiangjiang River, I feel that the moon is about to fall. The plum trees on the banks of the river are crooked, with small flower branches open and full of sad ripples. Who knows the melancholy of a spring plum blossom? A cold easterly wind is blowing. Plum blossoms will soon wither.
When the seagulls left, the past changed. I can only pity those beautiful flowers and farewell dreams from a distance. The clouds in Jiuyi Mountain drifted away, and the Queen E wept, and the blood and tears of Acacia soaked in the bamboo branches.
Notes on Xiao Zhongshan's Ling Fu Tanzhou Hongmei
1. Xiao Zhongshan Mausoleum: Xiao Zhongshan, also known as Bug Mountain and Six-color Heart. Tang people often use this tune to write about the suffering of maids. Xue Ci is the main body in Ci. Two-tone 58 words. Four sentences on the top and four rhymes on the bottom. The first sentence is less than the first sentence, and the rest are the same. There are also 57 words and 60 words, all of which are variants.
2. Tanzhou: Changsha City, Hunan Province today.
3. Xiang: Xiangjiang River, which flows through Hunan.
4. Hey: Shore.
5.qiàn skirt: crimson skirt. Women's.
6. Yiyi: Blurred eyes.
7. Nine doubts: the name of the mountain. South of ningyuan county, Hunan.
8. Crying: According to Ren Fang's Fantasy, Shun Di died of nine doubts and was buried here. His second concubines, E Huang and Nv Ying, heard the news and wept at the Xiangjiang River. It is said that their tears were stained with bamboo. The latter two people died by throwing themselves into Hunan water.
9. Qin: Infiltration.
10. Lv Yun: Green bamboo.
Appreciation of Ling Fu Tanzhou Hongmei by Xiao Zhongshan
This poem was written in the 13th year of Xichun (1086), when the author lived in Changsha. Tanzhou is today's Changsha, Hunan, and it was rich in red berries in the Southern Song Dynasty. The first word named Yongmei is actually about caring for others and expressing one's sadness and hatred.
This is an ode to things. Mei Liu is the most sung in Baishi's poems about objects. This is because he and Hefei couple met in a "Hefei incident" at Chilan Bridge in Hefei, where there were many willows. When they parted, it was the season when plum blossoms were in full bloom. Mr. Xia's textual research is as follows: "Baishi is a guest in Hefei, and he has frequent exchanges ... The two parting times are in Meihua, once in early spring and once in winter. Therefore, the concentration of Yongmei's words, like his chanting of willows, is mostly related to this situation. " ("Jiang Baishi Chronological Examination")
Zhang Yan said: "Poetry is difficult to chant things, especially words. If you realize a little truth, you will be caught and not smooth; If the handwriting is not perfect, it will appear obscure. If you want to keep secrets vertically and horizontally, you can use things to combine topics. The meaning of a paragraph is all in the sentence, which is wonderful. " (Etymology, Volume II) lists several principles of reciting things: First, seek the likeness of God rather than the likeness; Second, the structure should be able to release and collect, and let nature take its course; Third, the allusions used must conform to the theme; Fourth, the sentence must indicate "a paragraph of meaning". If the word is measured by the above principles, it can be said that it is consistent everywhere. This word is marked as "Red Plum in Fuzhanzhou". Tanzhou (now Changsha City, Hunan Province) is rich in red plums and is famous as "Tanzhou Red". Poetry begins with chanting red plum, but it is not limited to simply writing plum, writing plum and writing people, that is, plum is a person, people are writing plum, and plum and bamboo set each other off. The artistic conception is ethereal and far-reaching, and it can be put away freely, reaching the hazy aesthetic realm of being like a flower but not a flower, being like a human being and combining flowers with people.
Start with the sentence "When people set around the moon in Gao Xiang" and point out who, where and when. Gao Xiang on the Xiangjiang River. Qu Yuan's Lisao: "Yuma is in Xi, Gao Lan." Note: "Qu Ze Gao Yue." Waterfront and riverbank are often ideal places for lovers to meet, and the red berries are more poetic. However, at this moment, the poet wrote not the joy of meeting, but the sadness after leaving. A word "around" wrote all kinds of helplessness and sadness. Bypass, wandering also. The word "falling moon" shows that its "person" (the owner in lyric poetry is often the author himself) has been wandering here for a long time. The moon falls in Gao Xiang, and the environment is bleak, so as to set off the mood. One can imagine the sadness and sadness. The second and third sentences were directed by Ren and Mei. Lin Bu's poem "Plum Blossom" said: "The shadows are shallow, and the dusk floats lightly." However, the poet did not write that Meiying was reflected on the water, but that Meiying was immersed in the water, with the word "immersion" and strong feelings, and then described the ripples with the word "sorrow" and personified them. Wang Guowei said: "Everything looks at me, so everything is my color." ("Words on Earth"). Worried people look at things with sad eyes, which is called empathy in aesthetics and rhetoric. The poet wrote about the grass, horizontal and vertical. For example, Su Dongpo's poem "Remembering Plum Blossoms in Jianxi with Qin Taixu" said: "A thousand trees on the river head want to be dark in spring, and a branch outside the bamboo is better." Here, the poet not only wrote his own thin shadow, but also highlighted a "small" word. "Flowers are small", and a work "Flowers are small". Small print means petite and delicate. Only its exquisiteness and delicacy make people feel love. The above three sentences describe the unique character and style of Tanzhou Hongmei with freehand brushwork, which lays the foundation for the whole article.
The three sentences in One Spring are not only about people, but also about plum blossoms. It not only continues the previous sentence, but also further writes Mei's sadness, gradually arouses the sad past from the "secret things" and secretly points out the "people" in her mind. What is May's Love in a Spring? It's "Marriage and Car Style Spring", and in a blink of an eye, "All the pieces have been blown out. When can you see them?" (Bai Shi's Dimfragrance) Spring flowers fall, and you feel sorry for yourself. Who knows except the breeze and the bright moon? "The Return of Fragrant Dress" is the return of a woman wearing a money dress, symbolizing the fall of plum blossoms. A sissy skirt, that is, a red skirt. The fragrance was blown away by the cold east wind, but the fallen flowers still attached to the branches and whirled under the trees. This sentence is full of wonderful imagination, "fragrance" is still lingering in the soul, ethereal; A sissy skirt is an image transformed from petals, just like in front of us. This unreal image is Hefei couple, whose dreams are entangled with the soul of Baishi. This is the "complex" of Baishi's life, so as soon as he sees plum blossoms, he will immediately think of his lost lover. At that time, the spring was chilly and the red berries were in full bloom. He and the woman in red are separated by the river. The poet drifted away and looked back at the shore, only to see the red skirt drifting away and becoming a red dot, just like a red plum on the river. ...... At this moment, the poet looked at the red plum on the edge of Xiangjiang River with deep affection, and his eyes gradually blurred, conjuring up the "sissy skirt" on the river that year. People? Meyer? Really? Fantasy? This kind of description is to write things rather than elaborate, which conforms to the first standard mentioned by zhangyan above.
After a film came down, I ended my memories of the past with "Gulls Go". Why does the word "red plum" suddenly refer to seagulls? This method is a vertical word in the cloud of Zhang Yan's Collection of Vertical and Horizontal Secrets, that is to say, don't stick to facts, but write from a distance. Seagulls are the scenery in front of us, which is in line with the specific location of Gao Xiang. The poet wandered high in the river and opened a beach of gulls; However, the flapping of seagulls awakened the poet and brought him back to the present from his lost memory. Ah, all this turned out to be an illusion. The past flew away like a seagull. When a word is written here, if it continues to be written from a distance, it will lose its beauty, so the word "Yuanxi" pulls it back to the theme and blends with Shangque's "Yuanxiang", thus forming an organic whole and achieving the purpose of "combination". "Flower Cocoa" echoes the previous "flower tree is small". Coco, Xiao Ye, described Mei Duo as small as a red dot. "Coco" and "Yiyi" are both overlapping words, and they are even and harmonious, with extremely beautiful phonology.
Lou Jingsi was quoted by the Linz Chronicle as saying that Jiang Baishi's words "can only be won by turning over the pen and writing horizontally". This word was written by Mei and others, and it was about his own acacia. At first, it was opened, and after several turns, it was written about each other's acacia. On the other hand, the lovesickness between the two places is tied to a red plum tree, and the lovesickness is getting stronger and stronger and the benefits are getting deeper and deeper. You can find the news by carefully tasting the following "remote pity" sentences. The three sentences in Nine Doubts seem to be written in bamboo, but they are actually written in plum blossoms.
In the poet's view, this red plum is clearly dyed with the lovesickness blood and tears of E Huang and Nv Ying, that is, the lovesickness blood and tears of their lovers. Here, ChristianRandPhillips's allusions are not only related to the land of Hunan in Tanzhou, but also related to Hongmei through Banzhu, comparing E Huang and Nv Ying's love for Shun Di to their love for themselves. Although they are written from each other and portrayed with a horizontal pen, they are all "combining topics with things", which is very accurate. Because the word "acacia blood" is the medium that connects plum and bamboo. This can also be seen from the beauty of Baishi allusions. The predecessors used allusions and original intentions, which sometimes seemed plain and straightforward; Baishi uses allusions, takes what he needs, only takes the general idea, does not stick to the old facts, and uses them very flexibly.
This word creates a subtle and hazy beauty in aesthetic value. Chen Tingzhuo, a native of the Qing Dynasty, said in Volume I of Bai Yuzhai Ci Hua: "The so-called Shen Yuzhe is intended to write first, and the words of God are beyond words. ..... All the indifference of friendship and the drifting of life experience can be made in every grass and tree. And it will be looming, want to show it, repeatedly lingering, and finally not telling the truth. " This word does not focus on the description of a branch and a leaf like the general object-chanting poems, but focuses on vivid and freehand brushwork. Absorb its spirit from the ethereal spirit, touch its rhyme, remove dust and color, and achieve the wonderful scene of "wild clouds flying alone without leaving traces" (etymology of Zhang Yan). Through the rendering of "the moon sets", "the gull dies", "the east wind", "Mouyi" and "Lv Yun", and through the comparative metaphors of "sissy skirt returns", "broken soul cries" and "lovesickness blood", a unique image of red plum is created, which is full of sadness and lovesickness, so as to express deep attachment to the sweetheart.
Brief Introduction to the Author of Xiao Zhongshan's Red Plum in Tanzhou, Ling Fu
Jiang Kui (Kuí) (1154-1221) was born in Poyang, Raozhou (now Poyang County, Jiangxi Province). Writers and musicians in the Southern Song Dynasty. He is a poor boy, who has tried many times. He has never been an official all his life, and he has been wandering the rivers and lakes all his life, helping his friends by selling words for a living. He is versatile, proficient in temperament, able to compose his own music, and clear pronunciation and mellow voice. His works are famous for their ethereal subtlety. Jiang Kui is good at poetry, prose, calligraphy and music, and is another rare artistic all-rounder after Su Shi. Jiang Kui's ci has a wide range of themes, such as feeling of time, lyricism, chanting things, love, writing scenery, remembering trips, arranging festivals, making friends and giving gifts. In his poems, he expressed that although he was in the Jianghu, he never forgot the feelings of the monarch and the minister and the thoughts of harming the heavens and the earth, described his wandering life, and expressed his depressed mood of being unworthy of the world and frustrated in love, as well as his transcendent and refined character like a lonely cloud and wild crane. Jiang Kui lived in the West Lake at night and was buried in Ximacheng. Many books have been handed down, including Poems of Taoist White Stone, Songs of Taoist White Stone, Continued Book Score and Jiang Tieping.